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_open-dm-bentonia-124-d-a-d-f-a-d-124-world-of-tuning-124-rga-junglism.jpg "Full page: https://ragajunglism.org/tunings/menu/open-dm/ | “Resembles a Standard-tuned ‘0-2-2-0-0-0’ Emin shape in terms of interval structure, with everything lowered a whole tone. Thus forms a ‘cross-note’ pattern, as (unlike in Open D) you can easily ‘cross over’ to major voicings with just one finger (e.g. ‘0-0-0-1-0-0’ = Dmaj). In many ways, this is a very logical place to start your open-tuned explorations: after all, this Em shape is almost always one of the very first")
⏲ 1 min 5 sec ✓ 19-Mar-2022
_all-major-thirds-124-e-ab-c-e-ab-c-124-world-of-tuning-124-rga-junglism.jpg "Full page: https://ragajunglism.org/tunings/menu/all-major-thirds/ | “A ‘regular’ stack of maj. 3rds (i.e. 4 semitones separate each string) – forming an augmented triad from any of its three notes, regardless of which string you start on. These odd symmetrical properties arise because our 12-semitone octave divides into 4 with no remainder – meaning that a sequence of 4 fret jumps will always ‘orbit’ back around to (octaves of) the root as you extend the series upwards – i.e.")
⏲ 1 min 5 sec ✓ 19-Mar-2022
_open-a-spanish-124-e-a-e-a-c-e-124-world-of-tuning-124-rga-junglism.jpg "Full page: https://ragajunglism.org/tunings/menu/open-a/ | “Matches the structure of a Standard-tuned Amaj shape (‘0-0-2-2-2-0’). Open A is like Open G’s ‘electric counterpart’ – it has the same interval sequence, but everything is raised up a whole tone (electric strings are thinner, so can go higher). Also used amongst acoustic bluesmen of the pre-amplified era, who often wound their strings as tight as possible to maximise volume amidst the noise and chaos of late-night juke joi")
⏲ 1 min 5 sec ✓ 19-Mar-2022
_open-c-wide-major-124-c-g-c-g-c-e-124-world-of-tuning-124-rga-junglism.jpg "Full page: https://ragajunglism.org/tunings/menu/open-c/ | “Open C (unlike Open D, G, A, and E) doesn’t quite correspond to any of our familiar EADGBE chord shapes. It’s closest to the classic ‘xx0232‘ Dmaj shape in terms of interval pattern (actually it’s like ‘making a Dmaj shape in Drop D’, then all minus 2 semitones). For me, this isn’t one to overtheorise: its simplicity makes it easy to get stuck straight into, with handy symmetries and variable string tensions. Ideal for")
⏲ 1 min 5 sec ✓ 19-Mar-2022
_magic-farmer-124-c-f-c-g-a-e-124-world-of-tuning-124-rga-junglism.jpg "Full page: https://ragajunglism.org/tunings/menu/magic-farmer/ | “Another wide-spread tuning from steel-strung magician Michael Hedges, showcased on The Magic Farmer (1984) – the final track of Aerial Boundaries. The pensive, gently-paced composition was a dedication to flautist Mindy Rosenfeld, his then-partner and the mother of his children (‘Rosenfeld’ means ‘field of roses’ in German). Degrees 1, 3, 4, 5, 6 of the major scale are present (albeit octave-shuffled across different s")
⏲ 1 min 5 sec ✓ 22-Mar-2022
_papa-papa-124-d-a-d-d-a-d-124-world-of-tuning-124-rga-junglism.jpg "Full page: https://ragajunglism.org/tunings/menu/papa-papa/ | “‘Double-dad’ tuning is handily symmetrical, mirroring its ‘D-A-D’ pattern across the guitar’s centre line to form a stacked D power chord.(like a double-decker sandwich filled with ‘A’). Only one string differs from the more famous DADGAD – the 3str is lowered by a fourth, going super-slack to add psychedelic phasing effects. Variants have long been used on steel guitars and other lap slide instruments. Theorist B")
⏲ 1 min 5 sec ✓ 22-Mar-2022
_coyote-124-c-g-d-f-c-e-124-world-of-tuning-124-rga-junglism.jpg "Full page: https://ragajunglism.org/tunings/menu/coyote/ | “Gives root to the sensual strums of Coyote, the first track from Joni Mitchell’s 1976 Hejira album – once described by literary academic Dr. Ruth Charnock as “either the most flirtatious song about fucking or the most graphic song about flirting ever written”. Her tuning is essentially ‘Hejira + Open C’ (split, respectively, as: 6-5-4-3 | 2-1str). It forms a 5ths-focused reshuffling of tones 1-5 of the major scale (1-2-3-4")
