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Letra Rogerio S. de Oliveira <br/>Música criada pela IA <br/>3007 RS <br/>2024<br/>Contribuição:<br/>PIX: rogervdso@gmail.com<br/> <br/>From The Ashes Of The Past<br/><br/>With tomorrow's strength, I take to the skies.<br/>Walking towards a dawn, anew, I embrace the horizon's vibrant hue.<br/>From pain's dark depths, I emerge,<br/>With firm resolve, my spirit surge.<br/><br/>Each challenge met, a chance to grow,<br/>In my heart, resilience aglow.<br/>From the ashes of old, I ascend,<br/><br/>With tomorrow's power, my journey extend.<br/>With every fall, I gather might,<br/>Scars are tales of my inner fight.<br/>On transformation's path, <br/>I tread, Discovering rebirth within, instead.<br/><br/>Beauty in struggle,<br/>I now see,<br/>Strength in embracing my history.<br/>From the ashes, I rise once more,<br/>With tomorrow's vigor, I explore.<br/><br/>Let winds of change blow, let them roar,<br/>For in hope's light, I find what's in store.<br/><br/>Reborn, like a phoenix, I soar,<br/>Transformed, reinvented, I implore.<br/><br/>With tomorrow's power, my journey extend.<br/>With every fall, I gather might,<br/>Scars are tales of my inner fight.<br/>On transformation's path, <br/>I tread, Discovering rebirth within, instead.<br/><br/>Beauty in struggle,<br/>I now see,<br/>Strength in embracing my history.<br/>From the ashes, I rise once more,<br/>With tomorrow's vigor, I explore.<br/><br/>Let winds of change blow, let them roar,<br/>For in hope's light, I find what's in store.<br/><br/>Reborn, like a phoenix, I soar,<br/>Transformed, reinvented, I implore.
⏲ 3:9 👁 20K
Letra: Rogerio S. de Oliveira <br/>Música criada pela IA <br/>3007 RS <br/>2024<br/>Contribuição:<br/>PIX: rogervdso@gmail.com<br/><br/>Scars From The Past<br/><br/>[Chorus]<br/>Scars from the past, marks that don't fade away,<br/>Memories of battles, that time doesn't erase.<br/>But every wound, every pain that's felt,<br/>Is a story of courage, that life gives us.<br/><br/>[Verse 1]<br/>In the darkness of the night, in the cold streets of the city,<br/>Each step marked by a struggle, a truth.<br/>Scars on the body, but also in the soul,<br/>Silent witnesses of a journey of calm.<br/><br/>[Chorus]<br/>Scars from the past, marks that don't fade away,<br/>Memories of battles, that time doesn't erase.<br/>But every wound, every pain that's felt,<br/>Is a story of courage, that life gives us.<br/><br/>[Verse 2]<br/>In every lost battle, in every scar,<br/>There's a lesson, a learning that doesn't fade away.<br/>Deep wells of sadness, mountains of pain,<br/>But also moments of glory, of love.<br/><br/>[Bridge]<br/>They're not marks of weakness, but of resistance,<br/>Trials that shape our existence.<br/><br/>[Chorus]<br/>Scars from the past, marks that don't fade away,<br/>Memories of battles, that time doesn't erase.<br/>But every wound, every pain that's felt,<br/>Is a story of courage, that life gives us.<br/><br/>[Outro]<br/>Thus we move forward, with scars as guides,<br/>Always reminding ourselves that we're stronger than we once seemed.<br/>
⏲ 1:38 👁 20K
Fish Aquarium at Zoo Garden Karachi<br/><br/>I have my channel on Youtube as well, Zaal Meem channel
⏲ 7:35 👁 15K
An Indelible Destiny (2024) ep 3 chinese drama eng sub
⏲ 9:21 👁 25K
If you had a choice between Change the past OR Future vision #strengthen #mrpeace #strengthening #ga from gandhi past life
⏲ 0:8 👁 15K
An Indelible Destiny (2024) ep 2 chinese drama eng sub
⏲ 10:9 👁 15K
Creators The Past 2019 Hindi ORG Dual Audio
⏲ 1:39:29 👁 30K
The Thundermans Season 4 Episode 15 Save the Past Dance
⏲ 51:56 👁 10K
For a week, the Timberwolves heard the talk that the Suns were a bad match for them in the first round of the playoffs<br/><br/>For a week, the Wolves had a chance to devise counters to the weaknesses Phoenix exploited in their three regular-season matchups.<br/><br/>The Wolves had a answer for all of the above in a resounding 120-95 Game 1 victory over Phoenix on Saturday at Target Center.<br/><br/>Anthony Edwards, who had averaged just over 14 points against Phoenix this season, exploded for 33 points, including 18 in a third quarter that the Wolves grabbed hold of the game and didn't let go.<br/><br/>Edwards did a fair share of his damage against childhood hero Kevin Durant, and he seemed to relish letting Durant know about a few times while he was on his heater. Edwards capped the game with a steal of Durant for a breakaway dunk with 3 minutes, 37 seconds to play.<br/><br/>\
⏲ 1:49 👁 10K
