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Produced by: K K Radhamohan <br/>Directed by: Karan L Butani <br/>Director of photography: G Srinivas Reddy <br/>Supervising Producer: Shamiraah Nambiar <br/>Story: Shiva <br/>Screenplay: Yunus Sajawal <br/>Dialogues: Mohit Srivastava, Kavin Dave <br/>Editor: Mayuresh Sawant <br/>BGM: Ketan Sodha<br/>Action Director: Vikram Dahiya, Dinesh Subbarayan <br/>Music composer: Vishal Mishra, Rajat Nagpal, Akashdeep Sengupta <br/>Production Design: Parijat Poddar, Baji Ramdas Patil, Deep Bhimajiyani <br/>Choreographer: Rajit Dev <br/>Visual Promotions: Ruben Trailer House <br/>Sound Design: Dhruv Parekh <br/>Re- recording Mixer: Koteswara Rao <br/>Costume Design: Tanushka Kitt, Shabi Sharma <br/>Casting Director: Mukesh Chhabra CSA, Kunal M Shah <br/>Executive Producer: Divesh Mathur, Nishant Kaushik <br/>Line Producer: Salim Mansoori<br/>Associate Editor: Rajendra Bhaat <br/>DI: Nube Circus <br/>Supervising Colorist: Navin Shetty <br/>Colorist: Zaheer Shaikh <br/>VFX: Identical Brains Studio, Hive FX Studioz <br/>Post Production Head: Kamran Shaikh <br/>Chief Assistant Director: Neha Jaiswal <br/>Marketing Director: Varun Gupta (Max Marketing) <br/>Media Consultant: Pearl Media Communications<br/>Publicity Design: Parass Kanani (House of Awe) <br/>Digital Marketing Agency: Spectra Digital<br/>
⏲ 2:55 👁 340K
bigstackD Casting
⏲ 47 minutes 50 seconds 👁 67.9K
bigstackD Casting
⏲ 51 minutes 13 seconds 👁 93.6K
The Last Airbender is a 2010 American action adventure fantasy film written, co-produced, and directed by M. Night Shyamalan.[7][6][1][8] It is based on Book One: Water, the first season of the 2005–08 animated television series Avatar: The Last Airbender created by Michael Dante DiMartino and Bryan Konietzko. The film stars Noah Ringer, Dev Patel, Nicola Peltz, Jackson Rathbone, Shaun Toub, Aasif Mandvi, and Cliff Curtis.[9] The plot follows Aang, a young Avatar who must master all four elements of air, water, fire, and earth and restore balance to the world while stopping the Fire Nation from conquering the Water Tribes and the Earth Kingdom.
⏲ 1:43:14 👁 20K
bigstackD Casting
⏲ 29 minutes 2 seconds 👁 65.6K
bigstackD Casting
⏲ 16 minutes 32 seconds 👁 302.3K
Step into the mesmerizing realm of the desert twilight at Joshua Tree, where the fading sun casts a golden hue over the rugged landscape. Amidst the towering Joshua trees and rocky outcrops, a vision of beauty emerges - Katherinne Rodriguez, adorned in a stunning short dress, becomes the epitome of elegance against the desert backdrop.<br/><br/>As the last rays of sunlight dance across the horizon, Katherinne captivates with her grace and poise, her silhouette framed by the ethereal glow of dusk. With each step, she exudes confidence and allure, her presence a harmonious blend of strength and serenity amidst the desert wilderness.<br/><br/>Against the backdrop of the Joshua Tree's iconic silhouettes, Katherinne's modeling prowess shines through, effortlessly showcasing the beauty of both the desert landscape and the human form. Her movements are like poetry in motion, each pose telling a story of resilience and beauty in the face of nature's grandeur.<br/><br/>As the desert twilight deepens, casting shadows upon the land, Katherinne remains a beacon of light, her radiant presence illuminating the desert night. In this enchanting moment, amidst the vast expanse of Joshua Tree, beauty truly knows no bounds.<br/><br/>Hatch tags:<br/>#DesertTwilight<br/>#JoshuaTree<br/>#Modeling<br/>#BeautifulGirl<br/>#KatherinneRodriguez<br/>#ShortDress<br/>#Elegance<br/>#NaturalBeauty<br/>#SunsetPhotoshoot<br/>#DesertGlamour<br/>#DuskMagic<br/>#FashionInNature<br/>#IconicLandscapes<br/>#FashionPhotography<br/>#TwilightVibes<br/>#WildernessBeauty<br/>#DesertTwilight<br/>#JoshuaTreeNationalPark<br/>#ModelingShoot<br/>#FashionPhotography<br/>#NaturalBeauty<br/>#SunsetGlamour<br/>#DesertElegance<br/>#KatherinneRodriguez<br/>#ShortDressStyle<br/>#GoldenHourGlow<br/>#TwilightMagic<br/>#DesertFashion<br/>#WildernessChic<br/>#ModelLife<br/>#GlamorousSunset<br/>#DuskVibes<br/>#Fashionista<br/>#DesertSerenity<br/>#IconicLandscapes<br/>#ModelBehavior<br/>#FashionIcon<br/>#NaturePhotography<br/>#DesertDreams<br/>#SunsetGoddess<br/>#FashionInNature<br/>#JoshuaTreeBeauty<br/>#ModelInspiration<br/>#SunsetSilhouette<br/>#FashionistaLife<br/>#NaturalElegance<br/>#DesertGoddess<br/>#ModelPose<br/>#SunsetMagic<br/>#FashionForward<br/>#DesertCharm<br/>#ModelingLife<br/>#SunsetDreams<br/>#FashionGlamour<br/>#DesertGlow<br/>#ModelingAgency<br/>#SunsetSerenade<br/>#FashionStatement<br/>#DesertFashionista<br/>#ModelingExcellence<br/>#SunsetSplendor<br/>#FashionistaVibes<br/>#DesertDusk<br/>#ModelingMastery<br/>#SunsetChic<br/>#FashionInspirations
⏲ 8:0 👁 20K
bigstackD Casting
⏲ 56 minutes 40 seconds 👁 73.9K
bigstackD Casting
⏲ 1 hour 6 minutes 32 seconds 👁 64.3K
