hmi lights Videos (Page 9) - HiFiMov.co

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This spot was directed by Mark Claywell. We utilized two cameras to maximize coverage. Shot on the working kitchen of a New York stage, we tried to reflect the confidence and friendliness of the chef, as well as add some liveliness to the cooking shots. HMI and fluorescent lights were used. Cooke S4 and Zeiss Superspeed lenses were both used, depending on the frame, and we shot with two Red Epic MX cameras.

⏲ 60 sec ✓ 01-Feb-2016

Mindscreen Film Institute founded by Rajiv Menon started as a school for Cinematography and branched out to Screenplay Writing, Film-Making, and Direction. Rajiv Menon, known for his passion for teaching, has mentored award winning cinematographers and directors during their formative years.nRun by a team of senior professionals, Mindscreen Film Institute takes pride in having been the training ground for some of the best talent in the film industry today.nMindscreen Film Equipment Company draws

MINDSCREEN FILM INSTITUTE (MFi)

⏲ 50 sec ✓ 27-Aug-2016

Win the hearts of your family & friends by cooking something new and exciting every day! Learn delicious recipes of Pakistani & Indian cuisines, attractive food presentation techniques, handy hints and a lot more straight from Weekend with Naheed Ansari live show on ARY ZAUQnCooking Expert Naheed Ansari & Host Aisha KhalidnnShot on Canon 5DnLens : 50 mm , 18 mm to 200 mmnColor grading : After EffectnEdit on : Final Cut Pro

Weekend with NaheeD Ansari

⏲ 56 sec ✓ 16-Dec-2011

I had a few friends look at some of my other Red Epic clips and they said everything was 'out of focus...'Actually it wasn't out of focus at all!The Epic doesn't apply any sharpness to the image as it records.Most colorists will apply some sharpening at the end of their sessions just before the final output.nnThis is an example of that very process!Take a look at the clip:Two versions... One is straight out of the Epic, and the other has sharpening applied in Adobe Premiere CS 5.5.

Sharpening Test Comparison

⏲ 32 sec ✓ 14-Feb-2012

Video doesn’t have to be over the top, sometimes a small amount of movement is all you need. First I captured ahigh resolution photo with a still camera, then I switched over to a video camera to capture the video. nnLighting for both still and video used to be more complicated. Video requires continuous lights, in the past that would require HMI or tungsten lights. Now that the LED light market has exploded, there are tons of great options that work for both photos and video.nnI was very

Lowercase Glasses

⏲ 11 sec ✓ 14-Oct-2022

Amazon Product Video for

R+Co Amazon Video - SAIL Soft Wave Spray

⏲ 37 sec ✓ 21-Mar-2017

Last year, Hive Lighting showed us a prototype of their plasma light technology. Now Hive has debuted a lineup of production fixtures: a Fresnel, par, sealed par pair, and even a retrofit kit for ellipsoidal fixtures. Plasma lights use a tiny glass bulb filled with gas. When that gas is bombarded with microwaves, the gas changes state to a plasma and in the process emits an enormous amount of photons. The resulting light is daylight balanced, very high CRI and flicker free. It is also about twic

NAB ’12: What’s New with Hive Lighting

⏲ 2 min 23 sec ✓ 19-Apr-2012

This simple but effective TVC was shot in mere hours at the Gold Coast convention centrenDirected by Michael Cox and Shot by Matt Cox, the Ad follows the simple process of a cowboy preparing to do battle with an unseen bull. Without access to any livestock, or even a crowd filled venue, the ad still manages to evoke a sense of anticipation for the event.nShot an a Cannon 7D at 50fps, with a single 1.25 k HMI, and some ultra portable LED lights, The team were able to have multiple setups within a

Mt Isa Rodeo TVC Mk2

⏲ 30 sec ✓ 20-Jun-2012

Tupperware - Picnic Holic

⏲ 1 min 7 sec ✓ 28-Jan-2013

Amazon Product Video for

R+Co Amazon Video - TROPHY Shine + Texture Spray

⏲ 36 sec ✓ 21-Mar-2017

A pre-roll shot for Hotpoint. This was shot on the Arri Alexa Plus shot ProRes 4:4:4. my role on this was DOP/Camera Operator. Glass: ARRI Alura 18-80mm T2.6 PL Lens, Lights 2.5k HMI x3

Hotpoint Active Oxygen Dishwasher

⏲ 31 sec ✓ 06-Apr-2014

American playwright Walter Wykes' monologue 'The Unwanted' was selected as a workshop piece for Brighton Film School students to shoot on location with a full crew in a church.nnLocal actor Steve Harris was engaged to perform the script with HODS (Heads of Department) Lydia Currie (AD), Julian Kerridge (Directing), Ray Moore (Camera), Roger Johnson (Sound) and Ewan Cassidy (Lighting)to support the students.nnA full Super 16mm shooting kit with HMI lights, track and dolly were transported to th

⏲ 1 min 9 sec ✓ 12-Mar-2013

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