Mama June Using Weight Loss Injections After Gaining 130 Pounds from krishna ali radhar june dance on krisno ailo ninja video download girl Watch Video

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✓ Published: 19-Apr-2024
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Mama June Using Weight Loss Injections After Gaining 130 Pounds

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EVIDENCE 5:<br/>MUHAMMAD NUH AL-AZHAR PERFORMED DOWNSCALING ON CCTV 1 FOOTAGE FR0M 15:46 TO 18:30 LOCAL TIME, REDUCING THE FRAME DIMENSIONS TO 960x576 px AND THE FRAME RATE TO 10 FPS. <br/><br/>According to point 27 in the interrogation report (BAP - Berita Acara Pemeriksaan) of Muhammad Nuh Al-Azhar, the dimensions should have been 1920x1080 px. <br/>During this time interval, tracking Rangga's movement in making coffee was necessary, yet Muhammad Nuh Al-Azhar blurred it instead.<br/><br/>Analysis<br/>The forensic impact of Muhammad Nuh Al-Azhar's downscaling of CCTV 1 footage from 15:46 to 18:30 local time is significant. By reducing the frame dimensions to 960 x 576px and the frame rate to 10 fps, crucial details were obscured. According to point 27 in the interrogation report of Muhammad Nuh Al-Azhar, the dimensions should have remained at 1920 x1080 px. This intentional manipulation of the video's resolution and frame rate raises questions about the integrity of the evidence presented in court.<br/><br/>During this time interval, tracking Rangga's movement in making coffee was essential for understanding the sequence of events. The downscaling of the CCTV 1 footage, orchestrated by Muhammad Nuh Al-Azhar, severely impacts the ability to analyze whether the coffee and milk were not mixed (remained as two layers) or not in the cup before the alleged poisoning incident. During the crucial time interval, tracking Rangga's movements in preparing the coffee was essential for reconstructing the sequence of events leading up to the alleged crime. However, Muhammad Nuh Al-Azhar's actions blurred this crucial aspect instead of preserving it. By reducing the frame dimensions and frame rate, the clarity and accuracy of the footage were compromised, hindering forensic analysis and potentially distorting the portrayal of events. This manipulation could lead to misinterpretation and false conclusions during legal proceedings.<br/><br/>The decision to downscale the CCTV footage precisely during the time when Rangga was preparing the coffee and milk raises significant questions about the potential motives behind this manipulation. One possible explanation is that reducing the frame dimensions and frame rate during this critical period was intended to obscure or conceal any suspicious activity related to the introduction of any substance into the coffee.<br/><br/>By reducing the clarity and detail of the footage precisely during the preparation of the beverage, Muhammad Nuh Al-Azhar may have sought to create ambiguity or uncertainty regarding the events leading up to the alleged poisoning. This manipulation could have been strategically employed to make it more difficult for forensic analysts to determine definitively whether any substance was introduced into the coffee during Rangga's preparation process.<br/><br/>Additionally, the timing of the downscaling coinciding with Rangga's actions suggests that Muhammad Nuh Al-Azhar may have sought to hide any potential evidence of tampering or foul play during the coffee ...
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Shortly after midnight on June 6th 1944 , men of the 2nd Battalion Ox & Bucks Light Infantry, touched down in Normandy to capture two vital bridges, today known as Pegasus and Horsa, Their actions, the very first of D-Day , have since been written into Second World War legend, In this video, we use the latest technology to share that story right here. <br/><br/>Written Sources: <br/>• N. Barber, The Pegasus and Orne Bridges (2014)<br/>• N. Barber, The Day The Devils Dropped In (2008) <br/>• C. Shilleto, Pegasus Bridge & Horsa Bridge (2011)<br/>• D. Edwards, the Devil’s Own Luck (1999)<br/>• J. Howard & P. Bates, the Pegasus Diaries (2006)<br/>• B. Parr, What d-ya do in the war Dad? )2007)<br/>• R. King, ‘Pegasus Bridge’ (1983 painting), Army Flying Museum<br/><br/>Video/Audio Sources:<br/>• D. Edwards, Interview – IWMSA (2002)<br/>• J. Howard, Interview – IWMSA (1990)<br/>• W. Parr, Interview – IWMSA (1990)<br/>• N. Barber, 6th Airborne – Pegasus Bridge (WW2TV Paul Woodadge) (2019)<br/><br/>General archive Sources:<br/>• Imperial War Museum Sound Archive (IWMSA)<br/>• Bundesarchiv (German National Archives)<br/>• US National Archives (NARA)<br/>• National Archives NextGen Catalog<br/>• Paradata Archive - https://www.paradata.org.uk/<br/>• Army Flying Museum<br/><br/><br/>Credits:<br/>Research: Dan Hill & Ben Mayne<br/>Historical Consultant: Neil Barber <br/>Script & Narration: Dan Hill<br/>Editor & Sound Design: Shane Greer<br/>Thumbnail Design: Linus Klassen<br/>Music & Sound Effects: Envato Elements
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