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YouTube Poop. If you're unfamiliar with the format, it involves taking an existing piece, or pieces, of video footage and re-editing them for absurdist, comic, or surrealistic effect. I had a lot of fun making these. There's something relaxing about deconstructing and reassembling footage into something ridiculous.nCreated August 26, 2013.
⏲ 2 min 20 sec ✓ 28-Jan-2020
We’re barely more than a month away from WrestleMania 40, and a lot of the matches are starting to come into focus. Only the four World Title contests have been officially announced at this point, but WWE is also being pretty obvious with some of the other puzzle pieces including Jimmy And Jey Uso, Awesome Truth and Judgment Day, AJ Styles and LA Knight and Logan Paul, Randy Orton and maybe KO. Gunther will also obviously get a prime spot on the card and will defend The Intercontinental Championship, though his opponent is less clear, and it’s been heavily rumored and hinted at on screen that we’re going to get Seth Rollins and Cody Rhodes vs The Rock and Roman Reigns in a tag match.<br/><br/>Altogether, it’s shaping up to be one of the most stacked and exciting cards in WrestleMania history, but it’s also presenting a really obvious numbers problem for WWE. If you only count the matches I referenced above, that’s 10 slots that are pretty close to locked in for ‘Mania. Last year, if you don’t count The Miz’s two unannounced comedy fights, there were 13 matches on the card. If you remove Vince McMahon’s unannounced match from WrestleMania 38, there were 15 matches that year. The year before that at WrestleMania 37, there were 14 matches. That range seems to be the sweet spot WWE likes, and given The Rock is involved this year and likely to get a significant amount of time, it’s hard to think Triple H and company are going to push for more than usual.
⏲ 1:7 👁 2.8M
Following the success of last year's \
⏲ 1:50 👁 10.1M
⭕️#Detroit- Predator 1-800-SPEAK-UPn1-800-773-2587n#IDThief#predator #DomesticAbuse #DisabilityAbuse #fraud #elderabusennID Thiefnn-#LaVernaPitts-Police#:220811-0311nnnnLawyer: Patrick Associate, PLLCnMike Arnold: +1 (248) 663-2566nmike@patricklegal.comnnLawyer: Lexington Lawn John C. Heath | Lexington Law Firm nPO Box 510290 nSalt Lake City, UT 84151 nMon - Fri: 7am - 7pm (MST) n(844) 346-3318nnLawyer: Darren - Probate PronLyndsey Artes: (248) 399-3300n(248) 399-3300nLyndsey@TheProbatePro
⏲ 1 min 19 sec ✓ 27-Oct-2022
AN AMISH BUGGY that would normally be drawn by horses has been fitted with a turbo jet engine. “It’s like oil and water, they should not go together,” jokes its creator Chad Clark. The outrageous project, built by Chad Clark and Mike Monter of Millersburg, Ohio was originally meant to be something very different. “Mike and I were at our local county fair, I mentioned it would be really cool to build a turbine-powered four-wheel drive pulling truck,” Chad explained. But the auction description had misrepresented the engine as a turbo shaft engine. “I went home that night, found an engine online and bought it but didn’t realise it was not turboshaft, it was turbojet only,” Chad remembers. They ended up having to use a much lighter vehicle instead of the original truck. “We live in the Amish capital of the world so we figured an Amish buggy would be perfect,” Chad said. Co-creator Mike Monter told Future Studios Cars: “He called me up, said we’re not doing a pulling truck anymore, we’re doing an Amish buggy – seemed natural.” The build and modifications cost around $30,000 and took roughly 700 hours of labour to complete: “Many all-nighters,” Chad said. When out in public, people struggle to believe the bizarre creation actually works. “When people see the Thunder Buggy they can’t believe their eyes and the first question is, does it really move? Yes it does,” explained Chad. Traditionally, these buggies would have been moved by horses so this particular one is far from conventional. “The buggy is not designed to take 100 feet of electrical wiring, fuel tanks and a jet engine,” Chad admitted. With a top speed of 65 miles per hour before the wheels start shaking, this exhibition-only vehicle was not built for speed: “It’s a really simple engine design, it’s some pretty awesome engineering from back in the 40s,” explained Chad.
