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Beetlejuice is back! Oscar-nominated, singular creative visionary Tim Burton and Oscar nominee and star Michael Keaton reunite for Beetlejuice Beetlejuice, the long-awaited sequel to Burton’s award-winning Beetlejuice.<br/><br/>Keaton returns to his iconic role alongside Oscar nominee Winona Ryder (Stranger Things, Little Women) as Lydia Deetz and two-time Emmy winner Catherine O’Hara (Schitt$ Creek, Corpse Bride) as Delia Deetz, with new cast members Justin Theroux (Star Wars: Episode VIII – The Last Jedi, The Leftovers), Monica Bellucci (Spectre, The Matrix films), Arthur Conti (House of the Dragon) in his feature film debut, with Emmy nominee Jenna Ortega (Wednesday, Scream VI) as Lydia’s daughter, Astrid, and Oscar nominee Willem Dafoe (Poor Things, At Eternity’s Gate).<br/><br/>Beetlejuice is back! After an unexpected family tragedy, three generations of the Deetz family return home to Winter River. Still haunted by Beetlejuice, Lydia's life is turned upside down when her rebellious teenage daughter, Astrid, discovers the mysterious model of the town in the attic and the portal to the Afterlife is accidentally opened. With trouble brewing in both realms, it's only a matter of time until someone says Beetlejuice's name three times and the mischievous demon returns to unleash his very own brand of mayhem.<br/><br/>Burton, a genre unto himself, directs from a screenplay by Alfred Gough & Miles Millar (Wednesday), story by Gough & Millar and Seth Grahame-Smith (The LEGO® Batman Movie), based on characters created by Michael McDowell & Larry Wilson. The film’s producers are Marc Toberoff, Dede Gardner, Jeremy Kleiner, Tommy Harper and Burton, with Sara Desmond, Katterli Frauenfelder, Gough, Millar, Brad Pitt, Larry Wilson, Laurence Senelick, Pete Chiappetta, Andrew Lary, Anthony Tittanegro, Grahame-Smith and David Katzenberg executive producing.<br/><br/>Burton’s creatives behind the scenes includes director of photography Haris Zambarloukos (Meg 2: The Trench, Murder on the Orient Express); such previous and frequent collaborators as production designer Mark Scruton (Wednesday), editor Jay Prychidny (Wednesday), Oscar-winning costume designer Colleen Atwood (Alice in Wonderland, Sweeney Todd: The Demon Barber of Fleet Street, Sleepy Hollow), Oscar-winning creature effects and special makeup FX creative supervisor Neal Scanlan (Sweeney Todd: The Demon Barber of Fleet Street, Charlie and the Chocolate Factory) and Oscar-nominated composer Danny Elfman (Big Fish, The Nightmare Before Christmas, Batman); and Oscar-winning hair and makeup designer Christine Blundell (Topsy-Turvy).<br/><br/>A Warner Bros. Pictures presentation, Beetlejuice Beetlejuice will be released only in theaters and IMAX on September 6, 2024 nationwide, and internationally beginning 4 September 2024. It will be distributed worldwide by Warner Bros. Pictures.
⏲ 2:17 👁 22.1M
ModernProductions
⏲ 3 seconds 👁 125
Little White Lies
⏲ 10 minutes 52 seconds 👁 93.8K
GLASGOW. The Burrell Collection.<br/><br/>Discovering Degas: Collecting in the Time of Sir William Burrell is the first-time visitors can see all 23 Degas works from Burrell's original collection at the same time, alongside 28 further world-class paintings, works on paper and sculptures on loan from 13 of the UK and Europe’s finest national and international collections.<br/><br/>Set to be one of the must-see Scottish shows of the summer, Discovering Degas is the first, major exhibition to be held at the museum since it reopened in 2022, after a £68 million refurbishment.<br/><br/>Staged by Glasgow Life, the charity that leads on culture and sport in the city, the exhibition will explore the collecting and buying of Degas artworks by Sir William Burrell and his wife Constance, Lady Burrell, who donated one of the single greatest gifts to the city of Glasgow.<br/><br/>As shown through fascinating letters and other archival material, Burrell is amongst the earliest Scottish collectors to buy works by Degas. Over a 40-year collecting period he bought over 20 artworks spanning the artist’s career, far more than any other UK collector.<br/><br/>By bringing these together with loans from The Barber Institute of Fine Arts, British Museum, The Courtauld, National Museums Liverpool Walker Art Gallery, Museums Northumberland, The National Gallery London, Tate, V&A, Amgueddfa Cymru Museum Wales, Hugh Lane Gallery Dublin, The Hunterian, National Galleries of Scotland and Musée d’Orsay, Paris, Discovering Degas provides an important opportunity to better understand Degas and a unique introduction and fresh perspective on a hugely popular art movement.<br/><br/>Loans are supported by the Weston Loan Programme with Art Fund. Created by the Garfield Weston Foundation and Art Fund, the Weston Loan Programme is the first ever UK-wide funding scheme to enable smaller and local authority museums to borrow works of art and artefacts from national collections.<br/><br/>Pippa Stephenson-Sit, Curator of European Art at Glasgow Life Museums, who co-curated the exhibition, said: “Discovering Degas has been an absolute joy to work on. Degas is one of the finest artists the world has ever seen and one of the founding artists of the Impressionist group.<br/><br/>“He was very fond of Britain and travelled here several times. He cultivated relationships and recognised opportunities for selling his work to British art collectors, who were beginning to develop a taste for modern French art. Sir William had a keen eye for his artworks and collected them for about forty years.<br/><br/>“From modern Parisian life, to horse-racing, to ballet scenes, Degas tirelessly tackled a number of fascinating topics in a way that was entirely his own. His artworks remain extremely popular today, particularly his ballet scenes, but we hope this exhibition offers a chance to learn something new about an intriguing, immensely talented artist. This is a unique opportunity to vi
⏲ 11:0 👁 32.2M
Valentin Tool's
⏲ 23 seconds 👁 20.8K
Soundr rama
⏲ 44 seconds 👁 91.9K
Dr. Ed Barnhart, an American archaeologist, answers the internet's burning questions about the ancient Maya civilization. Why was the Maya calendar year only 260 days? Who did they sacrifice? Did they build more pyramids than the Egyptians? This Maya expert answers all these questions and much more.Dr. Ed Barnhart is the director of Maya Exploration Center https://www.mayaexploration.orgCheck out The ArchaeoEd Podcast - https://www.archaeoed.com for more content about the ancient Americas.Director: Lisandro Perez-ReyDirector of Photography: AJ YoungEditor: Christopher JonesExpert: Ed BarnhartLine Producer: Joseph BuscemiAssociate Producer: Brandon WhiteProduction Manager: Peter BrunetteCasting Producer: Nicholas SawyerCamera Operator: Lucas VilicichSound Mixer: Kari BarberProduction Assistant: Fernando BarajasPost Production Supervisor: Christian OlguinPost Production Coordinator: Ian BryantSupervising Editor: Doug LarsenAdditional Editor: Paul TaelAssistant Editor: Billy Ward
⏲ 23:16 👁 18M
Dan Murrell
⏲ 1 hour 57 minutes 12 seconds 👁 22.8K
Plasma Storm
⏲ 38 seconds 👁 49.3K
A competition at shop: Chocolate Treasures in Heath Hayes, Cannock, where they are running a competition to invent your own chocolate bar. The winner will help make it and it will go into production at the shop and on sale to the public.
⏲ 3:53 👁 9.7M
supremetaco
⏲ 15 seconds 👁 83.7K
Sussy Red YTP // Among Us Sussy Red
⏲ 21 seconds 👁 3.4K
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