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DSTV Bee
⏲ 45 sec ✓ 22-Feb-2012
Henry A. Davidsen, Master Tailors & Image Consultants_HERO_FINAL
⏲ 60 sec ✓ 26-Mar-2019
Final Frontier - A Journey Through the Solar System
⏲ 2 min 50 sec ✓ 15-Jan-2016
Merging galaxies in the early universe captured with ALMA.
⏲ 26 sec ✓ 12-Nov-2017
The Christmas Shootout: Part 2
⏲ 19 min 1 sec ✓ 06-Jan-2012
The universe of CHRISTOPHER NOLAN
⏲ 2 min 66 sec ✓ 06-May-2016
shifty
⏲ 94 sec ✓ 05-Feb-2009
JOSHUA TREE JOURNEY 4: RUINS
⏲ 1 min 85 sec ✓ 03-Feb-2014
TEXTURE SHOWREEL | 2013
⏲ 1 min 91 sec ✓ 24-Apr-2014
The Blind Spot (short film, 2005, HD)
⏲ 5 min 84 sec ✓ 07-Nov-2007
Film Grain 35mm | Overview
⏲ 64 sec ✓ 06-Feb-2013
Apollo 11 Lunar Landing Visualization, 1969 (2011)
⏲ 3 min 64 sec ✓ 26-Aug-2011
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_texture-showreel-124-2013.jpg "This has been LONG overdue. I've finally had time to cut a new reel showcasing some of my latest work I'm most proud of. I hope you enjoy!nnBREAKDOWN:nn0:00-0:17 UVs and paint for Spoke, Struts, Glass Exterior Walls and Supports, Inner Air Purifier Beam as well as supervised the textures for the rest of the Ring.n0:18-0:51 Paint for all droids. n0:52-0:55 Paint for the water buoy and Owlship.n0:56 UVs and paint for Rattlesnake Jake and The Mayor (including clothing and accessories).n0:57-0:58 UV")
_dstv-bee.webp "Luma is known for creating beautiful realistic creatures, but Underline Advertising asked us to go one step further for the new DSTV HD tv spot, showing how HDTV can blur the line between a displayed image and reality.nnCredits:nnAgency: Underline Advertising nClient: DSTVnAgency Producer: Cathy WilliamsnCreative Director: Lambertus DormehlnArt Director: Sandile NtlemonCopywriter: Fezile MarubelelannAnimation Studio: LumanDirector: Paul MeyernHead of 3D: Werner Ziemerink nModelling/Texturing: Br")
_henry-a-davidsen-master-tailors-amp-image-consultants-hero-final.webp "Henry A. Davidsen, Master Tailors & Image Consultants_HERO_FINAL from final image")
_final-frontier-a-journey-through-the-solar-system.webp "Final Frontier is a tribute to the scientists, technicians, engineers, astronomers, astrophysicists, and dreamers who push the boundaries of human knowledge and innovation ever forward. The footage in this video is real, and was captured by probes and astronauts from space. Additionally, this video was structured in such a way as to show just how important and amazing our Earth is. The solar system as a whole is a dangerous and inhospitable place, except for one extraordinarily unique, life givi")
_merging-galaxies-in-the-early-universe-captured-with-alma.webp "Animation zoom-in of the composite image of ADFS galaxy pair. The initial image is from ESA's Herschel Space Observatory. The object was then detected by ESO's Atacama Pathfinder EXperiment (APEX) telescope. ALMA (final zoom) was able to identify two galaxies: ADFS-27N (for North) and ADFS-27S (for South). The starbursting galaxies are about 12.8 billion light-years from Earth and destined to merge into a single, massive galaxy.nnCredit: ESA/Herschel; ESO/APEX; ALMA (ESO/NAOJ/NRAO); D. Riechers")
_the-christmas-shootout-part-2.webp "Please read my blog post for all the info you need including how the cameras were set up. Which cameras were used and so much more!nnPart 1 is about resolution. Part 2 is skin tones, codecs and low lightnnwww.philipbloom.net/?p=16350nnPlease remember the C300 is pre-production so may not be representative of the final image")
_the-universe-of-christopher-nolan.webp "A tribute to Christopher Nolannn")
_shifty.webp "music: Flying Lotus - Shifty (1983)nnhttp://www.flying-lotus.com/nnrealtime 60fps full hdnnthis is also a process to generate the final still image, rendered at 25600x14400 pixels http://www.flickr.com/photos/defetto/3255046841/")
_joshua-tree-journey-4-ruins.webp "(Try to watch the short in HD with headphones on and volume cranked if you can, for maximum immersion!)nTo get the latest on Sunchaser Timelapses, LIKE on Facebook! facebook.com/SunchaserPicturesPagenSelected shots from video now available for purchase as Stock Footage. Check it out here: http://www.grobys.de/Stock/blank.htmlnnCover picture named IMAGE OF THE DAY on www.SPACE.COM on Tuesday, February 4th, 2014. http://bit.ly/Nbsd5jnnJOSHUA TREE JOURNEY series featured in THE CREATOR'S PROJECT by")
_texture-showreel-124-2013.webp "This has been LONG overdue. I've finally had time to cut a new reel showcasing some of my latest work I'm most proud of. I hope you enjoy!nnBREAKDOWN:nn0:00-0:17 UVs and paint for Spoke, Struts, Glass Exterior Walls and Supports, Inner Air Purifier Beam as well as supervised the textures for the rest of the Ring.n0:18-0:51 Paint for all droids. n0:52-0:55 Paint for the water buoy and Owlship.n0:56 UVs and paint for Rattlesnake Jake and The Mayor (including clothing and accessories).n0:57-0:58 UV")
_the-blind-spot-short-film-2005-hd.webp "Update july 2017:nnI've recovered the master we used for the 35mm transfer to put online the best possible version.nnThough it certainly feels a bit dated now, in its run 'The Blind Spot' was selected in around 150 film festivals and won 16 awards.nnBack in 2005 it was very expensive for an indie filmmaker to rent an HD camera, so we used the footage of two Panasonic DVX100 cameras (even rigged together in a big chunk of the piece) to conform a semiHD (1300*576) final image.nnYou can download th")
_film-grain-35mm-124-overview.webp "Film Grain is packs of real 35mm grain scans that you can add to your own digital footage to make it look like a real film. Like color grading, it is one of the ways to add an extra cinematic touch to your videos, allowing you to achieve the desired film look by simulating the texture of real photochemically processed film stocks...visit http://vegasaur.com/film-grain for more info!n-----------------------------------------------------------------------nnKey features and benefits:n - REAL FILM G")
_apollo-11-lunar-landing-visualization-1969-2011.webp "MIT Laboratory for Automation, Robotics, and SocietynDirected by David MindellnnVisualization Design: Yanni LoukissasnResearch Assistant: Francisco AlonsonnThe Apollo 11 visualization draws together social and technical data from the 1969 moon landing in a dynamic 2D graphic. The horizontal axis is an interactive timeline. The vertical axis is divided into several sections, each corresponding to a data source. At the top, commentators are present in narratives from Digital Apollo and NASA techni")
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