_call-to-re-industrialise-with-aussie-made-budget.jpg "Call to re-industrialise with Aussie-made budget from refrigeration parts supply Video Screenshot Preview")
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✓ Published: 08-May-2024
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✓ Published: 08-May-2024
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Beyond Zero Emissions recommends investing in five cleantech supply chains. Video via AAP.
Beyond Zero Emissions recommends investing in five cleantech supply chains. Video via AAP.
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_thar---hd-movie---anil-kapoor-harshvarrdhan-kapoor-fatima-sana-shaikh.webp "Mysteries and mirages, twists and turns. In the heart of an unforgiving desert, unfolds a gritty thriller, unlike any other., Starring Anil Kapoor, Harshvarrdhan Kapoor, and Fatima Sana Shaikh.<br/>Set in Munabao, a sleepy, parched hamlet near the Rajasthan-Pakistan border, Raj Singh Chaudhary’s Thar is a tribute to American Westerns. It has all the usual elements—blood, gore, violence, an arid, nondescript village lost in time, local gangsters, svelte village belles, an ageing inspector, and a brooding, mysterious stranger. All of it wonderfully supported by stunning scenic visuals of remote Rajasthan.<br/>I am a Rajasthani. I have been raised in the desert state. I know the geography like a native should and yet, I watched Shreya Dev Dube’s skilled camerawork with open-mouthed wonder. Thar’s cinematography is its hero. The desiccated terrain, the barren hills, the omnipresent dust, and the aridity of it all is so palpable, that you can feel the acute lack. Of water, vegetation, humanity. Dubey’s prowess does not just provide the right setting for the drama to unfold, it gives the film its true protagonist and thence the title.<br/><br/>The other thing that stands out about Thar is its depiction of brutality. It’s as savage and unapologetic as the acts themselves. This Netflix film is disturbingly graphic. Even by the standards of Westerns and revenge dramas. Violence begets violence, but be warned, this one shows it all—the severing of body parts, the mutilation, the slow torture, the immolation—up close and in distressing detail.<br/><br/>At the heart of it all is Inspector Surekha Singh, a weather-beaten cop six months away from retirement, played with inimitable swag by Anil Kapoor. His official rank does not justify his acumen for his job and his spirit to do it well. Dissatisfied with his unremarkable, middling career, he wants to go out with a bang. And soon enough, an opportunity plays out. There’s a shootout involving cross-border drug smuggling and a local man is found hanging from a tree, inhumanly mutilated. Surekha spurs into action.")
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_badhaai-ho-movie---ayushmann-khurrana-sanya-malhotra-neena-gupta-and-gajraj-rao.webp "‘Badhaai Ho’ starring Ayushmann Khurrana, Sanya Malhotra, Gajraj Rao and Neena Gupta.<br/>Directed by: Amit Ravindernath Sharma<br/>Produced by: Vineet Jain, Aleya Sen, Hemant Bhandari, Amit Ravindernath Sharma<br/>Co-Producer: Priti Shahani<br/>Story: Shantanu Srivastava & Akshat Ghildial<br/>Story: (Junglee Pictures) Jyoti Kapoor<br/>Screenplay: Akshat Ghildial<br/>Director of Photography: Sanu John Verughese<br/>Production Designer: Ratheesh UK<br/>Lyrics: Vayu, MellowD, Kumaar<br/>Music: Tanishk Bagchi, Rochak Kohli, Kaushik-Akash-Guddu (Jam8), Sunny Bawra-Inder Bawra<br/>Badhaai Ho movie: Badhaai Ho doesn’t quite know what it wants us to do more, laugh or cry. And parts of the film sink into sitcom flatness, especially when Sikri overdoes her grumpy 'saas' act, though some of her lines are laugh-out-loud.<br/>Ayushmann Khurrana is now well-versed with the art of being humiliated. If it's set in Delhi like Vicky Donor, then he's even more at ease. But in Badhaai Ho in which he plays the eldest son, Nakul, who avoids public eye after he learns that his mother is expecting, Khurrana doesn't deliver the best embarrassed performance. That honour goes to Gajraj Rao as the caring husband to Priyamvada aka Bubbly (Neena Gupta) who has to break the news.<br/><br/>Rao, best known for being a regular on The Viral Fever sketches, never misses a beat as Jeetu Kaushik, the patriarch who finds himself negotiating the wrath of not only his mother (Surekha Sikri in badass mode) and his two sons but also the glares and gossip of relatives and neighbours.<br/><br/>Badhaai Ho works best when writer Akshat Ghildial sticks to capturing the myriad reactions - shock, amusement, anger and scorn - to an unplanned pregnancy in a couple least likely to. It's in the first half while capturing the minutiae of middle class life in the Kaushik household that the family comedy registers its finest moments.<br/><br/>")
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