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_coming-off-the-production-line-offering-an-8-seat-layout-new-geely-levc-l380-mpv-2024.webp "The new car is positioned as a medium to large MPV and is built based on SOA architecture. It is named after the Airbus A380; The letter L also represents LEVC, meaning Large.<br/><br/>In terms of appearance, the design concept of Geely LEVC L380 is also inspired by the aerodynamic engineering design of the Airbus A380 aircraft, integrating Eastern and Western style aesthetics, and the overall style is relatively round and majestic. The frontend styling is similar to the ideal MEGA, with a bit of a \")
_124-chello-moko-124-last-chance-124-new-gujarati-film-124-naveen-saini-124-saira-124-gujarati-dubbed.webp "#lastchance #gujaratimovie #shortfilm<br/>A short film filled with lots of emotions of a couple.<br/><br/>Cast - Naveen Saini, Saira Awasthi, Priyanka<br/>Script - Ashish Bhatia, Naveen Saini<br/>Cinematography - Ashish Bhatia<br/>Executive Producer - Shubha Bhatia, Priyanka Saini <br/>Editing & VFX - Avinash Jotwani, Kedar Kothare<br/>Post Production - F3 Studioz<br/>Music - F3 Studio Bank<br/>Assistant Director - Pawan Juyal, Priyanka Sharma, Sajid <br/>Production Manager - Piyush Srivastava<br/>Make up & Hair - Vishal Shinde<br/>Sound - Sanjay Sharma <br/>Charted Accountant - Mahendra Tiwari<br/>Accounts - Shanti Lal Sarvaiya<br/>Our Bankers - Axis Bank<br/>Lightman - Surendra, Deepu, Lucky<br/>Equipment - F3 First Frame Films Pvt. Ltd, A N Enterprises<br/>Travels - Saini Travels<br/>Location - Sea Breeze<br/>Producers - Naveen Saini, Ashish Bhatia<br/>")
છેલ્લો મોકો | Chello Moko | Last Chance | New Gujarati Film | Naveen Saini | Saira | Gujarati Dubbed
⏲ 7:18 👁 5K
_enjoy-quiet-and-smooth-rides-with-merach39s-belt-drive-technology.webp "Product full information >>>> https://amzn.to/4aUi3ja<br/><br/>Elevate your home workouts with the MERACH Exercise Bike! Featuring an exclusive app with tailored training plans, a quiet and smooth belt drive system, and an enhanced LED monitor for real-time tracking, this bike offers a comprehensive fitness experience. The stable dual-triangle frame ensures safety and stability, while the infinitely variable speed allows for personalized resistance levels. Plus, enjoy peace of mind with the emergency brake feature and 12-month warranty. Get yours now and take your fitness journey to the next level! #MERACH #ExerciseBike #HomeWorkout #Fitness #IndoorCycling ♂️")
_evidence-5-the-most-brutal-and-barbaric-case-of-digital-tampering-ever-done-by-krishna-murti.webp "EVIDENCE 5:<br/>MUHAMMAD NUH AL-AZHAR PERFORMED DOWNSCALING ON CCTV 1 FOOTAGE FR0M 15:46 TO 18:30 LOCAL TIME, REDUCING THE FRAME DIMENSIONS TO 960x576 px AND THE FRAME RATE TO 10 FPS. <br/><br/>According to point 27 in the interrogation report (BAP - Berita Acara Pemeriksaan) of Muhammad Nuh Al-Azhar, the dimensions should have been 1920x1080 px. <br/>During this time interval, tracking Rangga's movement in making coffee was necessary, yet Muhammad Nuh Al-Azhar blurred it instead.<br/><br/>Analysis<br/>The forensic impact of Muhammad Nuh Al-Azhar's downscaling of CCTV 1 footage from 15:46 to 18:30 local time is significant. By reducing the frame dimensions to 960 x 576px and the frame rate to 10 fps, crucial details were obscured. According to point 27 in the interrogation report of Muhammad Nuh Al-Azhar, the dimensions should have remained at 1920 x1080 px. This intentional manipulation of the video's resolution and frame rate raises questions about the integrity of the evidence presented in court.<br/><br/>During this time interval, tracking Rangga's movement in making coffee was essential for understanding the sequence of events. The downscaling of the CCTV 1 footage, orchestrated by Muhammad Nuh Al-Azhar, severely impacts the ability to analyze whether the coffee and milk were not mixed (remained as two layers) or not in the cup before the alleged poisoning incident. During the crucial time interval, tracking Rangga's movements in preparing the coffee was essential for reconstructing the sequence of events leading up to the alleged crime. However, Muhammad Nuh Al-Azhar's actions blurred this crucial aspect instead of preserving it. By reducing the frame dimensions and frame rate, the clarity and accuracy of the footage were compromised, hindering forensic analysis and potentially distorting the portrayal of events. This manipulation could lead to misinterpretation and false conclusions during legal proceedings.