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A modular synthesizer system, “POWDER BOX” is equipped with sensor-based replaceable interfaces,nwhich enable participants to discover and select their favorite playing styles of musical instrumentsnduring a musical performance. In addition, it has a wireless communication function that synchronizesnmusical scale and BPM between multiple devices. Performers can control sounds like “mixing multiplentypes of powders”.In this improvisational performance, the performer uses seven “POWDER

NIME 2016 'POWDER BOX' Yoshihito Nakanish

⏲ 6 min 2 sec ✓ 29-Jul-2016

Authors: Laurel Pardue, Christine Southworth, Andrew Boch, Matt Boch, and Alex Rigopulos.nnTitle: Gamelan elek trika: An electronic balinese gamelan.nnAbstract: This paper describes the motivation and construction of Gamelan Elektrika, a new electronic gamelan modeled after a Balinese Gong Kebyar. The first of its kind, Elektrika consists of seven instruments acting as MIDI controllers accompanied by traditional percussion and played by 11 or more performers following Balinese performance practi

Gamelan elek trika: An electronic balinese gamelan

⏲ 12 min 93 sec ✓ 23-Jul-2011

In the silence of my lonely room is a performance piece about disrupting the beautifying routine women are expected to perform daily through sound.The act of “beautifying” oneself by dressing up and putting on makeup & jewelry is historically associated with the core of femininity - and is itself a product of the male gaze. Is the beautifying ritual women go through on a daily basis an act of conformity or resilience? The performance subverts the delicate nature of these daily activities

In the silence of my lonely room

⏲ 2 min 56 sec ✓ 18-Dec-2016

Electroacoustic Improvisation with Espongina and LobatusnCamera: Olaf Peña PastenennThis performance was part of a residency that took part in November 2014 in the Contemporary Art Museum of Santiago (chile) organized by anilla cultural (http://www.anillaculturalmac.cl/)nMore info here: http://www.anillaculturalmac.cl/es/eventos/cruces_sonoros_residencias_colaborativas_merche_blasco

CRUCES SONOROS - Performance in the Contemporary Art Museum in Santiago (Chile)

⏲ 6 min 10 sec ✓ 01-Dec-2014

Authors: Elena Jessop, Peter Torpey, and Benjamin Bloomberg.nnTitle: Music and technology in death and the powers.nnAbstract: In composer Tod Machover's new opera Death and the Powers, the main character uploads his consciousness into an elaborate computer system to preserve his essence and agency after his corporeal death. Consequently, for much of the opera, the stage and the environment itself come alive as the main character. This creative need brings with it a host of technical challenges a

Music and technology in death and the powers

⏲ 10 min 63 sec ✓ 25-Jul-2011

We introduce a family of fragile electronic musical instruments designed to be “played” through the act of destruction. nProject Overview on the MIT Media Lab's website: https://www.media.mit.edu/projects/fragile-instruments/nPaper: http://resenv.media.mit.edu/pubs/papers/fragile_instruments_NIME17.pdf

Fragile Instruments - NIME17

⏲ 40 sec ✓ 13-Jan-2017

Performed at the 'What Is Sound Design?' Symposium nInspace, Edinburgh, UK - 28 November 2013nnThe Augmented Drum-Kit is an electronically augmented instrument based on the acoustic drum-kit. Various types of microphones are mounted around the instrument, feeding live audio and control data to bespoke software programmed in Max/MSP. The produced electronic sound and lights are controlled, shaped and directed in real-time through the physical gestures performed on the acoustic instrument, which n

Trrraction @ Inspace (excerpt)

⏲ 6 min 54 sec ✓ 20-Dec-2013

Orrery Arcana @ Dissertation ConcertnNicole L. CarrollnBrown University, October 2, 2018nn

⏲ 17 min 13 sec ✓ 24-Oct-2018

Socks and Ammo for piano, percussion and live electronics, is a new work investigating novel methods of communication between laptop and performer, as well as performer and performer, in an improvisational setting. Enhancing traditional aural and visual cues, a network is established between laptops, providing direction and suggestion to and between performers. Tactile feedback is provided to performers in the form of tiny vibrations on the skin, opening up a further, yet covert, channel of info

⏲ 9 min 55 sec ✓ 19-Jul-2011

Disc-jockeys have come a long way but, as far as DJing toolsnare concerned, there are still few applications that supportnhands-on interaction over Virtual DJ systems, and those arentypically reduced to traditional input devices. With directnuser-feedback from an accompanying group of DJ expertsnaccounted for, we propose a Virtual DJ system with nat-nural interaction, paired with a low-learning curve and annemphasis in user-oriented design. Finally, in order to drawnconclusions on the adequacy o

MtDjing: Multitouch DJing Tabletop

⏲ 1 min 8 sec ✓ 08-Jun-2011

Philip Glass & Steve Reich, eat yr heart out X-)

12Step Neural Sequencer Demo 02

⏲ 84 sec ✓ 26-Oct-2009

SN: I wanted to get at the closest relationship possible between my hands and the resulting sound. Having worked with sampling and complex processing and various sensors such as EMG, motion capture with live sound as the source seemed a way to really get inside an improvisation system that was really live and really intuitive. You can judge for yourselves!, nnNG: Sarah's movements are sensed using a Kinect 3D motion capture device and the gestures are recognised in real-time using the SEC, a mac

Improvisation for piano + motion capture system

⏲ 7 min 31 sec ✓ 20-Jul-2011

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