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James MacMillan Since it was the day of preparation… trailer
⏲ 93 sec ✓ 26-Nov-2015
'It spiced up her life': Queen Elizabeth 'loved' things going wrong
⏲ 1:23 ✓ 15-Apr-2024
ISLAND feature film trailer
⏲ 96 sec ✓ 08-Sep-2011
Biding Time (remix)
⏲ 35 min 3 sec ✓ 04-Feb-2015
The Tin Forest
⏲ 1 min 7 sec ✓ 21-Oct-2014
Scotland Street Alma Mater experienced by its stars
⏲ 69 sec ✓ 11-Feb-2012
David Mach – interview | London, 11 January 2023
⏲ 24 min 42 sec ✓ 27-Jan-2023
l i g h t h o u s e
⏲ 1 min 65 sec ✓ 04-Feb-2018
Modern Scotland's New Glasgow Boys - Discussion with Clare Henry Jan 2021
⏲ 22 min 73 sec ✓ 19-Jan-2021
Small is Beautiful
⏲ 3 min 97 sec ✓ 29-Jan-2014
Clea & McLeod play 'Slap me, Shake me,' The Roundhouse, London, 1991
⏲ 2 min 57 sec ✓ 16-Jul-2012
Room 2 Manoeuvre presents Squish (2013)
⏲ 20 min 38 sec ✓ 13-Jan-2014
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_james-macmillan-since-it-was-the-day-of-preparation-trailer.webp "When Hebrides Ensemble premiered Since it was the day of preparation… in 2012, the response was extraordinary. ‘Wonderfully rich’, wrote The Times; ‘Broad, blazing and stunning’, said The Herald. This November, Hebrides Ensemble brings this remarkable work to two magnificent venues, whose vaulted acoustics create the perfect reflective backdrop for MacMillan’s rich and intricate score.nnWritten as a ‘postscript’ to his St John Passion, Since it was the day of preparation… explo")
_39it-spiced-up-her-life39-queen-elizabeth-39loved39-things-going-wrong.webp "The late Queen Elizabeth \")
_island-feature-film-trailer.webp "Written, directed and produced by Tailormade Productions,nISLAND premiered at the Glasgow Film Festival 2011 to fantastic critical success. nn")
_biding-time-remix.webp "Tromolo's award winning gig-theatre show inspired by singer/songwriter Louise Quinn's real lifeexperiences with her'90's indie band Hardbody. Featuring original soundtrack by A Band Called Quinn. Filmed at The Arches in Glasgow on November 2012. Supported by Creative Scotland, Arts and Business Scotland, Freshman Guitars and La Chunky recording studio.nn'An experience of a lifetime' THE SKINNYnn★★★★ ‘Weird in the most delightful way’ - The Timesnn★★★★ ‘musically compell")
_the-tin-forest.webp "I played fiddle for The Tin Forest, National Theatre of Scotland's biggest production to date and their contribution to the Glasgow Cultural Commonwealth 2014. Working with Musical Director, Michael John McCarthy, musicians, Annie Grace, Signy Jakobsdottir, Gav Prentice and special guests Emma Pollock and Arthur Johnstone we produced music for the 14-day run. Glasgow's South Rotunda was transformed into a magical, cavernous art and performance space for the production. The Guardian, the Independ")
_scotland-street-alma-mater-experienced-by-its-stars.webp "Lucy Gaizely and Lyla, Raedie and Albie Gaizely-Gardiner take the tour of Alma Mater at Scotland Street School, the project they collectively feature in.nnFor more information visit: http://www.fishandgame.org.uk/?portfolio=alma-maternnAlma Mater is Fish & Game’s site-specific performance-for-camera tour created for Charles Rennie Mackintosh’s Scotland Street School. With an original musical score from John De Simone and in collaboration with a range of Glasgow-based artists, Alma Mater")
_david-mach-interview-124-london-11-january-2023.webp "‘I tried to make myself known as an ideas monger’nnThe Scottish artist discusses what fuels his inclination to work at scale and the importance of necessary extravagance when making art with the stuff of everyday life, from matches to shipping containers as well as architecturennDavid Mach (b1956, Fife) loves to work at scales many would consider unfeasible. In 1983, a year after graduating from the Royal College of Art, he recreated a life-sized Polaris submarine out of 6,000 rubber tyres b")
_l-i-g-h-t-h-o-u-s-e.webp "A piece I put together in a few days for an open call at The Lighthouse in Glasgow for a BYOB (bring your own beamer) exhibition.nnThis piece consists of a series of vignettes inspired by some of the architectural and design features of The Lighthouse building; drawing attention to new parts of the building aswell as the original Glasgow Herald building designed by Charles Rennie Mackintosh.")
_modern-scotland39s-new-glasgow-boys-discussion-with-clare-henry-jan-2021.webp "Join Specialist, Carly Shearer in discussion with Clare Henry, former art critic for the Financial Times, Herald and Scotsman and curator for the 1987 Edinburgh International Festival exhibition at the Gallery of Modern Art, The Vigorous Imagination.nnIn this discussion, Clare, reviews a selection of works by ‘New Glasgow Boys’ Ken Currie and Adrian Wiszniewski and others, in our Modern Scotland auction. The discussion will look at the works themselves as well as placing them within the ever")
_small-is-beautiful.webp "Small is Beautiful was performed at Into The New 2010 at the Arches in Glasgow. I collaborated with my mother, Val Hopfinger, who performed in moments of the piece. Small is Beautiful explored notions of belonging and home, and was a whimsical and personal look at what it means to come from someone (my mother), somewhere (Herefordshire) and something (nature).nn****‘Delightfully whimsical. . .in truth a very complex and intense mesh of concerns, joys and yearnings…’nMary Brennan, The Heral")
_clea-amp-mcleod-play-39slap-me-shake-me39-the-roundhouse-london-1991.webp "Clea & McLeod play 'Slap me, Shake me,' The Roundhouse, London, 1991nnClea McIlraith (lead vocals) and Cinders McLeod (double bass and harmony) met at Dartington College of Arts, Devon, then moved to London where for 5 years in the late 80s and early 90s, they played the London cabaret circuit, toured Britain & Europe, and cut a record, Beyond our Means, on Billy Bragg's Utility Label. nnThe performance at the Roundhouse was filmed on Cinders McLeod's super 8 camera, circa 1991. The soun")
_room-2-manoeuvre-presents-squish-2013.webp "Success, on some level, is important to all of us...but at what cost? Taking place in the confines of a squash court with lines marked out on the floor and delivered with the same tenacity, this new dance theatre solo explores what drives us towards our goals what we lose during this journey. Room 2 Manoeuvre’s, Tony Mills, “…dances with a gorgeous, athletic alacrity and dices brilliantly with precision footwork...")
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