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_devil-sidhu-moose-wala.jpg "Devil Sidhu moose WALA Mxrci AR Paisly Song")
⏲ 5:1 👁 100K
_tumi-aar-nei-se-tumi-124-miftah-zaman-124-latest-bengali-cover-song-2022.jpg "Saregama Open Stage")
⏲ 3 minutes 41 seconds 👁 219.1K
_tumi-ar-nei-she-tumi-fuad-feat-shuvo-124-bangla-lyric-with-english-sub-124-lyrics-bangla.jpg "Lyrics Bangla")
⏲ 3 minutes 39 seconds 👁 59.4K
_aadujeevitham-the-goat-life-review-by-vishal-amp-ram-124-prithviraj-sukumaran-124-blessy.jpg "Story: Najeeb leaves for the Gulf to provide a better life for his family in Kerala, but in caught in the cruel realities of work here<br/>You don’t see Prithviraj the superstar in Aadujeevitham. Thanks to the real Najeeb’s presence during the movie promotions, you can see that the actor has brought alive on screen the character on whose life the story is based.<br/>Based on the book by Benyamin, Blessy’s directorial is almost a dystopian take on migrant life in the Middle East. Najeeb mortgages his property to get a visa for the Gulf. In the layered story, we see Najeeb leave behind a verdant Kerala in the hope of providing better opportunities for his family. But he and a friend, Hakim, are unwittingly picked up by the wrong Arab sponsor when they land in Saudi Arabia and are taken to separate desert camps to herd goats.<br/>The first half superbly juxtaposes life in Kerala and the harsh and cruel realities of the desert, where Najeeb lives a torturous existence with barely any food or water to meet his basic needs. And it would seem that the animals are kinder than the masters. Your heart goes out to the character and the trauma that his life has ironically become, in the hope of better pursuits.<br/>As one horrible day grows into another, Najeeb suddenly meets Hakim again and there is a slight hope of the chance to escape with the help of an African labourer, Ibrahim Qadri, who is, apparently, familiar with the area. Will they be able to come out safe forms the rest of the story. But the second half falls slightly short, for one, with the story stretching on, and also with the director’s propensity for gimmicks, which takes away from the overall gem of a story.<br/>What to say about Prithviraj, except that he lives the character and is superb as Najeeb, who is completely lost and at wit’s end in this unfamiliar region. Quite apart from the stunning body transformation, he brings the right mix of innocence and vulnerability to the role.<br/>The cinematography by Sunil KS and KU Mohanan give the film the feel of a masterpiece. The desert is stark under their gaze and adds to the emotions of the storytelling. AR Rahman’s soulful music is already a hit on social media.<br/>Having said all this, there is a slight lack of emotional resonance that was found in movies like Manjummel Boys and Premalu, the recent big Malayalam hits. But for a realistically told story of a man’s resilience and for Prithviraj’s acting, Aadujeevitham is bound to move audiences.<br/>#blessy #aadujeevitham #thegoatlife #prithvirajsukumaran #malayalamcinema")
⏲ 1:33 👁 475K
_tumi-ar-nei-se-tumi-124-shovon-roy-124-you-are-no-longer-you-mishu-sabbir-124-parsa-evana-124-natok-song.jpg "Soundtek")
⏲ 2 minutes 43 seconds 👁 66.5K
_tumi-aar-nei-se-tumi-with-lyric-124-124-s-d-burman.jpg "Saregama Bengali")
⏲ 3 minutes 33 seconds 👁 601K
_amar-singh-chamkila-official-trailer-imtiaz-ali-ar-rahman-diljit-dosanjh-parineeti-chopra.jpg "watch here new Amar Singh ChamkilaOfficial TrailerImtiaz Ali AR Rahman Diljit Dosanjh Parineeti Chopra. do follow for watching next")
⏲ 2:38 👁 55K