⏲ 5:26 👁 3.3M
Caltech’s Katie Bouman explains how the Event Horizon Telescope Collaboration captured the first imager of the Sagittarius A* Supermassive black hole at the core of the Milky Way galaxy - Milky Way vs M87.<br/>Credit: Caltech
⏲ 4:5 👁 2.9M
Flexibility in time vs flexibility in place: 'It's not the number of days, it's I don't want to come in till 9:30 & leave by 2:00. It's all about pick-up and drop-off'nn76% want more flexibility with Wheren80% still want to come into the office, just not every dayn95% want more flexibility with Whenn- Ryan Anderson on a few results of their longitudinal researchnnFlexible Working and DE&I ...nis really rooted in having more choice, better choicesnHR massively dove into workplace experien
⏲ 3 min 31 sec ✓ 14-Nov-2022
The titular team in The Marvels is a group that comes together totally by accident. Thanks to a cosmic anomaly, Brie Larson’s Carol Danvers, Teyonnah Parris’ Monica Rambeau and Iman Vellani’s Kamala Khan find their special light-based powers entangled, and they are basically forced to unite in order to stop what’s causing it. Accidental as the ensemble may be, however, what’s cool about the special unit is the way in which it allows the film to play with very different perspectives on the heroic Captain Marvel.<br/><br/>On one hand, Monica has essentially been neglected by her aunt for the last 30 years, and on the other hand, Kamala is a superfan who dreams of being besties with Carol. It’s a special dynamic, and I brought it up this past weekend when I had the chance to sit down with director Nia DaCosta at the Los Angeles press day for The Marvels. I asked about the impact of the special relationships within the eponymous unit.
⏲ 1:5 👁 11M
There’s something slightly creepy about driving through a small village that has been taken over by scarecrows.<br/><br/>As I pulled into the car park, I had already encountered numerous Daleks, David Tenant and a Xenomorph.<br/><br/>But this is normal for Wray, a quaint little village near Lancaster, who are currently celebrating their annual Scarecrow Festival.<br/><br/>Wray Scarecrow Festival returned on April 27, with the community paying homage to sci-fi characters with more than 50 installations.
⏲ 5:27 👁 2.3M
NOTE: Single classroom use up to 30 students. Please email office@50eggs.com for any questions.nnBad River, the powerful new documentary film written and directed by award-winning filmmaker, Mary Mazzio (I Am Jane Doe, A Most Beautiful Thing) and narrated by Indigenous activist and model Quannah ChasingHorse and award-winning actor Edward Norton (Primal Fear, American History X, Birdman), chronicles the Wisconsin-based Bad River Band and its ongoing fight for sovereignty, a story which unfolds i
⏲ 52 min 70 sec ✓ 22-Apr-2024
This is the hilarious moment a delivery driver was sent sprinting in fear by a tiny pet dog.<br/><br/>Doorbell camera footage shows the man vaulting over the 1.15m tall gate as the ankle-size pooch chases after him.<br/><br/>Jonathan Carr, 77, Barney's owner, said that once the initial fright had passed the Yodle delivery man also had a good laugh. <br/><br/>Jonathan, a retired entrepreneur from Baschurch, near Shrewsbury, Shropshire, said: \
⏲ 0:31 👁 105.5M
Cosmetic chemist Ramón Pagán has been challenged to compare different types of lip glosses. Can he figure out which are the most expensive products? Ramón uses his high-level of expertise in visual analysis, application and ingredients to put together an extremely educated guess. How many will he get right? Watch to find out!<br/><br/>Director: Noel Jean<br/>Director of Photography: Dominik Czaczyk<br/>Editor: Jess Lane<br/>Talent: Ramon Pagan<br/>Producer: Sydney Malone<br/>Production Manager: Andressa Pelachi; Kevin Balash<br/>Camera Operator: Shay Eberle-Gunst; Oliver Lukacs <br/>Sound Mixer: Will Miller<br/>Production Assistant: Shenelle Jones; Ryan Cartee<br/>Set Designer: Sage Griffin; Leah Waters-Katz<br/>Post Production Supervisor: Christian Olguin<br/>Post Production Coordinator: Scout Alter<br/>Supervising Editor: Erica DeLeo<br/>Additional Editor: Paul Tael<br/>Assistant Editor: Andy Morell
⏲ 15:35 👁 1.8M
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