<br/><br/>The decision to downscale the CCTV footage precisely during the time when Rangga was preparing the coffee and milk raises significant questions about the potential motives behind this manipulation. One possible explanation is that reducing the frame dimensions and frame rate during this critical period was intended to obscure or conceal any suspicious activity related to the introduction of any substance into the coffee.<br/><br/>By reducing the clarity and detail of the footage precisely during the preparation of the beverage, Muhammad Nuh Al-Azhar may have sought to create ambiguity or uncertainty regarding the events leading up to the alleged poisoning. This manipulation could have been strategically employed to make it more difficult for forensic analysts to determine definitively whether any substance was introduced into the coffee during Rangga's preparation process.<br/><br/>Additionally, the timing of the downscaling coinciding with Rangga's actions suggests that Muhammad Nuh Al-Azhar may have sought to hide any potential evidence of tampering or foul play during the coffee ...")
⏲ 9:39 👁 5K
_evidence-4-the-most-brutal-and-barbaric-case-of-digital-tampering-ever-done-by-krishna-murti.webp "EVIDENCE 4:<br/>COMPARING COFFEE COLORS WHILE REDUCING THE FRAME RESOLUTION FR0M 1920x1080 PIXELS TO 960x576 PIXELS<br/><br/>Christopher Hariman Rianto deliberately split CCTV 9 footage into two segments as follows:<br/>SEGMENT 1: 15:35 – 16:59 local time <br/>The dimensions of the frame were reduced to 960x 576px, and frame rate was reduced to 10 fps. The coffee color here was captured when Agus Triono served coffee at table 54. <br/><br/>SEGMENT 2: 16:59 – 18:25 local time<br/>The frame dimensions remained full high definition 1920x108px, and frame rate remained at 25 fps. The coffee color here was captured when Sari took the coffee cup after Mirna Salihin drank from it.<br/><br/>Analysis<br/>Reducing the frame resolution from 1920x1080 pixels to 960x576 pixels in the CCTV video 9, specifically during the segments described, can have significant forensic implications, particularly when comparing coffee colors:<br/>1. Loss of Color Detail: The reduction in frame resolution results in a loss of color detail, making it challenging to accurately capture and analyze subtle differences in the coffee colors depicted in the footage. Fine variations in hue, saturation, and brightness may be lost or distorted, impacting the reliability of color comparisons between the two segments.<br/>2. Decreased Clarity: The lower frame resolution diminishes the overall clarity and sharpness of the imagery, potentially affecting the visibility and distinction of the coffee colors. Critical visual cues necessary for discerning differences in color between the segments, such as the intensity of the coffee hue or any variations in color gradient, may be compromised, hindering accurate forensic analysis.<br/>3. Impaired Color Consistency: The discrepancy in frame resolution between the segments introduces inconsistencies in the portrayal of coffee colors, as the lower resolution may alter the rendering of color information. This inconsistency makes it challenging to establish a reliable baseline for comparing coffee colors across the segments, leading to potential inaccuracies or misinterpretations in forensic assessments.<br/>4. Impact on Comparative Analysis: The disparity in frame resolution and subsequent differences in color representation pose challenges for conducting comparative analysis of the coffee colors captured in each segment. Without uniformity in resolution, color fidelity, and image clarity, it is impossible to draw conclusive findings regarding any discrepancies or similarities in the coffee colors observed.<br/>Therefore, the forensic impact of reducing the frame resolution during the specified segments of CCTV video 9 affects the accuracy and reliability of comparing coffee colors. It underscores the importance of maintaining consistent image quality and resolution to facilitate accurate forensic analysis and interpretation of visual evidence.<br/><br/>TEXT LINK:<br/>https://drive.google.com/file/d/1sQzlm6kExSNelxcchtdSO3u2TCX7PWwg/view?usp=sharing<br/><br/>The link of 37 evidence in google drive:<br/>https://docs.google.com/presentation")
