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Boy Kills World Red Band Trailer #1 (2024) Bill Skarsgård Action Movie HD
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Boy Kills World Movie Trailer
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The Apprentice US S15E06 HD (2017)
⏲ 1:24:7 👁 35K
Go Inside Gisele Bündchen’s New Miami Home—And See Her Most Prized Possessions |
⏲ 8:12 👁 5K
Go Inside Gisele Bündchen’s New Miami Home—And See Her Most Prized Possessions |
⏲ 8:12 👁 5K
Off The Cuff: Dakota Fanning, Andrew Scott |
⏲ 8:1 👁 5K
Go Inside Gisele Bündchen’s New Miami Home—And See Her Most Prized Possessions |
⏲ 8:12 👁 5K
2008 The Eye FULL HOT HORROR MOVIE
⏲ 1:36:34 👁 5K
2 Pac & Danny Boy - I Ain't Mad At Cha [WWW.ETOILE.APP]
⏲ 5:57 👁 5K
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_boy-kills-world-red-band-trailer-1-2024-bill-skarsgrd-action-movie-hd.jpg "A dystopian fever dream action film that follows Boy, a deaf person with a vibrant imagination. When his family is murdered, he is trained by a mysterious shaman to repress his childish imagination and become an instrument of death.")
_boy-kills-world-movie-trailer.jpg "Boy Kills World New official Movie Trailer - US Release Date: April 26, 2024<br/>Starring: Bill Skarsgård, Jessica Rothe, Yayan Ruhian<br/>Director : Moritz Mohr<br/>Synopsis: A dystopian fever dream action film that follows Boy, a deaf mute with a vibrant imagination. When his family is murdered, he is trained by a mysterious shaman to repress his childish imagination and become an instrument of death.")
_the-apprentice-us-s15e06-hd-2017.jpg "The Honest Company—Each team of two was tasked with creating an in-home demonstration showcasing products from the Honest Company, with the company's founder Jessica Alba watching.")
_go-inside-gisele-bndchens-new-miami-homeand-see-her-most-prized-possessions-124.jpg "“It feels like Brazil—I love how warm people are,” the supermodel says of Miami.<br/><br/>Director: Nina Ljeti<br/>Director of Photography: Mike Lopez<br/>Editor: Katie Wolford<br/>Producer: Gabrielle Reich<br/>Assistant Camera: Jack Kelly<br/>Gaffer: Vladimir Sosa<br/>Audio: Larry Williams Jr.<br/>Associate Producer: Lea Donenberg<br/>Production Assistant: Elio Diaz<br/>Hair Stylist: Leah Caso<br/>Makeup Artist: Tayrll Atkins<br/>Nail Artist: Aspasia Pappa<br/>Production Coordinator: Ava Kashar<br/>Production Manager: Natasha Soto-Albors<br/>Line Producer: Romeeka Powell<br/>Senior Director, Production Management: Jessica Schier<br/>Assistant Editor: Andy Morrell<br/>Post Production Coordinator: Ian Bryant<br/>Supervising Editor: Erica DeLeo<br/>Post Production Supervisor: Alexa Deutsch<br/>Associate Talent Manager: Phoebe Feinberg<br/>Director of Content, Production: Rahel Gebreyes<br/>Senior Director, Programming: Linda Gittleson<br/>VP, Digital Video English: Thespena Guatieri")
_go-inside-gisele-bndchens-new-miami-homeand-see-her-most-prized-possessions-124.jpg "“It feels like Brazil—I love how warm people are,” the supermodel says of Miami.<br/><br/>Director: Nina Ljeti<br/>Director of Photography: Mike Lopez<br/>Editor: Katie Wolford<br/>Producer: Gabrielle Reich<br/>Assistant Camera: Jack Kelly<br/>Gaffer: Vladimir Sosa<br/>Audio: Larry Williams Jr.<br/>Associate Producer: Lea Donenberg<br/>Production Assistant: Elio Diaz<br/>Hair Stylist: Leah Caso<br/>Makeup Artist: Tayrll Atkins<br/>Nail Artist: Aspasia Pappa<br/>Production Coordinator: Ava Kashar<br/>Production Manager: Natasha Soto-Albors<br/>Line Producer: Romeeka Powell<br/>Senior Director, Production Management: Jessica Schier<br/>Assistant Editor: Andy Morrell<br/>Post Production Coordinator: Ian Bryant<br/>Supervising Editor: Erica DeLeo<br/>Post Production Supervisor: Alexa Deutsch<br/>Associate Talent Manager: Phoebe Feinberg<br/>Director of Content, Production: Rahel Gebreyes<br/>Senior Director, Programming: Linda Gittleson<br/>VP, Digital Video English: Thespena Guatieri")