⏲ 1 min 5 sec ✓ 22-Mar-2022
_zigzag-thirds-minor-124-f-ab-c-eb-g-bb-124-world-of-tuning-124-rga-junglism.jpg "Full page: https://ragajunglism.org/tunings/menu/zigzag-thirds-min/ | “A ‘stack of thirds’, alternating between minor and major (i.e. semitone gaps of 3, 4, 3, 4, 3). Proposed by Greek mathematician Dr. Costas Kyritsis as an ideal landscape for simplifying the shapes of all common diatonic chords – a logical point, given that much of Western harmony is built from ‘towers of thirds’ (n.b. also see its ‘flipped’ counterpart: the ‘maj-min’ zigzag). Outlines a min9(11) arpeggio f")
⏲ 1 min 5 sec ✓ 22-Mar-2022
_open-em-cross-note-124-e-b-e-g-b-e-124-world-of-tuning-124-rga-junglism.jpg "Full page: https://ragajunglism.org/tunings/menu/open-em/ | “Takes the same interval pattern as Open Dm, raised up two semitones: thus mirroring the contours of our familiar ‘0-2-2-0-0-0’ Emin chord from Standard tuning (it’s as if you’d tuned to its notes rather than fretting them). Best suited to the lighter string gauges of electric guitars, due to the high wind required on 4+3str. Offers easy ‘cross-note’ possibilities (i.e. you can easily ‘cross over’ to playing in Emaj: e")
⏲ 1 min 5 sec ✓ 19-Mar-2022
_major-amp-minor-triad-w-dom7-in-g-major-folk.jpg "For more info please visit ... https://crimsonstoneproject.com/nnThe Backing Tracks In This Section Are Grouped Together By The Chord Types They Showcase And Progress In The Same Order That The Chords In The Frameworks Section.nnEach backing track in this course is prefaced with a detailed but easy to follow harmonic analysis. This way you'll understand exactly what makes the piece function the way that it does. This means you're not just learning a new jam, your also learning the logic behind h")
⏲ 4 min 70 sec ✓ 25-Dec-2020
_major-7-minor-7-dom7-sus7-in-g-major-smooth-jazz.jpg "For more info please visit ... https://crimsonstoneproject.com/nnThe Backing Tracks In This Section Are Grouped Together By The Chord Types They Showcase And Progress In The Same Order That The Chords In The Frameworks Section.nnEach backing track in this course is prefaced with a detailed but easy to follow harmonic analysis. This way you'll understand exactly what makes the piece function the way that it does. This means you're not just learning a new jam, your also learning the logic behind h")
⏲ 9 min 74 sec ✓ 25-Dec-2020
_major-amp-minor-triad-w-dom7-in-g-major-country.jpg "For more info please visit ... https://crimsonstoneproject.com/nnThe Backing Tracks In This Section Are Grouped Together By The Chord Types They Showcase And Progress In The Same Order That The Chords In The Frameworks Section.nnEach backing track in this course is prefaced with a detailed but easy to follow harmonic analysis. This way you'll understand exactly what makes the piece function the way that it does. This means you're not just learning a new jam, your also learning the logic behind h")
⏲ 9 min 87 sec ✓ 25-Dec-2020
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_open-dm-bentonia-124-d-a-d-f-a-d-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/open-dm/ | “Resembles a Standard-tuned ‘0-2-2-0-0-0’ Emin shape in terms of interval structure, with everything lowered a whole tone. Thus forms a ‘cross-note’ pattern, as (unlike in Open D) you can easily ‘cross over’ to major voicings with just one finger (e.g. ‘0-0-0-1-0-0’ = Dmaj). In many ways, this is a very logical place to start your open-tuned explorations: after all, this Em shape is almost always one of the very first")
_all-major-thirds-124-e-ab-c-e-ab-c-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/all-major-thirds/ | “A ‘regular’ stack of maj. 3rds (i.e. 4 semitones separate each string) – forming an augmented triad from any of its three notes, regardless of which string you start on. These odd symmetrical properties arise because our 12-semitone octave divides into 4 with no remainder – meaning that a sequence of 4 fret jumps will always ‘orbit’ back around to (octaves of) the root as you extend the series upwards – i.e.")
