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Asif, a Muslim married to a Hindu, who, for reasons too convoluted to explain, becomes possessed by the spirit of a transwoman Laxmii. When he is under her spell, Asif ferociously clicks his teeth and even lets out a sort of war cry. We get so many close-ups that I started admiring how clean Akshay's teeth are. As I watched, I also wondered, how many communities will Akshay save? In Airlift, he saved Indian migrants in the Middle East; In Toilet: Ek Prem Katha, he saved women from the humiliation of defecating outdoors; in Padman, he once again came to the rescue, playing a man who creates low-cost sanitary napkins; in Kesari, as Havaldar Ishar Singh, he rescues a fort and Sikh honor; and now as Laxmii, he bats for transgenders and also throws in a few strokes for Muslims and a child with special needs. It's a heavy load. Which might be why his performance feels delivered in auto-pilot mode.<br/><br/>Laxmii is the remake of a Tamil film called Kanchana, written and directed by Raghava Lawrence, who also played the lead in that film. In Kanchana, his character, also called Raghava, isn't heroic. He's a cowardly man, so afraid of ghosts that he sleeps next to his mother and even insists that she accompany him to the bathroom. Some of the pleasure in that film was watching this wimp transform into the avenging angel Kanchana. Raghava has directed Laxmii but perhaps him and co-writers Farhad Samji, Sparsh Khetarpal and Tasha Bhambra who did the adaptation and dialogue, didn't want to risk downsizing their star. So Asif is some sort of ghostbuster. From his first scene itself, he is in savior mode, rescuing people from fraud babas. Kanchana was made in 2011. It's loud, simplistic and problematic in terms of representation. But Raghava created moments of cheesy fun and it was satisfying to see Kanchana ultimately get her revenge. The high pitch and stereotyping has not aged well and so much has been lost in translation. The tweaks to the original have only made this version worse – the interfaith marriage angle is laughably lame. Kiara Advani plays Asif's wife Rashmi. She does little except calisthenic dancing at the Burj Khalifa and widening her eyes as her husband behaves erratically. Rashmi's family disowned her when she ran away with Asif. They are offended that he is Muslim but not one person seems to notice the difference in age. Also Read: Laxmii, Starring Akshay Kumar, Is A Tone-Deaf Horror Comedy The writing is awful. The message of inclusion is noble but also obviously fraudulent because the film itself contradicts it. There is so much shrieking that it might induce a headache and perhaps the worst sin – the ghost, before it enters Asif's body, is basically a wig with a fan behind it.
⏲ 2:21:1 👁 865K
Ask Zac
⏲ 14 minutes 33 seconds 👁 29.1K
Ask Zac
⏲ 14 minutes 13 seconds 👁 21.9K
Rachel Fuda Writes the Tagline for John That Tamra and Teddi Shadily Asked for
⏲ 1:39 👁 1.5M
The Daily Show
⏲ 16 minutes 58 seconds 👁 1.6M
Peaceful Night Music
⏲ 12 hours 👁 342.7K
Exercise can tone and improve most parts of your body, but what does exercise do to your brain? And does it help your mental capabilities?
⏲ 1:48 👁 150K
“Since releasing the MG-300, people have been blown away by the sound and playability, not to mention the ease-of-use tone tweaking and intuitive interface,” says Guitar World Tech Editor Paul Riario. “And now, the MG-400 builds upon the MG-300 features, becoming arguably the best value modeler for your money.”
⏲ 13:43 👁 160K
Vice President Kamala Harris used a profanity on Monday while offering advice to young Asian Americans, Native Hawaiians and Pacific Islanders about how to break through barriers.
⏲ 2:5 👁 12.2M
From brass blocks and claws to titanium posts, saddle inserts and screws, FU-Tone will make your six-string roar. To demonstrate just how easily and quickly FU-Tone can refresh your six-string, Guitar World Tech Editor Paul Riario sat down with FU-Tone founder Adam Reiver to add upgrades to a Jackson Pro Series Dinky.
⏲ 11:53 👁 165K
Guitar World Tech Editor Paul Riario calls the Axentrix A1 “an eye-catching design loaded with tons of distortion tones,” and that’s an understatement.<br/><br/>The pedal adds in an extra selectable drive mode, for four in total: Crunch, Overdrive, Distortion and Fuzz. Also new is an Accent function that allows for a wide variety of expressions, carrying on the unique dynamic range expansion effects of the Expandora.
⏲ 7:9 👁 85K
Guitar World Tech Editor Paul Riario calls the Axentrix A1 “an eye-catching design loaded with tons of distortion tones,” and that’s an understatement.<br/><br/>The pedal adds in an extra selectable drive mode, for four in total: Crunch, Overdrive, Distortion and Fuzz. Also new is an Accent function that allows for a wide variety of expressions, carrying on the unique dynamic range expansion effects of the Expandora.
⏲ 7:9 👁 115K
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