_off-the-cuff-dakota-fanning-andrew-scott-124.jpg "Director: Samantha Sussman<br/>Director of Photography: Josh Herzog<br/>Editor: Cory Stevens<br/>Creative Producer: Gabrielle Reich<br/>Producer, On Set: Skylar Economy<br/>Assistant Camera, Camera Operator: Oliver Finley<br/>Assistant Camera, Gaffer: Esteban Veras<br/>Audio: Lily van Leeuwen<br/>Associate Producer: Lea Donenberg<br/>Production Assistant: Erica Palmieri<br/>Production Coordinator: Ava Kashar<br/>Production Manager: Natasha Soto-Albors<br/>Line Producer: Romeeka Powell<br/>Senior Director, Production Management: Jessica Schier<br/>Assistant Editor: Billy Ward<br/>Post Production Coordinator: Ian Bryant<br/>Supervising Editor: Erica DeLeo<br/>Post Production Supervisor: Alexa Deutsch<br/>Associate Director, Video Talent: Meredith Judkins<br/>Associate Talent Manager: Phoebe Feinberg<br/>Director of Content, Production: Rahel Gebreyes<br/>Senior Director, Programming: Linda Gittleson<br/>VP, Digital Video English: Thespena Guatieri")
_go-inside-gisele-bndchens-new-miami-homeand-see-her-most-prized-possessions-124.jpg "“It feels like Brazil—I love how warm people are,” the supermodel says of Miami.<br/><br/>Director: Nina Ljeti<br/>Director of Photography: Mike Lopez<br/>Editor: Katie Wolford<br/>Producer: Gabrielle Reich<br/>Assistant Camera: Jack Kelly<br/>Gaffer: Vladimir Sosa<br/>Audio: Larry Williams Jr.<br/>Associate Producer: Lea Donenberg<br/>Production Assistant: Elio Diaz<br/>Hair Stylist: Leah Caso<br/>Makeup Artist: Tayrll Atkins<br/>Nail Artist: Aspasia Pappa<br/>Production Coordinator: Ava Kashar<br/>Production Manager: Natasha Soto-Albors<br/>Line Producer: Romeeka Powell<br/>Senior Director, Production Management: Jessica Schier<br/>Assistant Editor: Andy Morrell<br/>Post Production Coordinator: Ian Bryant<br/>Supervising Editor: Erica DeLeo<br/>Post Production Supervisor: Alexa Deutsch<br/>Associate Talent Manager: Phoebe Feinberg<br/>Director of Content, Production: Rahel Gebreyes<br/>Senior Director, Programming: Linda Gittleson<br/>VP, Digital Video English: Thespena Guatieri")
_2008-the-eye-full-hot-horror-movie.jpg "The Eye is a 2008 supernatural horror-thriller film directed by David Moreau and Xavier Palud, scripted by Sebastian Gutierrez, and starring Jessica Alba, Parker Posey, Alessandro Nivola, and Rade Šerbedžija. It is a remake of the Pang Brothers' 2002 film of the same name.<br/><br/>Plot<br/>Sydney Wells is a successful classical violinist from Los Angeles who has been blind since she was five years old, caused by an accident with firecrackers. Fifteen years later, after celebrating conductor and pianist Simon McCullough's birthday during rehearsal, Sydney undergoes a cornea transplant, which causes her eyesight to return, a bit blurry at first. As time goes on, Sydney's vision begins to clear; however, she also begins experiencing terrifying visions, mostly of fire and of people dying. She also sees people that are already dead, on one occasion when a girl passes right through her. Sydney attempts to unravel the mystery of the visions, and also to convince others, primarily her visual therapist and fellow violinist, Paul Faulkner, who helps her in her quest. She knows that she is not going insane.<br/><br/>Accompanied by Paul, Sydney travels to Mexico, where the cornea donor Ana Cristina Martinez was originally from. She discovers from Ana's mother that the images of fire and death are the result of an industrial accident that Ana foretold. Ana hanged herself because she was unable to stop the accident. Sydney forgives Ana's spirit, who leaves in peace. As Sydney and Paul begin their journey home, they are caught in a traffic congestion caused by a police chase on the other side of the border. Sydney sees the little girl from her vision in the car next to her. She then realizes that this is what her vision has been all along, to save the people that are about to die from an accident.")
