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2010 wnet national Videos
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don't ask
⏲ 2 min 5 sec ✓ 04-Sep-2014
2010 WNET National ID Super Effects by Willy Freebody
⏲ 1 minute 41 seconds 👁 36
2010 WNET National ID
⏲ 2 seconds 👁 166.9K
Materiality and Sustainability of Culture
⏲ 67 min 15 sec ✓ 06-Dec-2010
2010 WNET Legal ID
⏲ 9 seconds 👁 56.9K
2010 WNET ID Grand Army Plaza Brooklyn
⏲ 11 seconds 👁 38.2K
2010 WNET National ID
⏲ 3 seconds 👁 6K
2010 WNET National ID with Nick On Demand Music
⏲ 4 seconds 👁 12
WNET.org PBS (2010)
⏲ 9 seconds 👁 2.9K
2010 WNET PBS Promo
⏲ 1 minute 👁 25.1K
2010 WNET Schedule Promo
⏲ 20 seconds 👁 16.3K
The National- Terrible Love Glastonbury (2010)
⏲ 4 minutes 27 seconds 👁 19.3K
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_don39t-ask.jpg "Language is a complicated dance between internal and external interpretations of our identity. In DON’T ASK, New York City based, Israeli-born artists, writers and a dancer reflect on their relationship with the English language and their mother tongue, Hebrew. nnWith archival films featuring the City circa the 1940s, their dialogue is intersected by a poem by Carmela Tal Baron, addressing the dichotomy between the way we are perceived by others versus who we really are.n2010 Athens, GA Jewish")
_don39t-ask.webp "Language is a complicated dance between internal and external interpretations of our identity. In DON’T ASK, New York City based, Israeli-born artists, writers and a dancer reflect on their relationship with the English language and their mother tongue, Hebrew. nnWith archival films featuring the City circa the 1940s, their dialogue is intersected by a poem by Carmela Tal Baron, addressing the dichotomy between the way we are perceived by others versus who we really are.n2010 Athens, GA Jewish")
_2010-wnet-national-id-super-effects-by-willy-freebody.webp "Khalid Ahmed Enterprises")
_2010-wnet-national-id.webp "TellyFarnsworth")
_materiality-and-sustainability-of-culture.webp "SATURDAY NOVEMBER 13, 2010nnWhile digital reproduction is often touted as free, there are very real material and labor costs associated with the sustainability of digital objects beyond the first copy, including the hosting institutions and servers that manage artifacts. What are the critical costs behind the infrastructure of a digital cultural commons, and how does this differ from 20th century public broadcasting or archival models? How are we going to pay for continual distribution, preserva")
_2010-wnet-legal-id.webp "TellyFarnsworth")
_2010-wnet-id-grand-army-plaza-brooklyn.webp "TellyFarnsworth")
_2010-wnet-national-id.webp "omar hamouda")
_2010-wnet-national-id-with-nick-on-demand-music.webp "Khalid Ahmed Enterprises")
_wnet-org-pbs-2010.webp "Broken Saw")
_2010-wnet-pbs-promo.webp "TellyFarnsworth")
_2010-wnet-schedule-promo.webp "TellyFarnsworth")
_the-national-terrible-love-glastonbury-2010.webp "SCFCLIV810")
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