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WORLD TOUR 2024 mp4 (1) from jaan ajay mp4 song
⏲ 1:15 👁 195K
90's Gaane
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90's Dard - Bollywood Songs
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Shaitan movie clips from jaan ajay mp4 song
⏲ 28:2 👁 430K
Bihar no 1
⏲ 5 minutes 15 seconds 👁 2.1M
Zee Music Classic
⏲ 6 minutes 👁 61.3M
Here's what critics are saying about the 2024 movie \
⏲ 1:59:29 👁 705K
Wings Music
⏲ 5 minutes 22 seconds 👁 21.3M
trutien35.mp4-muxed from jaan ajay mp4 song
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Pushpa 2 - The Rule - Written and Directed by Sukumar. Produced by Naveen Yerneni and Y. Ravi Shankar of Mythri Movie Makers in Association with Sukumar Writings, the Film Stars Allu Arjun, Fahadh Faasil, Rashmika Mandanna, Dhanunjay, Rao Ramesh, Sunil, Anasuya Bharadwaj & Ajay Ghosh. The film's Music Is Composed by Devi Sri Prasad.<br/><br/>Song Credits:<br/>Singer: Mika Singh , Nakash Aziz<br/>Music: Rockstar DSP (Devi Sri Prasad)<br/>Music Label: T-Series<br/><br/>Film Credits:<br/>Story: Screenplay-Direction Sukumar Bandreddi<br/>Producers: Naveen Yerneni, Ravi Shankar Yalamanchili <br/>CEO: Cherry<br/>Music: Devi Sri Prasad<br/>Cinematographer: Miresłow Kuba Brożek<br/>Production Designer: S. Ramakrishna - Monica Nigotre<br/>Lyricist: Raqueeb Alam<br/>VFX Supervisor: Kamala Kannan<br/>Costume Designers: Deepali Noor - Sheetal Sharma<br/>Fights: Peter Hein, Kecha Kamphakdee, ”Dragon” Prakash, Nabakanta<br/>Choreographers: Prem Rakshith, Ganesh Acharya, Vijay Polaki, Shrashti Verma<br/>Character Designer: Preeti Sheel Singh <br/>CFO: Ch Nagabhushanam<br/>Executive Producer: Baba Sai Kumar Mamidipalli<br/>Chief Executive Producer: Kvv Bala Subramaniam<br/>Co-Director: Vishnu<br/>Banners: Mythri Movie Makers in Association with Sukumar Writings<br/>Pro: Eluru Srinu, Maduri Madhu<br/>Marketing - First Show Online Services Pvt Ltd <br/>Publicity: Max Media <br/>Branding: K R Siddharth<br/>Mix Engineer - Bipin<br/>DI & Sound Mixing: Annapurna Studios<br/>Sound Design: Resul Pookutty and Vijay Kumar<br/>Visual Promotion Team -Meganathan, Newton Prabhu, Yogi D.F.Tech, Vensan W, Dinesh
⏲ 4:20 👁 140K
First, director Sukumar was conspicuously missing from the promotions. They said he was busy with the film's post-production work. No one knew whether it was last minute hustle or a filmmaker painstakingly sculpting his magnum opus frame by frame. Then, there is Allu Arjun who's been on the verge of breaking into the topmost tier of stardom. Yes, he's already a big star, but not yet the unquestioned superstar he is capable of becoming — one whose success or failures do nothing to dent the stardom.<br/><br/>There is also the issue regarding Devi Sri Prasad's music, which hasn't seen big highs in a long time, given he reserves his best for Sukumar — case in point Rangasthalam. And finally, the decision to break the film into two parts after announcing it as a single film has been most curious. Would the film have enough meat for two parts or was it trying to cash in on the success formula of KGF and Baahubali? Given how much buzz there is around the production and release of the film, it is almost impossible to see it as an independent work of art alone. But one must try.<br/><br/>Pushpa tells the story of a coolie Pushparaaj who is denied a surname because of his bastard status. He is constantly disrespected by his 'brothers' and the society around him in Chittoor District. But Pushpa has a super-power to smuggle red sanders which earns him a place in the good books of a local smuggler. Pushpa: The Rise, like a diligent biopic, chronicles the rise of its eponymous hero to the top of the pyramid… until something happens, but I'm getting ahead of myself. <br/><br/>The comparisons to Sukumar's previous work Rangasthalam are easy to make because these are both rural dramas and both have themes of upper-caste men abusing their power. And the music and songs have parallels too. Sukumar has a habit of correcting one film's mistakes in the next one. Whether they were the screenplay loopholes in 1 Nenokkaidine that made way for a more straightforward screenplay in Nannaku Prematho or the 'psychopathic' nature of Aarya in Aarya 2 being replaced with a more palatable egotist in 100% Love's Balu. <br/><br/>Pushpa, however, borrows from Sukumar's first mis-hit Jagadam. There too a young man rises up the ranks in the criminal world at great personal cost. That film, while labelled 'ahead of its time,' suffered from an inability to stay focused on its character. In Pushpa, Sukumar corrects that mistake and delivers some stunning set pieces. The sequence where Pushpa saves the day when it looks like the smugglers are done for is a stellar example. The interval sequence sets the screen on fire.
⏲ 2:55:8 👁 45K
An uber-cool, carefree Jazz aka Jassi (Saif Ali Khan) is a real estate broker in London who’s all set to crack the biggest deal of his life. He’s a party animal who loves his freedom but is also crossing the age of 40. He meets a girl, Tia (Alaya F) in the club, brings her home, tries to get steamy with her until she drops the “you might be my father” bomb on him.<br/>She statically explains to him how there’s a 33.33% chance that he’s her father. He’s not ready to sacrifice his freedom for her. The rest of the story is all about how Tia tries to stay close to Jazz and hope she gets her family together. On the other hand, we’ve Jazz who’s stuck in closing the deal & how it interconnects with Tia.<br/>Apart from attention-absorbing script, it’s Saif Ali Khan’s presence that keeps you hooked. After your done being envious of how cool he looks, you’ll start laughing with him on his lame jokes. The script makes its way through comedy & drama balancing both of them equally. It’s an easy to watch, easy to recommend dramedy which is laced by some good performances.<br/><br/>There were times when the adult in me screamed for why the makers didn’t take a complete ‘A’ certificate route and made this into an A-rated affair. But then, the target audience. The pace dips in the second half when the drama takes over the driving seat. Jawaani Jaaneman holds an edge over Ajay Devgn’s De De Pyaar De which kind-of had a similar genre.<br/><br/>Saif Ali Khan, without a single iota of doubt, is the best ageing Khan of Bollywood. There could’ve been no better actor than him to portray Jazz and he breathes in a whole of swag to the character. A tailor-made role for Saif flawlessly performed & intriguingly written.<br/><br/>
⏲ 1:56:49 👁 60K
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