_tumi-ar-nei-she-tumi-lyrics-video.jpg "Bangla Music")
⏲ 3 minutes 27 seconds 👁 9.1K
_tumi-ar-nei-se-tumi-124-124-covered-124-shuvo-das-124-song-of-sd-barman-124.jpg "Shuvo Das")
⏲ 4 minutes 20 seconds 👁 18.6K
_discochannel-misty-by-julie-wilson-omaha-21-ottobre-1924-new-york-5-aprile-2015.jpg "@Gocciedimemoria Julie May Wilson (Omaha, 21 ottobre 1924 – New York, 5 aprile 2015) è stata una cantante e attrice statunitense.Ha debuttato a Broadway nel 1946 nella rivista Three to Make Ready, mentre nel 1951 fece il suo debutto nel West End londinese nel musical Kiss Me, Kate. Rimase a Londra per quattro anni e studiò alla Royal Academy of Dramatic Art mentre recitava in musical come South Pacific e Bells Are Ringing. Ritornò poi a Broadway per sostituire Joan Diener in Kismet. Ha recitato ancora a Broadway nei musical The Pajama Game (1954), Jimmy (1969), Park (1970), e Legs Diamond (1988), per cui è stata candidata al Tony Award alla migliore attrice non protagonista in un musical.<br/><br/>Julie May Wilson (Omaha, October 21, 1924 – New York, April 5, 2015) was an American singer and actress. She made her Broadway debut in 1946 in the revue Three to Make Ready, while in 1951 she made her debut in London's West End in musical Kiss Me, Kate. She stayed in London for four years and studied at the Royal Academy of Dramatic Art while she acted in musicals such as South Pacific and Bells Are Ringing. She then returned to Broadway to replace Joan Diener in Kismet. She continued to star on Broadway in the musicals The Pajama Game (1954), Jimmy (1969), Park (1970), and Legs Diamond (1988), for which she was nominated for a Tony Award for Best Supporting Actress in a Musical.")
⏲ 2:57 👁 15K
_tumi-aar-nei-she-tumi-124-124-seylon-music-lounge.jpg "Seylon Tea")
⏲ 3 minutes 44 seconds 👁 2.5M
_sei-tumi-keno-eto-ochena-hole-124-ayub-bachchu-124-lrb-124.jpg "Arnob Ahmed Kamrul")
⏲ 6 minutes 18 seconds 👁 9.2M
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_devil-sidhu-moose-wala.webp "Devil Sidhu moose WALA Mxrci AR Paisly Song")
_tumi-aar-nei-se-tumi-124-miftah-zaman-124-latest-bengali-cover-song-2022.webp "Saregama Open Stage")
_tumi-ar-nei-she-tumi-fuad-feat-shuvo-124-bangla-lyric-with-english-sub-124-lyrics-bangla.webp "Lyrics Bangla")
_aadujeevitham-the-goat-life-review-by-vishal-amp-ram-124-prithviraj-sukumaran-124-blessy.webp "Story: Najeeb leaves for the Gulf to provide a better life for his family in Kerala, but in caught in the cruel realities of work here<br/>You don’t see Prithviraj the superstar in Aadujeevitham. Thanks to the real Najeeb’s presence during the movie promotions, you can see that the actor has brought alive on screen the character on whose life the story is based.<br/>Based on the book by Benyamin, Blessy’s directorial is almost a dystopian take on migrant life in the Middle East. Najeeb mortgages his property to get a visa for the Gulf. In the layered story, we see Najeeb leave behind a verdant Kerala in the hope of providing better opportunities for his family. But he and a friend, Hakim, are unwittingly picked up by the wrong Arab sponsor when they land in Saudi Arabia and are taken to separate desert camps to herd goats.<br/>The first half superbly juxtaposes life in Kerala and the harsh and cruel realities of the desert, where Najeeb lives a torturous existence with barely any food or water to meet his basic needs. And it would seem that the animals are kinder than the masters. Your heart goes out to the character and the trauma that his life has ironically become, in the hope of better pursuits.