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Beyond the harsh constraints on journalism in the Middle East and Asia, press freedom has also been slipping in some parts of Europe.
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The Tasek Gelugor MP says the government has not kept its promises.<br/><br/>Read More: https://www.freemalaysiatoday.com/category/nation/2024/05/04/slump-in-press-freedom-ranking-due-to-iron-fisted-policies-claims-wan-saiful/<br/><br/>Laporan Lanjut: https://www.freemalaysiatoday.com/category/bahasa/tempatan/2024/05/04/ranking-kebebasan-media-jatuh-kerana-dasar-kuku-besi-dakwa-wan-saiful/<br/><br/>Free Malaysia Today is an independent, bi-lingual news portal with a focus on Malaysian current affairs.<br/><br/>Subscribe to our channel - http://bit.ly/2Qo08ry<br/>------------------------------------------------------------------------------------------------------------------------------------------------------<br/>Check us out at https://www.freemalaysiatoday.com<br/>Follow FMT on Facebook: https://bit.ly/49JJoo5<br/>Follow FMT on Dailymotion: https://bit.ly/2WGITHM<br/>Follow FMT on X: https://bit.ly/48zARSW <br/>Follow FMT on Instagram: https://bit.ly/48Cq76h<br/>Follow FMT on TikTok : https://bit.ly/3uKuQFp<br/>Follow FMT Berita on TikTok: https://bit.ly/48vpnQG <br/>Follow FMT Telegram - https://bit.ly/42VyzMX<br/>Follow FMT LinkedIn - https://bit.ly/42YytEb<br/>Follow FMT Lifestyle on Instagram: https://bit.ly/42WrsUj<br/>Follow FMT on WhatsApp: https://bit.ly/49GMbxW <br/>------------------------------------------------------------------------------------------------------------------------------------------------------<br/>Download FMT News App:<br/>Google Play – http://bit.ly/2YSuV46<br/>App Store – https://apple.co/2HNH7gZ<br/>Huawei AppGallery - https://bit.ly/2D2OpNP<br/><br/>#FMTNews #WanSaifulWanJan #PressFreedom #UnityGovernment #PH
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12_5 Tech
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Camouflage freenet × C flage FF
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NASA released views of several angles of SpaceX Starship’s second test flight. The massive rocket launched from SpaceX's Starbase facility in South Texas.<br/><br/>Credit: NASA <br/>Music: The Alabaster Coast by Hanna Lindgren / courtesy of Epidemic Sound
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ValenjaFR
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Australia's hate speech laws are being put to the test in a trial in Sydney. The Greens Deputy Leader Mehreen Faruqi is taking legal action against Senator Pauline Hanson accusing her of posting a racist tweet. But the One Nation leader says her comments are protected by freedom of speech.
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When Clone Force 99, a.k.a. The Bad Batch, scored their own spinoff after being introduced early on in Star Wars: The Clone Wars Season 7, they were joined by Omega, a female clone of Jango Fett who, like Boba Fett, ages at a normal rate. Omega’s come a long way during her time with Hunter, Wrecker, Echo and the late Tech, and with Star Wars: The Bad Batch’s third and final season about to begin, Michelle Ang, who voices Omega, opened up to CinemaBlend about the young character’s evolution in Season 3. Additionally, if Omega is ever played in live-action, Ang provided some advice to the hypothetical actress who’d take over the role.<br/><br/>During my chat with Ang, I pointed out how in The Bad Batch Season 1, Omega was a sheltered child who was finally got to experience freedom for the first time when the title group took her off Kamino and brought her along on their travels. Then in Season 2, we watched Omega become a capable soldier who could handle herself in the field much better. So regarding Season 3, I asked the actress what she thinks is the biggest way Omega has evolved for this new batch (pardon the pun) of episodes.
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While humans have regressed into a feral state, one ape leader embarks on a journey to find freedom side by side with a human girl.
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The premise is impressive. As was established through the trailer, Krishna (Naga Shaurya) hails from a ritualistic Brahmin family where the mother (Radhika Sarathkumar) knows how to have her way. When he moves to Hyderabad to do a software job, he feels liberated. This newfound freedom makes him woo Vrinda (Shirley Setia), a North Indian living in the city, at the first opportunity. Vrinda, to his fortune, is his friendly manager. Much as she loves Krishna, Vrinda is in a bind because she is barren owing to a disorder. Krishna now takes a tricky decision. He pulls the wool over his mother's eyes and marries Vrinda. Least does he realize that this is not going to be smooth sailing.<br/><br/>This film doesn't subscribe to regular notions of masculinity. In this regard, director Aneesh R Krishna must be commended. Naga Shaurya's character doesn't mind being at the receiving end of the raw deal if it makes his girlfriend happy. Like many Telugu cinema male leads, he is mistaken often by those who are supposed to behave better.<br/><br/>Mahathi Swara Sagar's musical flavour sits pretty with the mood of the film. 'Emundi Ra' is enjoyable, although the rest of the songs don't match up to its standard. Sai Sriram's cinematography makes the production values look better. Compared to Shaurya's films like 'Nartanasala', 'KVV' has got a much better visual appeal.<br/><br/>For a change, the story taps into the dynamics of an evolving relationship between a woman and her mother-in-law. In doing so, it makes sense. There are dialogues that sensitize us to the need to empathize with the pulls and pressures faced by working women. Radhika Sarathkumar makes us see her character's point without appearing mean. It's also amusing that she is shown to be someone who has the ability to predict the future accurately.<br/>Shirley Setia makes a vivacious Telugu debut. She looks believable as a North Indian migrant in Hyderabad, drawing the unwarranted attention of a lot of men. Amitabh Pradhan's negative role could have been etched in a better way, though.<br/><br/>The arc of Vennela Kishore's character is funny, with the coma portions standing out. Satya is effortless. Brahmaji can make us enjoy even ordinary lines. Wish Rahul Ramakrishna had got to do better. Annapurnamma is seen as Krishna's granny, while Saranya Pradeep and Himaja have their parts.<br/><br/>The second half is where the actual story takes place. Much of the drama happens indoors. The conversations between three different characters make for a dramatic watch. The climax has the right quantum of simplicity and likeability. The pub scene is not squandered away.<br/>On the downside, the workplace portions should have been constructed in a realistic fashion. The frustrations of Satya and Rahul Ramakrishna are captured well initially. By and by, classist humour and regular tropes like a mean guy creeping up the female lead make their way. Nowadays, the audience are expecting workplace dynamics to be shown in an entertaining way without taking creative lib
⏲ 2:18:48 👁 260K
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