⏲ 12:15 👁 5K
_secret-weapon-for-max-fps-in-warzone-3-rtx-4090-benchmark.webp "Warzone 3 MELTS RTX 4090! Can it Hit 60 FPS at 4K? ( You Won't Believe This)<br/>Dominate the competition and your framerate with the MONSTER RTX 4090! Is it enough for buttery smooth 4K 60 FPS in Warzone 3 with all the bells and whistles? We crank the settings to MAX and unleash the latest Nvidia beast. You won't believe what happens next...<br/><br/>This video is for YOU if:<br/><br/>You crave the ULTIMATE Warzone 3 experience<br/>Upgraded to the RTX 4090 and want to see its power<br/>Curious about 4K + RTX + DLSS performance<br/>Get ready for:<br/><br/>Drool-worthy 4K visuals with RTX ON<br/>Shocking frame rate benchmarks (prepare to be surprised!)<br/>Exclusive tips to maximize your RTX 4090 for Warzone 3<br/>**Don't just win the battle, win the WAR with the ultimate setup! **<br/><br/>#Warzone3 #RTX4090 #4K #DLSS #HighFPS #Gaming #Benchmark #PCMasterRace<br/><br/>Recorded With Shadowplay Monitoring Program. MSI Afterburner<br/>My PC Specs:<br/><br/>• CPU : Intel Core i9-13900K<br/>• CPU : Liquid cooler ROG RYUJIN II 360<br/>• MB: ASUS ROG Strix Z790-F Gaming WiFi<br/>• RAM : G.SKILL TRIDENT Z5 RGB 32GB ( 2 X 16GB ) DDR5-5600Mhz<br/>• GPU : Msi GeForce RTX 4090 Gaming X Trio 24G<br/>• PSU : ASUS ROG THOR 1000W PLATINUM II <br/>• M.2 : Samsung (MZ-V7E1T0BW) 970 EVO SSD 1TB - M.2 NVMe<br/>• M.2 : KINGSTON A2000 500GB M.2 NVME<br/>• OS: Windows 11 Pro 64bit<br/>• CASE : ROG STRIX HELIOS RGB<br/>")
_evidence-3-the-most-brutal-and-barbaric-case-of-digital-tampering-ever-done-by-krishna-murti.webp "EVIDENCE 3:<br/>ANALYZING THE POSITION OF THE STIRRER (PIPET) WHILE REDUCING THE FRAME DIMENSIONS FR0M 1920x1080 PIXELS TO 960x576 PIXELS<br/><br/>Christopher Hariman Rianto deliberately cut CCTV 7 footage just before Mirna Salihin arrived at Olivier café at 17:18 Local Time:<br/><br/>Segment 1: 15:57 – 17:17 Local Time<br/>Frame dimensions remain full high definition (FHD, 1920x1080px) and frame rate remains at 25 frames per second<br/><br/>Segment 2: 17:17 – 18:39 Local Time<br/>Dimensions of the frame are reduced to 960x576px and frame rate is reduced to 10 fps.<br/>It is in this segment that the position of the stirrer needs to be analyzed, yet it is blurred by Christopher Hariman Rianto.<br/><br/>Analysis of the Impact of Both Reducing Frame Dimension and Frame Rate on Mirna Salihin’s Hand<br/>Reducing the frame dimension and frame rate can significantly affect the determination of whether Mirna's hand took the stirrer from the table or immediately stirred with the stirrer already in the coffee glass:<br/>1. Loss of Visual Clarity: The reduction in frame dimension diminishes the visual clarity of the footage, making it difficult to discern fine details such as the precise movement of Mirna's hand and the stirrer. This loss of clarity can obscure critical visual cues needed to determine the sequence of events accurately, leading to ambiguity in interpreting Mirna's actions.<br/><br/>2. Decreased Resolution: With the decrease in resolution resulting from the reduced frame dimension, important details such as the position of the stirrer and the actions of Mirna's hand may become less distinct or identifiable. Fine details crucial for determining whether Mirna took the stirrer from the table or stirred directly with it already in the coffee glass may be lost, compromising the reliability of the analysis.<br/><br/>3. Distortion of Motion: The reduction in frame rate affects the smoothness and fluidity of motion in the footage, potentially distorting the timing and sequence of Mirna's actions. Rapid movements, such as reaching for the stirrer or stirring the coffee, may appear jerky or disjointed, making it challenging to accurately assess the sequence of events leading up to Mirna's actions.