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The new CUPRA Formentor builds on the proportions and design details that have made the Crossover SUV such a huge success. The vehicle’s aesthetic and overall package that helped it win the Red Dot Award for Product Design 2021 have been accentuated and amplified, delivering an emotional, striking, and sporty visual.<br/><br/>The new CUPRA Formentor introduces the new CUPRA design language DNA, with the shark-nose front end, triangular matrix LED headlights and big, bold lower mouth. The front of the new CUPRA Formentor is strong and determined, integrating the CUPRA logo directly on to the bonnet above the large front grille and bookmarked by the optional matrix LED front headlights that incorporate the signature design – three illuminated triangles framed within a triangle.<br/><br/>The front-end design adds the strength of expression and a sense of width while thin air-intake slots below the shark nose add technicality and sophistication. The grille mesh is open to deliver both form and function, a necessity in a performance car.<br/><br/>As the eye shifts to the side design details, the new CUPRA Formentor’s athletic proportions and character becomes even more evident. Its dynamic, well-balanced volume sits on the proportionally sized wheels – there are a range of eight different alloy wheels between 18 and 19’’.
New CUPRA Formentor from success story to icon
⏲ 1:8 👁 1.9M
LinkedIn Learning
Aaron Draplin Takes On a Logo Design Challenge
⏲ 16 minutes 15 seconds 👁 63.3K
Logo Design Ideas
25 Eye Catching Logo Animations | Eye Catching Logo Motions
⏲ 6 minutes 41 seconds 👁 21.3K
The premise is impressive. As was established through the trailer, Krishna (Naga Shaurya) hails from a ritualistic Brahmin family where the mother (Radhika Sarathkumar) knows how to have her way. When he moves to Hyderabad to do a software job, he feels liberated. This newfound freedom makes him woo Vrinda (Shirley Setia), a North Indian living in the city, at the first opportunity. Vrinda, to his fortune, is his friendly manager. Much as she loves Krishna, Vrinda is in a bind because she is barren owing to a disorder. Krishna now takes a tricky decision. He pulls the wool over his mother's eyes and marries Vrinda. Least does he realize that this is not going to be smooth sailing.<br/><br/>This film doesn't subscribe to regular notions of masculinity. In this regard, director Aneesh R Krishna must be commended. Naga Shaurya's character doesn't mind being at the receiving end of the raw deal if it makes his girlfriend happy. Like many Telugu cinema male leads, he is mistaken often by those who are supposed to behave better.<br/><br/>Mahathi Swara Sagar's musical flavour sits pretty with the mood of the film. 'Emundi Ra' is enjoyable, although the rest of the songs don't match up to its standard. Sai Sriram's cinematography makes the production values look better. Compared to Shaurya's films like 'Nartanasala', 'KVV' has got a much better visual appeal.<br/><br/>For a change, the story taps into the dynamics of an evolving relationship between a woman and her mother-in-law. In doing so, it makes sense. There are dialogues that sensitize us to the need to empathize with the pulls and pressures faced by working women. Radhika Sarathkumar makes us see her character's point without appearing mean. It's also amusing that she is shown to be someone who has the ability to predict the future accurately.<br/>Shirley Setia makes a vivacious Telugu debut. She looks believable as a North Indian migrant in Hyderabad, drawing the unwarranted attention of a lot of men. Amitabh Pradhan's negative role could have been etched in a better way, though.<br/><br/>The arc of Vennela Kishore's character is funny, with the coma portions standing out. Satya is effortless. Brahmaji can make us enjoy even ordinary lines. Wish Rahul Ramakrishna had got to do better. Annapurnamma is seen as Krishna's granny, while Saranya Pradeep and Himaja have their parts.<br/><br/>The second half is where the actual story takes place. Much of the drama happens indoors. The conversations between three different characters make for a dramatic watch. The climax has the right quantum of simplicity and likeability. The pub scene is not squandered away.<br/>On the downside, the workplace portions should have been constructed in a realistic fashion. The frustrations of Satya and Rahul Ramakrishna are captured well initially. By and by, classist humour and regular tropes like a mean guy creeping up the female lead make their way. Nowadays, the audience are expecting workplace dynamics to be shown in an entertaining way without taking creative lib
Krishna Vrinda Vihari _ Full Movie _ Romantic Love Story _ Naga Shaurya, Shirley Setia
⏲ 2:18:48 👁 525K
TEDx Talks
Visual Identities: More Than Just A Logo | Sagi Haviv | TEDxPenn
⏲ 18 minutes 59 seconds 👁 72K
The Futur
How To Present Logo Designs and Identity Projects to Clients
⏲ 24 minutes 10 seconds 👁 408.9K
Ae Watan Mere Watan (transl. Oh Country My Country) is a 2024 Hindi-language historical biographical film about India's struggle for freedom in 1942, based on the life of Usha Mehta, a brave young girl who starts an underground radio station to spread the message of unity, setting off a thrilling chase with the British authorities during the Quit India movement.[2][3] It is written and directed by Kannan Iyer and produced by Karan Johar, starring Sara Ali Khan as Mehta.[4][5] The film was premiered on 21 March 2024 on Amazon Prime Video.
Ae Watan Mere Watan (2024)
⏲ 2:13:37 👁 660K
Allan Peters
Logos That Last: How to Create Iconic Visual Branding
⏲ 1 minute 28 seconds 👁 437
The Futur
What Is Branding? 4 Minute Crash Course.
⏲ 3 minutes 49 seconds 👁 749.4K
A group of friends went golfing on the weekend and took a camera with them. They had loads of fun playing golf and joking around, all while capturing some great shots.
Group of Friends goes Golfing
⏲ 2:29 👁 1M
4 The Creatives
Uncommon Logo Design Inspiration Ideas
⏲ 4 minutes 36 seconds 👁 8.6K
Shantanu Kumar
Designing a Cafe Brand + Logo Contest Announcement!!
⏲ 7 minutes 26 seconds 👁 110.2K
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