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Scorch
⏲ 1 min 5 sec ✓ 08-Oct-2013
Gradient
⏲ 1 min 32 sec ✓ 14-Mar-2013
The Renegades: American Avant-Garde Film, 1960–1973
⏲ 81 sec ✓ 13-Sep-2012
IN MEMORIAM, MARCH 2003, ACADEMY AWARDS
⏲ 2 min 34 sec ✓ 19-Jun-2014
\
⏲ 2 min 40 sec ✓ 21-Dec-2011
Stan Brakhage, Mothlight (1963)
⏲ 1 min 95 sec ✓ 04-Nov-2020
Thru Dog Star Man Eyes (Stan Brakhage TRD)
⏲ 28 min 23 sec ✓ 11-Mar-2013
STAN PHONE CALL re: \
⏲ 3 min 91 sec ✓ 09-Mar-2018
LIFE WITH STAN #4: Stan painting (16mm)
⏲ 5 min 44 sec ✓ 21-Jul-2011
Painlevé's Animals: Human Life
⏲ 3 min 21 sec ✓ 28-May-2013
Chantal Akerman. \
⏲ 1 min 25 sec ✓ 15-May-2020
The Yodeling Farmer - by Mike Maryniuk and John Scoles
⏲ 3 min 72 sec ✓ 22-Aug-2011
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_92.jpg "A video odyssey through blending modes. All the footage is sampled from various sources. I sampled a small portion of content from Vimeo users, and the rest I dug up from my DVD archive. Sources sampled include:")
_scorch.webp "Scorch is an experimental and abstract direct film animation. For this project I wanted to create a unique and engaging animation that combines aspects of Len Lye, Stan Brakhage and Norman McLaren's work. I have created a film using the very basic elements of film; movement, colour and light.nnTo create this film I took photos with a lomography camera and got the negatives developed. I then cut the negatives into 8mm wide strips and taped them all together. I scratched, etched and drew onto the")
_gradient.webp "Music by Evan AbeelennFootage by Stan Brakhagennhttp://evanabeele.tumblr.comnwww.memoryhou.se")
_the-renegades-american-avant-garde-film-19601973.webp "American cinema changed dramatically over the course of the 1960s, during which time the scope, shape, and content of film was rigorously challenged. Eager to break away from the domination of narrative features of this period, film artists used fresh, renegade styles to explore both the structure of edited composition and the lyrical nature of celluloid images.nnThis dynamic exhibition features Bruce Conner’s THREE SCREEN RAY (2006), comprised of imagery from his films COSMIC RAY (1961) and E")
_in-memoriam-march-2003-academy-awards.webp "The most beautiful 5 seconds in the history of the Oscars begins around the 2:00 minute mark.nn(Thanks to Mark Toscano and all the good people at the Academy who made this happen. Stan would have been been truly touched to know he was in such good company).")
_92.webp "A video odyssey through blending modes. All the footage is sampled from various sources. I sampled a small portion of content from Vimeo users, and the rest I dug up from my DVD archive. Sources sampled include:")
_stan-brakhage-mothlight-1963.webp "Stan Brakhage, Mothlight (1963) from stan brakhage")
_thru-dog-star-man-eyes-stan-brakhage-trd.webp "Stan Brakhage mash up tribute.nMusic by Twin Realities DreamersnFree to download here http://archive.org/details/InstrumentalTapenFound footages God Star Man / Anticipation of the night / The Act of Seeing with One's Own Eyes by Stan BrakhagenWho want to watch tru dog star man's eye§ ?")
_stan-phone-call-re-92.webp "I accidentally left my answering machine to continue to record after I picked up a message in progress from Stan Brakhage about his overwhelming response to seeing the premiere of my new film")
_life-with-stan-4-stan-painting-16mm.webp "Boulder, 2002.nnSomehow, over the course of 13 years, I only managed to shoot of a couple of 16mm rolls of him (though I have hours and hours of video). In hindsight, I was simply just too self-conscious about reversing the tables on him, so to speak, artistically. It was implicitly understood, I believe, that all the videos I shot of him were to be either for my ‘home movies’ or an archival record of a special event, e.g., the salons - and not an art as such (though he surely would not have")
_painlev39s-animals-human-life.webp "A videoessay by: Carles Matamoros & Covadonga G. Lahera: http://cinentransit.com/los-animales-humanos-de-painleve/nFootage: HOLY MOTORS (Leos Carax, 2012), WINDOW WATER BABY MOVING (Stan Brakhage, 1959), DAL POLO ALL'EQUATORE (Yervant Gianikian & Angela Ricci Lucchi, 1987), LE SQUELETTE JOYEUX (Louis Lumière, 1895), L'HIPPOCAMPE (Jean Painlevé, 1934)LA PIEUVRE (Jean Painlevé, 1928), ACÉRA OU LE BAL DES SORCIÈRES (Jean Painlevé, 1972). nFor Study Purposes Only.")
_chantal-akerman-92.webp "Con apenas veintiún años, Chantal Akerman llegó a Nueva York. Dos hechos fueron clave en su experiencia vital y profesional. Por un lado, la ciudad a comienzos de la década de 1970 era un espacio en quiebra económica, un hábitat para formas de vida marginales, como las de cierta escena artística por la que la cineasta se interesó y en la que se implicó. Por otro, Akerman entró en contacto con el cine estructuralista norteamericano (con exponentes como Michael Snow, Stan Brakhage o Jona")
_the-yodeling-farmer-by-mike-maryniuk-and-john-scoles.webp "In a wooden folk art universe, a crude internet search takes the viewer on a ride down the information super railroad, exploring the life of Manitoba cowboy yodeling legend Stew Clayton.nThe Yodeling Farmernnby Mike Maryniuk & John ScolesnnSeptember 2011 | 6:00 | documentary/animation nnshot on 16mm, 35mm, Super8, HD nnscreens on HDCam | 16:9 anamorphicnncolour | stereonnn nnCREWnnDirector: Mike Maryniuk & John ScolesProducer: Mike MaryniuknnScreenplay: Mike")
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