<br/><br/>4. Loss of Temporal Detail: The combination of reduced frame dimension and frame rate results in a loss of temporal detail within the video, making it difficult to reconstruct the timeline of events accurately. Subtle movements or changes in the environment crucial for determining whether Mirna took the stirrer from the table or stirred directly with it may not be adequately captured or represented, leading to uncertainty in the interpretation of Mirna's actions.<br/><br/>Overall, the manipulation of frame dimension and frame rate complicates the determination of whether Mirna took the stirrer from the table or stirred directly with it already in the coffee glass. It underscores the importance of conducting thorough and meticulous analysis to mitigate the impact of such alterations on the interpretation of events depicted in the footage")
⏲ 11:38 👁 5K
_chevrolet-s10-midsize-pickup-is-based-on-the-last-gen-colorado-new-chevrolet-s10-pickup-2025.webp "The aging midsize pickup marches on in the Brazilian market after receiving a series of exterior, interior, and mechanical updates<br/><br/>Brazil’s Chevrolet S10 midsize pickup is based on the last-gen Colorado.<br/><br/>Overhauled interior with a new digital cockpit and softer seats.<br/>The 2.8-liter turbodiesel now combined with a new 8-speed automatic transmission.<br/><br/>While North America welcomed an all-new Chevrolet Colorado last year, the previous generation of the midsize truck continues to live on in South America. Known as the Chevrolet S10 in Brazil, it has undergone a significant facelift for the 2025 model year, boasting a redesigned front fascia, overhauled interior, and various enhancements beneath the surface.<br/><br/>Beginning with the exterior, the standout feature is the entirely redesigned front fascia, which brings the aging S10 in line with Chevrolet’s current design language. The smaller LED headlights bear a striking resemblance to those found on the newer US-spec Colorado, though the grille and intakes are distinct to the Brazilian model. Additionally, the new face showcases body-colored trim on the base-spec LTZ, black accents on the Z71, and chrome detailing on the High Country trim.<br/><br/>The profile looks instantly recognizable, even though the front fenders are more sculpted than before. At the back, Chevrolet added a new pair of LEDs and a redesigned tailgate. The pickup was shown in the double-cab configuration, although single-cab and chassis-cab versions will follow soon.<br/><br/>The interior represents a significant upgrade over the outgoing model both in terms of looks and technology. An 8-inch digital instrument cluster and an 11-inch infotainment display closely match the setup found in the US-spec Colorado. The S10 also benefits from wider and softer seats and a Silverado-sourced steering wheel. Finally, new ADAS includes rear cross-traffic alert and blind spot alert.<br/><br/>Under the hood lies a revised version of the four-cylinder 2.8-liter Duramax turbodiesel which is said to be “managed by artificial intelligence”. Chevrolet doesn’t go into specifics but this is likely a fancy way of advertising new ECU software. In any case, the mill produces 204 hp (152 kW / 207 PS) and 510 Nm (376 lb-ft) of torque, figures slightly improved compared to its predecessor.<br/><br/>The updated engine is exclusively mated to a new 8-speed automatic transmission sourced from the current US-spec Colorado, and specifically calibrated for the S10. Chevrolet suggests that the improvements helped reduce fuel consumption by 13 percent while allowing a quicker 0-100 km/h (0-62 mph) sprint in 9.4 seconds (-1 second).<br/><br/>The ladder-frame chassis might be based on the Colorado / S10 that debuted back in 2011 but received a series of updates for 2025. <br/><br/>Source: https://www.carscoops.com/2024/04/2025-chevrolet-s10-facelift-revealed-in-brazil-breathing-new-life-into-some-old-bones/")
⏲ 4:58 👁 5K
_taken-3-2014.webp "Taken 3 (sometimes stylized as TAK3N) is a 2014 English-language French action-thriller film directed by Olivier Megaton and written by Luc Besson and Robert Mark Kamen. It is the third and final installment in the Taken trilogy. A co-production between France, Spain and the United States, the film stars Liam Neeson, Forest Whitaker, Maggie Grace and Famke Janssen.")