‘Weekend’ follows Arundhati and Ranjit, a couple navigating the aftermath of the brutal rape and murder of 14-year-old Prajakta Salunke, in a village not far from the cosmopolitan city of Pune. While they are both committed to lending their voices in protest, Arundhati begins to question if an individual protected by their caste- and gender-derived privilege can truly be an ally. Her skepticism is manifested by Saau, a vocal activist who resents the hijacking of the protest, and of the anti-caste movement at large, by politically motivated individuals; and Malcolm, an academic who challenges Ranjit’s view of a fair, unbiased system.<br/><br/>Details of Cast & Crew :<br/><br/>Written and Directed by<br/>Arvind Gajanan Joshi<br/><br/>Lead Cast<br/>Anamika Dangre<br/>Trupti Ashok Gaikwad<br/>Nandu Madhav<br/>Sanjay Thakur<br/>Kaustubh Kumar<br/>Vikrant Mahalle<br/><br/>Produced by<br/>Sunanda Gajanan Joshi<br/><br/>Co-producers<br/>Sunil Chandurkar<br/>Bharat Mayekar<br/><br/>Director of Photography<br/>Abhijeet Vijaya Bhaskar<br/><br/>Associate Producer<br/>Harsh Pundit <br/><br/>Executive Producer<br/>Bobby Adhale<br/><br/>Editing<br/>Sagar<br/>Arvind Gajanan Joshi<br/><br/>Background Score<br/>Sarang Kulkarni<br/><br/>Sound Designer<br/>Aditya Vikasrao Deshmukh<br/><br/>Art Direction<br/>Nishchay- Atal<br/><br/>Costume<br/>Shrutika Vasave Bhosale <br/><br/>Makeup<br/>Umesh Jadhav <br/><br/>DI Colorist<br/>Milan Rathod<br/><br/>'Vara vishamtecha' song lyrics, composition and vocals by Charan Jadhav<br/><br/>Casting by<br/>The Dramalay Casting Company<br/><br/> <br/><br/>Production by<br/>Film Mechanic Productions
⏲ 1:0 👁 15K
The Most Brutal and Barbaric Case of Digital Tampering Ever: Unveiling the Truth Behind Café Olivier CCTV Footage Manipulation by Indonesian Police Officer<br/><br/><br/>EVIDENCE 2:<br/>CUTTING CCTV VIDEO FILE 9 INTO 2 PARTS AND PERFORMING DOWNSCALING ON THE FIRST SEGMENT<br/>Muhammad Nuh Al-Azhar and Christopher Hariman Rianto, coordinated by Krishna Murti, divided CCTV video 9 into two segments:<br/><br/>Segment 1: 15:35 – 16:59 Local Time<br/>The frame dimension was reduced to 960 x 576 px, and the frame rate was reduced to 10 frames per second. In this segment, it was necessary to observe the color of coffee served by Agus Triono at table 54 at 16:24:18 Local Time, yet Muhammad Nuh Al-Azhar blurred it instead.<br/><br/>Segment 2: 16:59 – 18:25 Local Time<br/>Frame dimension remained full high definition (FHD, 1920x1080 px), and the frame rate remained at 25 frames per second. However, it was here where the color of the remaining coffee that Mirna Salihin drank, taken by Sari at 17:21:20 Local Time, was observed.<br/><br/>Analysis<br/>In Segment 1, where the frame dimension was reduced and the frame rate was lowered, the deliberate blurring of the coffee served by Agus Triono at table 54 at 16:24:18 Local Time had significant consequences. This manipulation obscured crucial details that could have been pertinent to the investigation. Deliberately altering the footage in this manner raised suspicions of tampering or concealment of evidence.<br/><br/>Moving to Segment 2, where the frame dimension remained high definition and the frame rate was maintained at 25 frame per second, the deliberate manipulation of the coffee color consumed by Mirna Salihin becomed apparent. By maintaining the integrity of this segment while altering the previous one, the forensic experts created a stark contrast that potentially mislead the judges.<br/><br/>The non-equivalent comparison of coffee colors between the two segments, one downscaled and the other original, led to erroneous conclusions. This manipulation introduced inaccuracies in the analysis, distorting the true representation of events. The discrepancy in coffee colors identified by the forensic experts become a crucial point of contention, casting doubt on the validity of the entire forensic process.<br/><br/>The deliberate manipulation of the coffee color in the video footage posed significant challenges for toxicological analysis. Toxicologists, Nursamran Subandi and I Made Agus Gelgel, heavily relied on visual evidence to assess the presence of toxins, such as cyanide, in substances like coffee. However, when the color of the coffee was tampered with, toxicologists drawn inaccurate conclusions. For instance, if the manipulated footage portrayed the coffee as a different color than it actually was, toxicologists might misinterpreted the data and wrongly diagnosed the presence of toxins. This manipulation undermined the accuracy and reliability of the toxicological analysis, casting doubt on the validity of the findings and complicating the judicial process.<br/>
⏲ 6:14 👁 15K
Michael Keaton admits that Tim Burton took a big risk when casting him as Batman for his 1989 movie about the Caped Crusader.
⏲ 1:19 👁 10K
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