_samsung-the-frame-2024-tv.jpg "Samsung The Frame 2024 TV from museum photo takar denmohor video sany leon inc com bangladeshi actressgla images gic baulina Video Screenshot Preview")
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⏲ Duration: 2:18
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✓ Published: 16-Apr-2024
👁 View: 1.6M times
✓ Published: 16-Apr-2024
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Tom's Guide goes hands-on with Samsung The Frame 2024, the newest edition of the company’s internet-famous lifestyle TV that looks like museum art when it’s on standby.
Tom's Guide goes hands-on with Samsung The Frame 2024, the newest edition of the company’s internet-famous lifestyle TV that looks like museum art when it’s on standby.
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_space-rock-slammed-into-moon-the-explosion-was-seen-from-japan.webp "Daichi Fujii from the Hiratsuka City Museum in Japan captured a meteor impact the moon with multiple telescopes. <br/><br/>Credit: Daichi Fujii (Hiratsuka City Museum) | edited by Space.com's Steve Spaleta<br/>Music: Shifting Angles by Experia / courtesy of Epidemic Sound")
_space-rock-slammed-into-moon-the-explosion-was-seen-from-japan.webp "Daichi Fujii from the Hiratsuka City Museum in Japan captured a meteor impact the moon with multiple telescopes. <br/><br/>Credit: Daichi Fujii (Hiratsuka City Museum) | edited by Space.com's Steve Spaleta<br/>Music: Shifting Angles by Experia / courtesy of Epidemic Sound")
_intro-risks-sould-children-love-nature.webp "<p>Between the ages of two and ten, children discover the world by experiencing it, moving around, and asking questions about it; they first explore the present and then develop a notion of time. By taking risks – the risk of falling but also sensory and emotional risks – they start to understand our world better. They are fascinated by the world of adults and its rules, and by natural phenomena. Faced with a more or less present nature, they build a relationship with the living world by observing nature, to the extent that it exists. They are constantly on the move, restricted or unrestricted depending on the places they visit, and they gradually coordinate their bodies with the spaces and life around them. Their words and their needs have been the subject of close study in recent decades, including in our own cultural spaces.The first day of the symposium will look at children from various perspectives and ask how they fit into the museums and science centres of the future.<br/> </p><p>Intro, Bruno Maquart</p><p>Risk, David Le Breton</p>SHOULD CHILDREN LOVE NATURE?<p>Discussions around the conservation of biodiversity inevitably lead to the same conclusion: children need to be brought into contact with nature to encourage them to conserve it. But does spending time outdoors really encourage us to care more about the environment? Professionals from various backgrounds suggest ways of getting children out and about to strengthen their relationship with living things.</p><p><br/>With:</p><p>Benoît Sicat, interdisciplinary artist<br/>Benoît Sicat’s work focuses primarily on gardens and landscapes and explores the possible interaction between very young children and adults. His immersive landscape performances are driven largely by group improvisation. He planted a micro forest for a school at the end of 2021.</p><p>Lauren Hyams,Head of Urban Nature Programme, Natural History Museum London.<br/>Lauren is Head of Activities for the Urban Nature Programme, working to transform the Natural History Museum’s outdoor space into an exemplar of urban wildlife research, conservation and awareness. Leading a coalition of museums and wildlife organisations, the UNP will create an urban nature movement through a UK-wide learning programme for young people, families and schools.</p><p>Julien Vitores, Doctoral student in sociology at the Université Fédérale Toulouse Midi-Pyrénées and ATER at the Université Sorbonne Paris Nord; Affiliated laboratories: LASSP (EA 4175) and CESSP (UMR 8209).<br/>Julien Vitores specialises in the socialisation of young children (aged 3-6) with nature. His work examines the social conditions conducive to certain forms of interest in nature, with a focus on the social relations (primarily class and gender) in which children are engaged.</p><p> </p>")
_htw-story2b-160424-fb.webp "South Shields Museum & Art Gallery has recently taken significant steps to become more environmentally sustainable through the installation of several energy saving measures, including new energy panels, air source heat pumps and LED lighting. The changes come as part of a broader initiative by the Tyne & Wear Archive and Museums to reinforce their commitment to the environment and to reducing carbon emissions.")
_more-strike-dates-for-liverpool-museum-staff.webp "More strike dates staff for Liverpool Museum staff")
_ifa-president-conrad-kirkwood-uefa-european-under-19-championship-draw.webp "Irish FA President Conrad Kirkwood speaks ahead of the UEFA European Under-19 Championship draw at the Titanic Museum in Belfast.")
_the-museum-of-free-derry.webp "Outside shot of the museum of free Derry.")
_creating-kethel-13-07-19-sold.webp "Website link: https://corneakkers.com/2019/07/13/kethel-13-07-19/<br/>Printable: https://corneakkers.com/product/printable-kethel-13-07-19/<br/><br/>Tree in Bloom<br/><br/>When I returned to my car from my trip to Kethel, Schiedam, Netherlands, I saw this beautiful tree in bloom. Sometimes you look for grand things and the little all of a sudden pop into your eyes when least expected. The actual tree was in no interesting area but the very shape struck me by lightning. I took a picture and decided to do it only now (in summer). Live sketching can be overrated. It so happened that I do not have some pencils, paper and a camping chair at hand. Furthermore, I regularly see so many motifs that I cannot draw all at the very spot. From the moment I took this picture I planned to do this anyway, live or not.<br/><br/>Encapsulated<br/><br/>The last time I visited this beautiful little village was in Spring when I drew my first graphite pencil drawing ‘Kethel – 22-04-19’. Unfortunately Kethel has been completely surrounded by apartment buildings. The crazy thing is that first I could not find it at all. I had to climb the roof of the local supermarket in order to spot the top of its bell tower. Then I saw it was completely encapsulated by modern architecture. The village has managed to keep its original character though. Now looks like an open-air museum that is cherished like a dear gem.<br/><br/>Roundism<br/><br/>I tried to capture the flow of the flowering tree and of course in my roundish style. I thought of a couple of recent landscapes I did in that style. Beek – 11-06-19 was the last. Finally I feel this one hits the right spot. Is more profoundly roundism and it expresses exactly what I tried to convey. That was a rhythym of broken curves, thick and thin. Lucky for me someone else catched my drift so I sold it quickly.<br/><br/>Graphite pencil drawing (Pentel 0.5 mm, 3B) on Winsor & Newton paper (10.5 x 14.8 x 0.1 cm – A6 format)<br/>Artist: Corné Akkers")
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