Song: Mast Malang Jhoom<br/>Singers: Vishal Mishra, Arijit Singh & Nikhita Gandhi <br/>Composer: Vishal Mishra<br/>Lyrics: Irshad Kamil<br/>Music Arranged & Produced: Vishal Mishra<br/>Additional Production: Bixal <br/>Guitars: Rhythm Shaw<br/>Flute: Naveen Kumar<br/>Rhythm played by: Prashant Sonagra & Swaranjay Dhumal<br/>Live percussions played by: Prashant Sonagra, Rishabh Shankar & Varad Kulkarni<br/>Additional Rhythm: Swaranjay Dhumal<br/>Music Assistants: Kumar Gaurav Singh, Trihangku Lahkar & Bixal<br/>Backing Vocals: Dipakshi Kalita, Kumar Gaurav Singh, Akash Ojha & Bixal<br/>Mixed & Mastered by: Vishal Mishra & Trihangku Lahkar at VM Studio<br/>Recording Engineer at VM Studio: Trihangku Lahkar<br/>Live Percussions recorded by: Vijay Dayal at YRF Studios<br/>Arijit Singh’s Vocal Recorded by: Sukanto Singha<br/>Arijit Singh's Coordinator: Ashish Biswal<br/><br/>Choreographers: Bosco-Caesar<br/>Song Editor: Nitin FCP<br/>Visual Promotions: Mohit Sajnaney<br/>VFX: Maadfam Studios<br/><br/>Vashu Bhagnani & Pooja Entertainment Presents<br/>In Association With Ali Abbas Zafar Films<br/>BADE MIYAN CHOTE MIYAN<br/>Directed By Ali Abbas Zafar<br/>Produced By Vashu Bhagnani, Jackky Bhagnani, Deepshikha Deshmukh, Ali Abbas Zafar, Himanshu Kishan Mehra<br/>Written By Ali Abbas Zafar & Aditya Basu<br/>Dialogue By Suraj Gianani<br/>Cast: Akshay Kumar, Tiger Shroff, Prithviraj Sukumaran, Sonakshi Sinha, Manushi Chhillar, Alaya F, Ronit Bose Roy<br/><br/>#AkshayKumar #TigerShroff #BadeMiyanChoteMiyan #SonakshiSinha
⏲ 2:35 👁 155K
Feriha Yilmaz is an attractive, beautiful, talented and ambitious daughter of a poor family. Her father, Riza Yilmaz, is a janitor in Etiler, an upper-class neighbourhood in Istanbul. Her mother Zehra Yilmaz is a maid. Feriha studies at a private university with full scholarship. While studying at the university, Feriha poses as a rich girl. She meets a handsome and rich young man, Emir Sarrafoglu. Feriha lies about her life and her family background and Emir falls in love with her without knowing who she really is. She falls in love with him too and becomes trapped in her own lies.<br/><br/>Cast: Hazal Kaya, Çağatay Ulusoy,Vahide Perçin, Metin Çekmez,<br/>Melih Selçuk, Ceyda Ateş, Yusuf Akgün, Deniz Uğur, Barış Kılıç.<br/><br/>Production: Fatih Aksoy<br/>Director: Merve Girgin Neslihan Yeşilyurt<br/>Screenplay: Melis Civelek, Sırma Yanık<br/>
⏲ 5:45 👁 45K
Long before June 1915, John Marshall Slaton had agonized over the proposed commutation of Leo Frank's sentence. He received more than 100,000 letters pleading for a commutation or pardon for Frank and Georgia, and national newspapers reminded him and the public of his power of forgiveness and his responsibility to wield it. Several governors and senators backed the motion to pardon Frank, but efforts were also made by leaders across the country. South-North resentment and animosity rekindled with such ferocity that newspapers across the country covered the development. Most people outside Georgia sympathized with Leo Frank and again attacked Georgia's anti-industrial, anti-Semitic sentiments, and police incompetence. After the Supreme Court denied Frank's motion in April 1915, his lawyers began lobbying for an administrative pardon. The most important information in the document is that the sitting governor of Georgia, John Marshall Slayton, was politically respected and was running for the United States Senate. Judge Morris argued that Slayton was a member of the law firm defending Frank, and that Slayton had been a name partner in the law firm of Rosser, Brandon, Slayton and Phillips since May 1913. The Cobb Democratic Executive Committee publicly asked Slayton to resign as governor or to assure the Georgians that they would not commute Frank's sentence, but Slayton also refused. Frank said he was to be hanged on June 22, 1915, and Slayton said he was to be succeeded by Nat Harris on June 26, 1915. Mr. Slayton could have granted a reservation and let Mr. Harris decide on the motion to reduce, but he and others felt that Mr. Harris would reject the motion. Slayton retired to his home on the outskirts of town and petitioned the Supreme Court for a ruling on the issue of mob influence in court. He studied other Court of Appeals' official rulings, trying to find a balance between Georgia's judicial integrity and mob rule. After visiting the pencil factory, Slayton concludes that Conley must have been lying when she claimed to have used the elevator to move Mary Phagan's body from the second floor to the basement. Clayton took the elevator himself and confirmed that he had indeed reached the bottom, and evidence of this had come to light. Slaton spent a lot of time and attention researching elevators. On June 20, 1915, John Slaton locked himself in the library all day, working on the Frank case. He listened to lawyers for Hugh Dorsey and Leo Frank and the Marietta delegation led by former Governor Joseph M. Brown. When he came out of the library, he said he ordered a commutation. His wife got up and waited for him, and when she came out he said he had made his decision.<br/><br/>He had taken the precaution of taking Leo Frank a minute past midnight from Fulton Tower to the train station, then taking the train to Macon and then driving to the Mirageville Prison Farm.<br/><br/>
⏲ 1:30:24 👁 10K
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