_2-pac-amp-danny-boy-i-ain39t-mad-at-cha-www-etoile-app.jpg "(CLASSIC LYRICS)<br/>Change, shit<br/>I guess change is good for any of us<br/>Whatever it take for any of y'all niggas to get up out the hood<br/>Shit, I'm witcha, I ain't mad at cha<br/>Got nothin' but love for ya, do your thing, boy<br/>Yeah, all the homies that I ain't talk to in a while<br/>I'ma send this one out for y'all, kna' mean?<br/>'Cause I ain't mad at cha<br/>Heard y'all tearin' up shit out there, kickin' up dust<br/>Givin' a motherfuck<br/>Yeah, niggas (mad at cha)<br/>'Cause I ain't mad at cha<br/>Now we was once two niggas of the same kind<br/>Quick to holla at a hoochie with the same line<br/>You was just a little smaller but you still rolled<br/>Got stretched to Y.A. and hit the hood swole<br/>'Member when you had a Jheri Curl, didn't quite learn<br/>On the block, witcha Glock, trippin' off sherm<br/>Collect calls to the till, sayin' how ya changed<br/>Oh, you a Muslim now, no more dope game<br/>Heard you might be comin' home, just got bail<br/>Wanna go to the Mosque, don't wanna chase tail<br/>I seems I lost my little homie, he's a changed man<br/>Hit the pen' and now no sinnin' is the game plan<br/>When I talk about money, all you see is the struggle<br/>When I tell you I'm livin' large, you tell me it's trouble<br/>Congratulations on the weddin', I hope your wife know<br/>She got a playa for life, and that's no bullshittin'<br/>I know we grew apart, you probably don't remember<br/>I used to fiend for your sister, but never went up in her<br/>And I can see us after school, we'd bomb<br/>On the first motherfucker with the wrong shit on<br/>Now the whole shit's changed, and we don't even kick it<br/>Got a big money scheme, and you ain't even with it<br/>Hmm, knew in my heart you was the same motherfucker that<br/>Go toe-to-toe when it's time for roll, you got a brother's back<br/>And I can't even trip, 'cause I'm just laughin' at cha<br/>You tryin' hard to maintain, then go 'head<br/>'Cause I ain't mad at cha<br/>(Hmm) (I ain't mad at cha)<br/>I ain't, mad, at cha (I ain't mad at cha)<br/>I ain't, mad, at cha<br/>We used to be like distant cousins, fightin', playin' dozens<br/>Whole neighborhood buzzin', knowin', that we wasn't<br/>Used to catch us on the roof or behind the stairs<br/>I'm gettin' blitzed and I reminisce on all the times we shared<br/>Besides bumpin' and grindin', wasn't nothin' on our mind<br/>In time we learned to live a life of crime<br/>Rewind us back, to a time was much too young to know<br/>I caught a felony lovin' the way the guns blow<br/>And even though we separated, you said that you'd wait<br/>Don't give nobody no coochie while I be locked upstate<br/>I kiss my mama goodbye, and wipe the tears from her lonely eyes<br/>Said I'll return but I gotta fight the fate's arrived<br/>Don't shed a tear, 'cause mama I ain't happy here<br/>I'm through trial, no more smiles, for a couple years<br/>They got me goin' mad, I'm knockin' busters on they backs<br/>In my cell, thinkin, \")
_boy-kills-world-red-band-trailer-1-2024-bill-skarsgrd-action-movie-hd.webp "A dystopian fever dream action film that follows Boy, a deaf person with a vibrant imagination. When his family is murdered, he is trained by a mysterious shaman to repress his childish imagination and become an instrument of death.")