<br/>As one horrible day grows into another, Najeeb suddenly meets Hakim again and there is a slight hope of the chance to escape with the help of an African labourer, Ibrahim Qadri, who is, apparently, familiar with the area. Will they be able to come out safe forms the rest of the story. But the second half falls slightly short, for one, with the story stretching on, and also with the director’s propensity for gimmicks, which takes away from the overall gem of a story.<br/>What to say about Prithviraj, except that he lives the character and is superb as Najeeb, who is completely lost and at wit’s end in this unfamiliar region. Quite apart from the stunning body transformation, he brings the right mix of innocence and vulnerability to the role.<br/>The cinematography by Sunil KS and KU Mohanan give the film the feel of a masterpiece. The desert is stark under their gaze and adds to the emotions of the storytelling. AR Rahman’s soulful music is already a hit on social media.<br/>Having said all this, there is a slight lack of emotional resonance that was found in movies like Manjummel Boys and Premalu, the recent big Malayalam hits. But for a realistically told story of a man’s resilience and for Prithviraj’s acting, Aadujeevitham is bound to move audiences.<br/>#blessy #aadujeevitham #thegoatlife #prithvirajsukumaran #malayalamcinema")
_tumi-ar-nei-se-tumi-124-shovon-roy-124-you-are-no-longer-you-mishu-sabbir-124-parsa-evana-124-natok-song.webp "Soundtek")
_tumi-aar-nei-se-tumi-with-lyric-124-124-s-d-burman.webp "Saregama Bengali")
_amar-singh-chamkila-official-trailer-imtiaz-ali-ar-rahman-diljit-dosanjh-parineeti-chopra.webp "watch here new Amar Singh ChamkilaOfficial TrailerImtiaz Ali AR Rahman Diljit Dosanjh Parineeti Chopra. do follow for watching next")
_tumi-ar-nei-she-tumi-lyrics-video.webp "Bangla Music")
_tumi-ar-nei-se-tumi-124-124-covered-124-shuvo-das-124-song-of-sd-barman-124.webp "Shuvo Das")
_discochannel-misty-by-julie-wilson-omaha-21-ottobre-1924-new-york-5-aprile-2015.webp "@Gocciedimemoria Julie May Wilson (Omaha, 21 ottobre 1924 – New York, 5 aprile 2015) è stata una cantante e attrice statunitense.Ha debuttato a Broadway nel 1946 nella rivista Three to Make Ready, mentre nel 1951 fece il suo debutto nel West End londinese nel musical Kiss Me, Kate. Rimase a Londra per quattro anni e studiò alla Royal Academy of Dramatic Art mentre recitava in musical come South Pacific e Bells Are Ringing. Ritornò poi a Broadway per sostituire Joan Diener in Kismet. Ha recitato ancora a Broadway nei musical The Pajama Game (1954), Jimmy (1969), Park (1970), e Legs Diamond (1988), per cui è stata candidata al Tony Award alla migliore attrice non protagonista in un musical.<br/><br/>Julie May Wilson (Omaha, October 21, 1924 – New York, April 5, 2015) was an American singer and actress. She made her Broadway debut in 1946 in the revue Three to Make Ready, while in 1951 she made her debut in London's West End in musical Kiss Me, Kate. She stayed in London for four years and studied at the Royal Academy of Dramatic Art while she acted in musicals such as South Pacific and Bells Are Ringing. She then returned to Broadway to replace Joan Diener in Kismet. She continued to star on Broadway in the musicals The Pajama Game (1954), Jimmy (1969), Park (1970), and Legs Diamond (1988), for which she was nominated for a Tony Award for Best Supporting Actress in a Musical.")
_tumi-aar-nei-she-tumi-124-124-seylon-music-lounge.webp "Seylon Tea")
_sei-tumi-keno-eto-ochena-hole-124-ayub-bachchu-124-lrb-124.webp "Arnob Ahmed Kamrul")
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