_with-2-engine-options-2-different-models-new-jetour-monkey-king-longteng-edition-suv-2024.webp "Jetour Motors has announced the official launch of the Jetour Monkey King Longteng Edition. The new car has two models; Longteng Edition PRO is priced at 117,900 yuan and Longteng Edition MAX is priced at 127,900 yuan.<br/><br/>In terms of appearance, the overall design of the new car is quite strong. The frameless design of the split headlights and the inverted trapezoidal grille is quite impressive. Additionally, a new red decorative strip was added to the subframe, making the entire vehicle look very sporty.<br/><br/>The side of the new car is framed by a double waistline, giving the car a strong sporty feel. In terms of body size, the length, width and height of the new car are 4590/1900/1685 (mm) respectively, and the wheelbase is 2720 mm. There's a strong sense of hierarchy at the rear, and the \")
⏲ 2:40 ✓ 16-Apr-2024
_staying-demonetized-amp-update-on-mom39s-surgery-492-1592-24.webp "In this episode, I explain why I have demonetized my podcast and plan on staying demonetized on both of my YouTube channels. I also give a time frame on my mother's upcoming surgery too.")
_evidence-6-the-most-brutal-and-barbaric-case-of-digital-tampering-ever-done-by-krishna-murti.webp "EVIDENCE 6:<br/>CCTV VIDEO 2 FR0M 13:55 TO 16:02 LOCAL TIME WAS REDUCED IN FRAME DIMENSIONS TO 960x576 PIXELS<br/><br/>Muhammad Nuh Al-Azhar deliberately performed downscaling on CCTV 2 footage from 13:55 to 16:02 local time, reducing the frame dimensions to 960 x 576px. According to question 27 in the interrogation report (BAP - Berita Acara Pemeriksaan) of Muhammad Nuh Al-Azhar, the dimensions should have been 1920 x 1080 px.<br/><br/>Analysis<br/>Muhammad Nuh Al-Azhar's deliberate downscaling of CCTV 2 footage from 13:55 to 16:02 local time had significant forensic implications. By reducing the frame dimensions to 960 x 576px, crucial details that could have been captured in the original high-resolution footage were obscured. This intentional manipulation raises questions about the integrity of the evidence presented in court and suggests potential ulterior motives behind altering the footage.<br/><br/>The original CCTV 2 footage should have captured remnants of the coffee consumed by Mirna Salihin, which was brought from table 54 by eyewitness Devi Siagian. However, by downscaling the footage, Muhammad Nuh Al-Azhar effectively hindered any analysis of the coffee residue, making it difficult to determine its composition or any potential contaminants, such as cyanide. This manipulation undermines the ability to gather critical evidence related to the case and could potentially impact the accuracy of forensic analyses.<br/><br/>The impact of downscaling on CCTV footage, particularly in cases involving suspected poisoning with substances like cyanide, is crucial for forensic pathologists in several ways. Firstly, downscaling can significantly degrade the quality and clarity of the footage, making it more challenging for pathologists to observe subtle details and nuances in the subject's behavior and physical condition. This reduction in visual fidelity may hinder the accurate identification and interpretation of specific symptoms or reactions exhibited by the individual after consuming the alleged poisoned substance.<br/><br/>Secondly, downscaling may obscure important visual cues that could provide valuable insights into the individual's physiological responses to cyanide poisoning. For example, changes in facial expression, skin tone, or bodily movements that typically accompany cyanide exposure may be less discernible or entirely lost due to the diminished resolution and frame rate of the footage. As a result, pathologists may struggle to assess the severity of the victim's condition or determine the presence of characteristic symptoms associated with cyanide poisoning, such as respiratory distress, convulsions, or loss of consciousness.<br/><br/>Moreover, the distortion or loss of critical visual information resulting from downscaling could impede the accurate reconstruction of events leading up to and following the alleged poisoning incident. Pathologists rely on comprehensive and unaltered video footage to establish timelines, identify potential sources of contamination, and correlate observed")
⏲ 9:18 ✓ 15-Apr-2024
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