_boy-kills-world-movie-trailer.webp "Boy Kills World New official Movie Trailer - US Release Date: April 26, 2024<br/>Starring: Bill Skarsgård, Jessica Rothe, Yayan Ruhian<br/>Director : Moritz Mohr<br/>Synopsis: A dystopian fever dream action film that follows Boy, a deaf mute with a vibrant imagination. When his family is murdered, he is trained by a mysterious shaman to repress his childish imagination and become an instrument of death.")
_the-apprentice-us-s15e06-hd-2017.webp "The Honest Company—Each team of two was tasked with creating an in-home demonstration showcasing products from the Honest Company, with the company's founder Jessica Alba watching.")
_go-inside-gisele-bndchens-new-miami-homeand-see-her-most-prized-possessions-124.webp "“It feels like Brazil—I love how warm people are,” the supermodel says of Miami.<br/><br/>Director: Nina Ljeti<br/>Director of Photography: Mike Lopez<br/>Editor: Katie Wolford<br/>Producer: Gabrielle Reich<br/>Assistant Camera: Jack Kelly<br/>Gaffer: Vladimir Sosa<br/>Audio: Larry Williams Jr.<br/>Associate Producer: Lea Donenberg<br/>Production Assistant: Elio Diaz<br/>Hair Stylist: Leah Caso<br/>Makeup Artist: Tayrll Atkins<br/>Nail Artist: Aspasia Pappa<br/>Production Coordinator: Ava Kashar<br/>Production Manager: Natasha Soto-Albors<br/>Line Producer: Romeeka Powell<br/>Senior Director, Production Management: Jessica Schier<br/>Assistant Editor: Andy Morrell<br/>Post Production Coordinator: Ian Bryant<br/>Supervising Editor: Erica DeLeo<br/>Post Production Supervisor: Alexa Deutsch<br/>Associate Talent Manager: Phoebe Feinberg<br/>Director of Content, Production: Rahel Gebreyes<br/>Senior Director, Programming: Linda Gittleson<br/>VP, Digital Video English: Thespena Guatieri")
_go-inside-gisele-bndchens-new-miami-homeand-see-her-most-prized-possessions-124.webp "“It feels like Brazil—I love how warm people are,” the supermodel says of Miami.<br/><br/>Director: Nina Ljeti<br/>Director of Photography: Mike Lopez<br/>Editor: Katie Wolford<br/>Producer: Gabrielle Reich<br/>Assistant Camera: Jack Kelly<br/>Gaffer: Vladimir Sosa<br/>Audio: Larry Williams Jr.<br/>Associate Producer: Lea Donenberg<br/>Production Assistant: Elio Diaz<br/>Hair Stylist: Leah Caso<br/>Makeup Artist: Tayrll Atkins<br/>Nail Artist: Aspasia Pappa<br/>Production Coordinator: Ava Kashar<br/>Production Manager: Natasha Soto-Albors<br/>Line Producer: Romeeka Powell<br/>Senior Director, Production Management: Jessica Schier<br/>Assistant Editor: Andy Morrell<br/>Post Production Coordinator: Ian Bryant<br/>Supervising Editor: Erica DeLeo<br/>Post Production Supervisor: Alexa Deutsch<br/>Associate Talent Manager: Phoebe Feinberg<br/>Director of Content, Production: Rahel Gebreyes<br/>Senior Director, Programming: Linda Gittleson<br/>VP, Digital Video English: Thespena Guatieri")
_off-the-cuff-dakota-fanning-andrew-scott-124.webp "Director: Samantha Sussman<br/>Director of Photography: Josh Herzog<br/>Editor: Cory Stevens<br/>Creative Producer: Gabrielle Reich<br/>Producer, On Set: Skylar Economy<br/>Assistant Camera, Camera Operator: Oliver Finley<br/>Assistant Camera, Gaffer: Esteban Veras<br/>Audio: Lily van Leeuwen<br/>Associate Producer: Lea Donenberg<br/>Production Assistant: Erica Palmieri<br/>Production Coordinator: Ava Kashar<br/>Production Manager: Natasha Soto-Albors<br/>Line Producer: Romeeka Powell<br/>Senior Director, Production Management: Jessica Schier<br/>Assistant Editor: Billy Ward<br/>Post Production Coordinator: Ian Bryant<br/>Supervising Editor: Erica DeLeo<br/>Post Production Supervisor: Alexa Deutsch<br/>Associate Director, Video Talent: Meredith Judkins<br/>Associate Talent Manager: Phoebe Feinberg<br/>Director of Content, Production: Rahel Gebreyes<br/>Senior Director, Programming: Linda Gittleson<br/>VP, Digital Video English: Thespena Guatieri")
