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FooR
FooR
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_foor-x-queen-millz-x-jamie-hai-no-drama-official-music-video.webp "FooR")
_foor-x-jamie-hai-x-queen-millz-no-drama.webp "FooR")
_filmmaking-tip-coverage-and-cutaways.webp "CINESTUDY (formerly FRAMELINES, the regional PBS show) presents another tech tip for beginning filmmakers on COVERAGE and CUTAWAYS, the way it relates to editing and shooting.nnFeaturing LOUIE COWAN, JOCELYN TANIS, and ROBERT FOOR, as well as camera work by John Masserella. nnhttps://cinestudyproject.wordpress.com/nnBrought to you in part bynnSABOSTUDIOS http://www.sabostudios.com/nTAPE CENTRAL http://www.tapecentral.com/nPRODUCTION PARTNERS MEDIA http://www.productionpartnersmedia.com/nand gran")
_foor-x-clsm-be-okay.webp "FooR")
_coors-light-fresh-climb.webp "KEEP IT FRESHnnSwimmer: Matt OvensnBarman: Daniel SwainnnAgency: HAVASnCreative Director: Rob PottsnCreative: Dan BoltonnAgency Producer: Kiri HammondnBusiness Director: Scott NeedmannAgency PA: Fhati FrancisnDirector: Sam PillingnMD: James SortonnProducer: Chris HarrisonnDP: Ben Fordesman @LUXn1st A.D: Julian RichardsnArt: Andy Kelly @LUXnStunt Coordinator: Tadej SolarnStunt Double: Matevz PogacarnWardrobe: Mr. GammonnStylist: Valter KobalnHair Stylist: Loui FerrynMake-up: Petra HartmannCasting")
_foor-i-don39t-care-feat-ellie-evans.webp "FooR")
_foor-x-tuff-culture-born-wit-a-swing-feat-tizzy-j.webp "FooR")
_filmmaking-tip-using-the-camera-to-tell-the-story.webp "CINESTUDY (formely FRAMELINES, the regional PBS show) presents another tech tip for beginning filmmakers on Using the Camera to Tell the Story, on how camera angles and movement help further the narrative just as much as the words and the performance. nnFeaturing LOUIE COWAN, JOCELYN TANIS, and ROBERT FOOR, as well as camera work by John Masserella.nnCINESTUDY is brought to you in part bynSABOSTUDIOS http://www.sabostudios.com/nTAPE CENTRAL http://www.tapecentral.com/nPRODUCTION PARTNERS MEDIA h")
_foor-x-queen-millz-x-jamie-hai-no-drama-official-music-video.jpg)
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_filmmaking-tip-using-the-camera-to-tell-the-story.jpg)
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