The Flintstones _ Season 1 _ Episode 21 _ Rocks over rocks from hopewell rocks geology Watch Video

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⏲ Duration: 1:34
✓ Published: 24-Apr-2024
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The most important details in this chapter are that the narrator is Mary Phagan-Kean, a great niece of William Jackson Phagan and Angelina O'Shields Phagan. At age 15, the narrator is certain of one thing their life will be shaped by their relationship to little Mary Phagan. They go to Atlanta's archives to discover more about the family, including the trial of Leo Frank and the lynching. The narrator's great great grandparents, William Jackson Phagan and Angelina O'Shields Phagan, made their home in Akworth, Georgia, and their children included William Joshua Haney McMillan, Charles Joseph Ruben Egbert, john Marshall, george Nelson, lizzie Marietta, john Harvell, maddie Louise, billy Arthur and Dora Roth. The eldest son, William Joshua, loves the land and farmed with his father, and on December 20, 791, he married Fanny Benton.<br/><br/>The Reverend J. D. Fuller presided over the Holy Bands of Matrimony for William and Fanny Joshua in Cobb County, Georgia. William and Fanny became successful farmers and moved to Florence, Alabama in 1895. In February of 1899, William Joshua Phagan died of measles and Fanny was left with their four young children. On June 1, Mary Anne Phagan was born to Fanny in Florence, Alabama. Fanny moved her family back home to Georgia where she planned to live with her widowed mother, Mrs. Nanny Benton, and her brother, Rel Benton.<br/><br/>Fanny figured there would be more opportunities in a densely populated area. Southern society was changing rapidly and the younger generation did not know the high feelings of the War between the States and the Reconstruction. WJ Phagan moved his family back to Georgia after the death of his eldest son in 1907. He purchased a log home and land on Powder Springs Road in Marietta and provided Fanny with a home for her and her five children to live in. After 1910, Fannie and four of her five children moved to East Point, Atlanta, Georgia, where she started a boarding house and the children found jobs in the mill.<br/><br/>Charlie Joseph, the middle child, decided to continue farming and moved in with his Uncle Ruben on Powder Springs Road in Marietta. Mary found work at the National Pencil Company in Atlanta. The Phagan family remained close with relatives in Marietta, where they played games such as hide and seek, hopscotch, dolls and house. Mary's favorite game was house, where the girls would clear a clean spot in the shade, place rocks in it for chairs, and decorate the inside of the house using limbs from trees or other big branches already on the ground.<br/><br/>⁣The most important aspect are the stories of Fanny and her children. Fanny married J. W. Coleman, a cabinet maker, and they moved to JW's house at 146 Lindsay Street in Atlanta, near Bellwood, a white working class neighborhood. After marrying, Fanny requested that Mary quit work at the pencil company and continue her education, but Mary liked her work at the factory and didn't want to quit.
⏲ 1:10:6 👁 10K
‘Rock’s Road to WrestleMania’ takes a look at Dwayne ‘The Rock’ Johnson’s shocking return to WWE, and the dramatic events that made pro-wrestling the talk of pop culture.<br/>Rock’s Road to WrestleMania is a captivating series that delves into Dwayne “The Rock” Johnson’s astonishing return to WWE and the dramatic events that set the pro-wrestling world abuzz. Let’s explore the journey of this iconic wrestler:<br/><br/>Part 1: In this episode, titled “Rock’s Road to WrestleMania (Part 1),” we witness The Rock’s comeback on WWE Raw Day 1. His interactions with both Cody Rhodes and Roman Reigns build anticipation as we approach WrestleMania. The video ends with a tantalizing “to be continued” hinting at a second part1.<br/>Part 2: The saga continues in “Rock’s Road to WrestleMania (Part 2).” Stay tuned for more electrifying moments and surprises as The Rock’s path converges with the grandest stage of them all2.<br/>Part 3: The third installment, “Rock’s Road to WrestleMania (Part 3),” promises even more twists and turns. Brace yourself for the ultimate showdown as The Rock prepares for his WrestleMania moment2.<br/>Part 4: In “Rock’s Road to WrestleMania (Part 4),” the stakes escalate. The Rock, alongside Cody Rhodes, Roman Reigns, and Seth “Freakin” Rollins, faces challenges and discovers their challengers for WrestleMania XL. The road gets bumpier, and the excitement intensifies3.<br/>Part 5, Part 6, and Part 7 are yet to unfold, promising further drama, rivalries, and surprises. Keep an eye out for these thrilling episodes as The Rock’s journey culminates at WrestleMania2.<br/><br/><br/>See more<br/> <br/>Related searches<br/>road to wrestlemania 2023 schedule<br/>road to wrestlemania 2022<br/>road to wrestlemania 2024 lineup<br/>wwe live road to wrestlemania<br/>wrestlemania 40 2024 schedule<br/>wrestlemania shane mcmahon vs undertaker<br/>road to wrestlemania live<br/>road to wrestlemania events
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The Hard Hombre is a 1931 American pre-Code Western film directed by Otto Brower and starring rodeo champion Hoot Gibson.<br/><br/>Principal photography for The Hard Hombre began on July 14, 1931, where the opening scenes were filmed at Vasquez Rocks in Angeles National Forest It is one of the first films to be filmed in part at the popular rock formation
⏲ 1:4:7 👁 5K
Julien Creuzet / French Pavilion at Venice Art Biennale 2024. <br/>Official description: The sight of the matoutou falaise is a gift when it appears in dense forests, on the bark of the Zamana trees or the rocks of the Martinique shores. It requires a deep connection to the environment; an eye that sweeps the contours and glides over the textures. It is about appearances and disappearances, what is given, protected, and also unseen... This way of seeing is undoubtedly what Julien Creuzet strives to offer through the experience of his work. It describes an immersion in a poetry of forms and sounds, volumes and lines in movement, colourful encounters forming new languages: an experience to be lived deeply. This tarantula, endemic to Martinique, could well be the symbol of a way of being with art that history has yet to write. It nourishes, and protects, in the teaching of a sensible and poetic understanding of the world it offers a softer gaze to approach the many ecologies of life. Creuzet’s forms stem from a locus of emancipation, which must be felt to truly see. It is a moment of learning and unlearning as a reconciliation with our senses, as well as a space to be untranslated and liberated.<br/><br/>Julien Creuzet: Attila cataracte ta source aux pieds des pitons verts finira dans la grande mer gouffre bleu nous nous noyâmes dans les larmes marées de la lune. French Pavilion at Venice Art Biennale 2024. Venice (Italy), April 19, 2024.
⏲ 10:1 ✓ 25-Apr-2024
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