_go-inside-gisele-bndchens-new-miami-homeand-see-her-most-prized-possessions-124.webp "“It feels like Brazil—I love how warm people are,” the supermodel says of Miami.<br/><br/>Director: Nina Ljeti<br/>Director of Photography: Mike Lopez<br/>Editor: Katie Wolford<br/>Producer: Gabrielle Reich<br/>Assistant Camera: Jack Kelly<br/>Gaffer: Vladimir Sosa<br/>Audio: Larry Williams Jr.<br/>Associate Producer: Lea Donenberg<br/>Production Assistant: Elio Diaz<br/>Hair Stylist: Leah Caso<br/>Makeup Artist: Tayrll Atkins<br/>Nail Artist: Aspasia Pappa<br/>Production Coordinator: Ava Kashar<br/>Production Manager: Natasha Soto-Albors<br/>Line Producer: Romeeka Powell<br/>Senior Director, Production Management: Jessica Schier<br/>Assistant Editor: Andy Morrell<br/>Post Production Coordinator: Ian Bryant<br/>Supervising Editor: Erica DeLeo<br/>Post Production Supervisor: Alexa Deutsch<br/>Associate Talent Manager: Phoebe Feinberg<br/>Director of Content, Production: Rahel Gebreyes<br/>Senior Director, Programming: Linda Gittleson<br/>VP, Digital Video English: Thespena Guatieri")
_2008-the-eye-full-hot-horror-movie.webp "The Eye is a 2008 supernatural horror-thriller film directed by David Moreau and Xavier Palud, scripted by Sebastian Gutierrez, and starring Jessica Alba, Parker Posey, Alessandro Nivola, and Rade Šerbedžija. It is a remake of the Pang Brothers' 2002 film of the same name.<br/><br/>Plot<br/>Sydney Wells is a successful classical violinist from Los Angeles who has been blind since she was five years old, caused by an accident with firecrackers. Fifteen years later, after celebrating conductor and pianist Simon McCullough's birthday during rehearsal, Sydney undergoes a cornea transplant, which causes her eyesight to return, a bit blurry at first. As time goes on, Sydney's vision begins to clear; however, she also begins experiencing terrifying visions, mostly of fire and of people dying. She also sees people that are already dead, on one occasion when a girl passes right through her. Sydney attempts to unravel the mystery of the visions, and also to convince others, primarily her visual therapist and fellow violinist, Paul Faulkner, who helps her in her quest. She knows that she is not going insane.<br/><br/>Accompanied by Paul, Sydney travels to Mexico, where the cornea donor Ana Cristina Martinez was originally from. She discovers from Ana's mother that the images of fire and death are the result of an industrial accident that Ana foretold. Ana hanged herself because she was unable to stop the accident. Sydney forgives Ana's spirit, who leaves in peace. As Sydney and Paul begin their journey home, they are caught in a traffic congestion caused by a police chase on the other side of the border. Sydney sees the little girl from her vision in the car next to her. She then realizes that this is what her vision has been all along, to save the people that are about to die from an accident.")