_open-a-spanish-124-e-a-e-a-c-e-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/open-a/ | “Matches the structure of a Standard-tuned Amaj shape (‘0-0-2-2-2-0’). Open A is like Open G’s ‘electric counterpart’ – it has the same interval sequence, but everything is raised up a whole tone (electric strings are thinner, so can go higher). Also used amongst acoustic bluesmen of the pre-amplified era, who often wound their strings as tight as possible to maximise volume amidst the noise and chaos of late-night juke joi")
_open-c-wide-major-124-c-g-c-g-c-e-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/open-c/ | “Open C (unlike Open D, G, A, and E) doesn’t quite correspond to any of our familiar EADGBE chord shapes. It’s closest to the classic ‘xx0232‘ Dmaj shape in terms of interval pattern (actually it’s like ‘making a Dmaj shape in Drop D’, then all minus 2 semitones). For me, this isn’t one to overtheorise: its simplicity makes it easy to get stuck straight into, with handy symmetries and variable string tensions. Ideal for")
_magic-farmer-124-c-f-c-g-a-e-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/magic-farmer/ | “Another wide-spread tuning from steel-strung magician Michael Hedges, showcased on The Magic Farmer (1984) – the final track of Aerial Boundaries. The pensive, gently-paced composition was a dedication to flautist Mindy Rosenfeld, his then-partner and the mother of his children (‘Rosenfeld’ means ‘field of roses’ in German). Degrees 1, 3, 4, 5, 6 of the major scale are present (albeit octave-shuffled across different s")
_papa-papa-124-d-a-d-d-a-d-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/papa-papa/ | “‘Double-dad’ tuning is handily symmetrical, mirroring its ‘D-A-D’ pattern across the guitar’s centre line to form a stacked D power chord.(like a double-decker sandwich filled with ‘A’). Only one string differs from the more famous DADGAD – the 3str is lowered by a fourth, going super-slack to add psychedelic phasing effects. Variants have long been used on steel guitars and other lap slide instruments. Theorist B")
_coyote-124-c-g-d-f-c-e-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/coyote/ | “Gives root to the sensual strums of Coyote, the first track from Joni Mitchell’s 1976 Hejira album – once described by literary academic Dr. Ruth Charnock as “either the most flirtatious song about fucking or the most graphic song about flirting ever written”. Her tuning is essentially ‘Hejira + Open C’ (split, respectively, as: 6-5-4-3 | 2-1str). It forms a 5ths-focused reshuffling of tones 1-5 of the major scale (1-2-3-4")
_zigzag-thirds-minor-124-f-ab-c-eb-g-bb-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/zigzag-thirds-min/ | “A ‘stack of thirds’, alternating between minor and major (i.e. semitone gaps of 3, 4, 3, 4, 3). Proposed by Greek mathematician Dr. Costas Kyritsis as an ideal landscape for simplifying the shapes of all common diatonic chords – a logical point, given that much of Western harmony is built from ‘towers of thirds’ (n.b. also see its ‘flipped’ counterpart: the ‘maj-min’ zigzag). Outlines a min9(11) arpeggio f")
_open-em-cross-note-124-e-b-e-g-b-e-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/open-em/ | “Takes the same interval pattern as Open Dm, raised up two semitones: thus mirroring the contours of our familiar ‘0-2-2-0-0-0’ Emin chord from Standard tuning (it’s as if you’d tuned to its notes rather than fretting them). Best suited to the lighter string gauges of electric guitars, due to the high wind required on 4+3str. Offers easy ‘cross-note’ possibilities (i.e. you can easily ‘cross over’ to playing in Emaj: e")
_major-amp-minor-triad-w-dom7-in-g-major-folk.webp "For more info please visit ... https://crimsonstoneproject.com/nnThe Backing Tracks In This Section Are Grouped Together By The Chord Types They Showcase And Progress In The Same Order That The Chords In The Frameworks Section.nnEach backing track in this course is prefaced with a detailed but easy to follow harmonic analysis. This way you'll understand exactly what makes the piece function the way that it does. This means you're not just learning a new jam, your also learning the logic behind h")
_major-7-minor-7-dom7-sus7-in-g-major-smooth-jazz.webp "For more info please visit ... https://crimsonstoneproject.com/nnThe Backing Tracks In This Section Are Grouped Together By The Chord Types They Showcase And Progress In The Same Order That The Chords In The Frameworks Section.nnEach backing track in this course is prefaced with a detailed but easy to follow harmonic analysis. This way you'll understand exactly what makes the piece function the way that it does. This means you're not just learning a new jam, your also learning the logic behind h")
_major-amp-minor-triad-w-dom7-in-g-major-country.webp "For more info please visit ... https://crimsonstoneproject.com/nnThe Backing Tracks In This Section Are Grouped Together By The Chord Types They Showcase And Progress In The Same Order That The Chords In The Frameworks Section.nnEach backing track in this course is prefaced with a detailed but easy to follow harmonic analysis. This way you'll understand exactly what makes the piece function the way that it does. This means you're not just learning a new jam, your also learning the logic behind h")
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