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_the-peasants-chlopi-2023.webp "THE PEASANTS<br/><br/>CHŁOPI<br/><br/>Directed by DK Welchman and Hugh Welchman<br/>Poland, Serbia, Lithuania | 115 min | 2023 | oil-painting animation | Polish<br/><br/>THE PEASANTS tells the story of Jagna, a young woman determined to forge her own path within the confines of a late 19th century Polish village – a hotbed of gossip and on-going feuds, held together, rich and poor, by pride in their land, adherence to colourful traditions and a deep-rooted patriarchy. When Jagna finds herself caught between the conflicting desires of the village’s richest farmer, his eldest son and other leading men of the community, her resistance puts her on a tragic collision course with the community around her.<br/><br/>Credits <br/><br/>Director: DK Welchman (aka Kobiela), Hugh Welchman<br/>Screenplay: DK Welchman, Hugh Welchman<br/>Cinematography: Radosław Ładczuk, Kamil Polak, Szymon Kuriata<br/>Director of Animation: Piotr Dominiak<br/>Editing: DK Welchman, Patrycja Piróg,Miki Węcel <br/>Production Design: Elwira Pluta<br/>Costume Design: Katarzyna Lewińska<br/>Music / Composer:Łukasz „L.U.C.” Rostkowski<br/>Hair and Make-Up:Waldemar PokromskiMirosława Wojtczak<br/><br/>Cast: Kamila Urzędowska, Robert Gulaczyk, Mirosław Baka, Sonia Mietielica, Ewa Kasprzyk, Cezary Łukaszewicz, Małgorzata Kożuchowska, Sonia Bohosiewicz, Dorota Stalińska, Andrzej Konopka, Mateusz Rusin, and Maciej Musiał. <br/><br/>Produced by: Breakthru Films (LOVING VINCENT)<br/>Co-produced by: Digitalkraft d o.o., Art. Shot vsį, Breakthru Productions Sp. z o.o., Canal + Polska S.A., Narodowy Centrum Kultury, Mazowiecki Instytut Kultury, SKP Ślusarek Kubiak Pieczyk Sp. k.<br/><br/>With the support of: Polish Film Institute, Film Center Serbia, Lithuanian Film Center<br/>Co-financed by: The Polish National Foundation<br/><br/>Financed by funds from the Minister of Culture and National Heritage<br/><br/>From the creators of Oscar-nominated LOVING VINCENT<br/><br/>Official Entry: Poland – Best International Feature Film | 96th Academy Awards®<br/><br/>https://neweuropefilmsales.com/movies/the-peasants/")
_is-back-gamcha-palash-amp-ankon-l-new-bangla-song-2023-l-official-music-video.webp "Gamcha Palash")
⏲ 4 minutes 42 seconds 👁 171K
_kolijate-dag-legeche-124-gamcha-palash-2018-124-bangla-new-video-song-124-hd.webp "Gamcha Palash")
⏲ 10 minutes 14 seconds 👁 6.6M
_creating-maassluis-08-06-21.webp "Sale info: original (if not sold), prints & printable - visit my website: <br/><br/>Website link: https://corneakkers.com/2021/06/08/maassluis-08-06-21<br/>Printable: https://corneakkers.com/product/printable-maassluis-08-06-21/<br/><br/>An Incredible Search<br/>This graphite pencil drawing of Maassluis is an inbetween exercise. I find myself in this incredible search for capturing the cubist essence of Geesje Kwak in oil. Depicting this city is somehow similar in design and ambition though. Lately I am fantasizing about combining ‘realism’ or whatever realism might mean to an artist and my personal roundism style. I find myself curiously related to the buddhist at the hotdog stand ordering one with everything. Maybe it has something to do with having explored many styles such as realism, impressionism, cubism and then some. Why wouldn’t I want exactly that: one with everything?<br/><br/>Maassluis<br/>Even though Maassluis is not far away, I never visited the place until some years ago. That is when I made my first drawing of the place. The mindset I had was to render the trees cubistically. I kept other elements such as the buildings, ships and water realistic or impressionistic at least. This way the cubist tree becomes an integral part of the realistic depiction rather than an annoying deviation from it. That is my aim at least and it is for the spectator to judge.<br/><br/>Progression<br/>Surely I can see I progressed in techniques and artistic conception from then on. Drawings from the recent past look more elaborated like Park Leeuwenbergh. The reason can be found in either taking more time and patience to work things out or getting conservative. By the latter I mean that each style can start with a rough edge. As time goes by one tends to fine polish it, extending the possibilities within that certain style to the max. That is, until everything has been squeezed out and becomes almost rendered in a reserved way. Obviously I hope that will not be the case in the current situation I am in. I like to progress from here and pick up the joy of sketching and find stuff anew. Anyway, that will be for and be judged upon later. First I have to return to Geesje Kwak and start a new drawing to kill the time when I am not behind my easle.<br/><br/>Graphite pencil drawing (Pentel 0.5 mm, 3B) on Talens Bristol paper (21 x 29.7 x 0.1 cm - A4 format)<br/>Artist: Corné Akkers")
_jibon-gari-124124-124124-gamcha-palash-124124-ahmed-kislu-124124-bangla-new-song-124124-official-music-video.webp "G Series Music")
⏲ 4 minutes 53 seconds 👁 7.4M
_39-124-gamcha-palash-124-ankon-124-official-music-video-124-new-bangla-song-2021.webp "Gamcha Palash")
⏲ 5 minutes 3 seconds 👁 4.2M
_miley-cyrus-wonder-woman-audio.webp "\")
_radhe-binodini-studio-version-124-gamcha-palash-x-dipa-124-tmc.webp "Taranga Music Center")
⏲ 4 minutes 59 seconds 👁 448.5K
_-124-boishakhi-folk-gamsa-palash-amp-ankon.webp "Boishakhi TV Music")
⏲ 1 hour 4 minutes 35 seconds 👁 1.7M
_how-to-sand-and-polish-copper-to-mirror-finish.webp "In this video, we learn how to make copper mirrorlike by sanding and polishing.")
_music-station-full-program-live-124-gamcha-polash-amp-ankon-124-rtv-music-plus.webp "Rtv Music Plus")
⏲ 1 hour 46 minutes 58 seconds 👁 783.3K
_prem-pipashi-by-gamcha-palash-bangla-folk-hd-music-video-song.webp "মোঃআনোয়ার হোসেন")
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