_2-pac-amp-danny-boy-i-ain39t-mad-at-cha-www-etoile-app.webp "(CLASSIC LYRICS)<br/>Change, shit<br/>I guess change is good for any of us<br/>Whatever it take for any of y'all niggas to get up out the hood<br/>Shit, I'm witcha, I ain't mad at cha<br/>Got nothin' but love for ya, do your thing, boy<br/>Yeah, all the homies that I ain't talk to in a while<br/>I'ma send this one out for y'all, kna' mean?<br/>'Cause I ain't mad at cha<br/>Heard y'all tearin' up shit out there, kickin' up dust<br/>Givin' a motherfuck<br/>Yeah, niggas (mad at cha)<br/>'Cause I ain't mad at cha<br/>Now we was once two niggas of the same kind<br/>Quick to holla at a hoochie with the same line<br/>You was just a little smaller but you still rolled<br/>Got stretched to Y.A. and hit the hood swole<br/>'Member when you had a Jheri Curl, didn't quite learn<br/>On the block, witcha Glock, trippin' off sherm<br/>Collect calls to the till, sayin' how ya changed<br/>Oh, you a Muslim now, no more dope game<br/>Heard you might be comin' home, just got bail<br/>Wanna go to the Mosque, don't wanna chase tail<br/>I seems I lost my little homie, he's a changed man<br/>Hit the pen' and now no sinnin' is the game plan<br/>When I talk about money, all you see is the struggle<br/>When I tell you I'm livin' large, you tell me it's trouble<br/>Congratulations on the weddin', I hope your wife know<br/>She got a playa for life, and that's no bullshittin'<br/>I know we grew apart, you probably don't remember<br/>I used to fiend for your sister, but never went up in her<br/>And I can see us after school, we'd bomb<br/>On the first motherfucker with the wrong shit on<br/>Now the whole shit's changed, and we don't even kick it<br/>Got a big money scheme, and you ain't even with it<br/>Hmm, knew in my heart you was the same motherfucker that<br/>Go toe-to-toe when it's time for roll, you got a brother's back<br/>And I can't even trip, 'cause I'm just laughin' at cha<br/>You tryin' hard to maintain, then go 'head<br/>'Cause I ain't mad at cha<br/>(Hmm) (I ain't mad at cha)<br/>I ain't, mad, at cha (I ain't mad at cha)<br/>I ain't, mad, at cha<br/>We used to be like distant cousins, fightin', playin' dozens<br/>Whole neighborhood buzzin', knowin', that we wasn't<br/>Used to catch us on the roof or behind the stairs<br/>I'm gettin' blitzed and I reminisce on all the times we shared<br/>Besides bumpin' and grindin', wasn't nothin' on our mind<br/>In time we learned to live a life of crime<br/>Rewind us back, to a time was much too young to know<br/>I caught a felony lovin' the way the guns blow<br/>And even though we separated, you said that you'd wait<br/>Don't give nobody no coochie while I be locked upstate<br/>I kiss my mama goodbye, and wipe the tears from her lonely eyes<br/>Said I'll return but I gotta fight the fate's arrived<br/>Don't shed a tear, 'cause mama I ain't happy here<br/>I'm through trial, no more smiles, for a couple years<br/>They got me goin' mad, I'm knockin' busters on they backs<br/>In my cell, thinkin, \")
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