_damien-lamar-the-definition-of-opposite-official-video.jpg "Damien Lamar - The Definition of Opposite (Official Video) from video song ominous Video Screenshot Preview")
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⏲ Duration: 2 min 25 sec
✓ Published: 13-Jun-2014
✓ Published: 13-Jun-2014
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_dusty-wright-92.webp "This song was originally released by Creedence Clearwater Revival in 1969. John nFogerty's timeless classic really brings attention to climate change. It's even more ominous today. Co-directed by Kevin Mackall & Dusty Wright. Edited by Kevin Mackall. Audio by d. Bindi. Produced by Dusty Wright.nnAvailable on Apple Music: https://music.apple.com/us/album/bad-...nnDusty Wright - vocals, 6 & 12-string acoustic guitars, harmonicanCaitlin Bement - vocals nJonathan K. Bendis - banjitarnKevin M")
_making-of-an-avatar.webp "2013; nmade in Maya and Adobe After EffectsnnI DO NOT OWN THE AUDIO IN THIS VIDEO. The song is"){kind=avatar}
_music-supervision-demo-1.webp "I have taken a scene from the film")
_lady-with-a-thousand-faces.webp "Video of the performance")
_pink-floyd-the-narrow-way-1969-starring-naomi-watts.webp "It was January 1970 when I purchased my very first Pink Floyd LP, Ummagumma, at the age of 16. Previous to that I was recording their music off FM radio onto reel-to-reel and then later cassette. A double album released in November 1969 in the US,")
_lostbone-an-eye-for-an-eye.webp "Lostbone -")
_shut-your-eyes-and-dream-away-official-music-video.webp "When listening to this song you cannot help loosing yourself into a suspenseful, atmospheric, and cinematic journey. It will take you to your happy place, so just shut your eyes, and dream away! nnSoUnD WaVeS genre of music is Electronic Orchestral (Sounds like Moby, Hans Zimmer). It’s produced for uses in: TV, Movie Trailers, Theme Parks, Video Games, Ad’s (Target, Toyota) and Movies (Indiana Jones, The Matrix, Mission Impossible, The Fast & The Furious). His Music creates a thrill, bui")
_sett-cloma-dasyure-visuals-by-j-thorne.webp "This is an experimental music video that I have made for Sett Cloma (Michael Ash). I have used footage that I have filmed over the past three years using two different cameras - A GoPro 3 attached to my car, and a Canon 7D for the cloud timelapse. The Canon was also used for the bass pedal snippet. nI have been experimenting with using layers, textures and double exposures to create an eerie and ominous atmosphere. I have also used freeze frames to assist the tempo of the song. nI used Final Cut")
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