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Join my Facebook group to stay up to date on my updated Tap class schedules! nwww.Facebook.com/groups/ChrisErkTAPclassesnnOh, yea! “It Was a Good Day” to get into the studio to choreograph a college audition piece for a student of mine. Here is a sensible run for content so she (and I) can remember what the heck we did. Manifested from my brain in 3 hours. Very proud of this little gem, and she dances it beautifully.nnThank you @atomicballroom for having a clutch space to work! #tapdancers ,
⏲ 39 sec ✓ 08-Jul-2020
Doublénfor flute, clarinet in Bb, viola, violoncello, piano and video with stereo soundn8’n2017nnProgramme NotennIn what situations that can an artist truly represent both history and politics? When our social media has become the clash of political messages and ideology, how are we able to speak about politics through arts again? Ranging from Francisco Goya’s depiction of Napoleon’s occupation of 1808 in Spain, to punk rock’s anti-establishment ideologies in the 70s, visual art and mus
⏲ 4 min 87 sec ✓ 06-Mar-2018
Join my Facebook group to stay up to date on my updated Tap class schedules! nwww.Facebook.com/groups/ChrisErkTAPclassesnnOh, yea! “It Was a Good Day” to get into the studio to choreograph a college audition piece for a student of mine. Here is a sensible run for content so she (and I) can remember what the heck we did. Manifested from my brain in 3 hours. Very proud of this little gem, and she dances it beautifully.nnThank you @atomicballroom for having a clutch space to work! #tapdancers ,
⏲ 59 sec ✓ 08-Jul-2020
#Philinstrumental, #irenecara, #,flashdancewhatafeeling, #Chords, #Lyrics, #QordsnMost accurate video play-along tutorial how to play guitar & piano with Chords, Lyrics, Tabs, Diagrams and Songstructure for piano and guitar. nnThis video shows how to play the song in the original key ( Bb ). nnQORDS = The only app ( for iPad ) that is 100% sync to the original YouTube video “how to play” and each song is individually and professionally analysed. nTherefore QORDS is the most accurate. nnN
⏲ 2 min 17 sec ✓ 24-Jun-2022
The Hand You Can Shakennthe lips you can kiss,nkiss nthe note you can playnplaynthe joy or sorrow you can sharensharennin the midst of madness and mayhemnwe need these momentsnnwe do not knownwhich 13-year-old’s hand nwe may never shakenwhose lips he may never kissnwe do not knownwhose heart may shinenor be brokennwe do not knownwhose eyes may never againnnever never never nnever againnsee a flowern njust when things seem just when things seem like just when things seem like they might like th
⏲ 1 min 66 sec ✓ 08-Feb-2020
Jon Hammond Show 0105 - First segment:n'Czechoslovakian Salsa Song' Recorded on Nakamichi 550 Ellington Room Session:nco-written with Saul Salsakovitch & Jon Hammond - performed here in Times Square, New York City Ellington Room, Musicians: Chuggy Carter percussion, Joe Berger guitar, Todd Anderson tenor saxophone, Ray Grappone drums, Jon Hammond at his 1959 Hammond B3 organ + Super Leslie speaker built for Jon in 1971 by Bill Beer Keyboard Products of Los Angeles with JBL Speaker & Horn
⏲ 19 min 73 sec ✓ 31-Dec-2018
Full page: https://ragajunglism.org/tunings/menu/orkney/ | “Forms a Csus2 (or Gsus4) voicing, with intervals that ‘narrow’ as you go higher in pitch (two 5ths / two 4ths / one maj 2nd). Like a ‘Drop D’ version of Open Gsus, with the 6str providing added intrigue by creating a ‘C-G-D’ cycle of 5ths on the low side. Each note appears exactly twice – so make full use of all three of these parallel-octave possibilities. Named and popularised by banjoist and claw-hammer guitarist Stev
⏲ 1 min 5 sec ✓ 22-Mar-2022
Full page: https://ragajunglism.org/tunings/menu/all-minor-thirds/ | “A ‘regular’ stack of minor 3rds (i.e. 3 semitones separate each string) – forming a diminished 7th arpeggio regardless of which string you start on. These odd symmetrical properties arise because our 12-semitone octave divides neatly into 3 with no remainder – meaning that sequences of 3 fret jumps will always ‘orbit’ back around to (octaves of) the root as you extend the series upwards – i.e. ‘12 semitones=3
⏲ 1 min 5 sec ✓ 19-Mar-2022
Full page: https://ragajunglism.org/tunings/menu/open-gm/ | “Resembles a Standard-tuned Amin shape (‘0-0-2-2-1-0’) in terms of interval structure. Thus forms a ‘cross-note’ layout: because you can easily ‘cross over’ to a Gmaj voicing with just one finger, as ‘0-0-0-0-1-0’ (something much less straightforward in the other direction, i.e. finding a Gmin voicing in Open G tuning). Note the 5th in the bass. Tuning guru Bill Sethares lists it as having descended from Gmin-tuned ban
⏲ 1 min 5 sec ✓ 19-Mar-2022
This is a video created through the Ridgeway Elementary School CLUE program. It premiered October 25, 1995 at the visitor information center at 340 Beale. It went on sale at Seesel's Supermarkets, Davis-Kidd Booksellers, Babcock Gifts, and Country Bunny.nnnn00:18 The Pyramidnn00:23 Trolley on Main Streetnn00:32 Cheetah at the Zoonn00:35 Lion in Cat Country at the Zoonn00:58 Steamboat Memphis Queen IIInn01:03 Kids Boarding Memphis Queen III from the Cobblestonesnn01:21 The Pyramidnn01:36 Statue o
⏲ 11 min 15 sec ✓ 05-Dec-2023
Audio sample of the font
⏲ 43 sec ✓ 10-Jan-2021
Full page: https://ragajunglism.org/tunings/menu/zigzag-thirds-min/ | “A ‘stack of thirds’, alternating between minor and major (i.e. semitone gaps of 3, 4, 3, 4, 3). Proposed by Greek mathematician Dr. Costas Kyritsis as an ideal landscape for simplifying the shapes of all common diatonic chords – a logical point, given that much of Western harmony is built from ‘towers of thirds’ (n.b. also see its ‘flipped’ counterpart: the ‘maj-min’ zigzag). Outlines a min9(11) arpeggio f
⏲ 1 min 5 sec ✓ 22-Mar-2022
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