_radhakrishna-ki-holi-124-jahan-jahan-radhe-wahan-jayenge-murari-124-holi-khelat-hai-nandlal-124-holi-geet-preview-1.jpg "Radhakrishna Ki Holi | Jahan Jahan Radhe Wahan Jayenge Murari | Holi Khelat Hai Nandlal | Holi Geet from radha krishna dance Video Screenshot Preview 1")
Gallery_radhakrishna-ki-holi-124-jahan-jahan-radhe-wahan-jayenge-murari-124-holi-khelat-hai-nandlal-124-holi-geet-preview-3.jpg "Radhakrishna Ki Holi | Jahan Jahan Radhe Wahan Jayenge Murari | Holi Khelat Hai Nandlal | Holi Geet from radha krishna dance Video Screenshot Preview 3")
Gallery_radhakrishna-ki-holi-124-jahan-jahan-radhe-wahan-jayenge-murari-124-holi-khelat-hai-nandlal-124-holi-geet-preview-hqdefa.jpg "Radhakrishna Ki Holi | Jahan Jahan Radhe Wahan Jayenge Murari | Holi Khelat Hai Nandlal | Holi Geet from radha krishna dance Video Screenshot Preview hqdefault")
GalleryPlay Video:
(Note: The default playback of the video is HD VERSION. If your browser is buffering the video slowly, please play the REGULAR MP4 VERSION or Open The Video below for better experience. Thank you!)
Jump To Video Parts
⏲ Duration: 7 minutes 57 seconds
👁 View: 4.7M times
Play Audio:👁 View: 4.7M times
Description:
Åŵsʍ Lïŋɘs
Åŵsʍ Lïŋɘs
Share with your friends:
Whatsapp | Viber | Telegram | Line | SMS
Email | Twitter | Reddit | Tumblr | Pinterest
Related Videos
_vishamakara-kannan-124-krishna-janmashtami-special124-ishanvi-hegde124-krishna-dance124-laasya.webp "Laasya")
⏲ 5 minutes 32 seconds 👁 864.7K
_janmashtami-dance-baanke-bihari-radhakrishna-dance-krishna-bhajan-dance-madhavas-ritu39s-dance.webp "RITU'S DANCE STUDIO")
⏲ 4 minutes 33 seconds 👁 770K
_evidence-9-the-most-brutal-and-barbaric-case-of-digital-tampering-ever-done-by-krishna-murti.webp "EVIDENCE 9:<br/>CCTV 9 FOOTAGE FR0M 15:35 TO 16:59 LOCAL TIME FRAME DIMENSIONS WAS REDUCED TO 960x576 PIXELS FR0M 1920x1080 PIXELS AND FRAME RATE WAS REDUCED TO 10 FPS FR0M 25 FPS<br/><br/>The CCTV 9 footage was deliberately downscaled from its original resolution of 1920x1080 pixels to 960x576 pixels, along with the reduction of the frame rate from 25 frames per second to 10 frames per second, had profound forensic impacts on the investigation of the events at Café Olivier on January 6, 2016. This manipulation, performed by digital forensic experts Muhammad Nuh Al-Azhar and Christopher Hariman Rianto, significantly compromised the ability to analyze critical visual evidence.<br/><br/>One of the most crucial aspects affected by this downscaling was the analysis of the coffee served by Agus Triono to table 54. The original high-resolution footage would have allowed for a detailed comparison of the coffee’s color at the time it was served and after it was allegedly tampered with. Toxicologists Nursamran Subandi and I Made Agus Gelgel hypothesized that the coffee containing cyanide would appear darker than a normal cup of coffee served at Café Olivier. This hypothesis could have been verified by examining the color difference in the high-resolution footage. However, the downscaling blurred the details, making it difficult to discern the subtle color differences that are critical for such an analysis.<br/><br/>In addition to the color analysis, the downscaling also obscured the physiological responses of Mirna Salihin. As she was being wheeled out of the café in a wheelchair, forensic doctors would have been able to analyze her physical state in high detail, noting any signs of distress or specific physiological reactions. These details are crucial in understanding her condition post-ingestion of the alleged cyanide-laced coffee. The lower resolution and reduced frame rate, however, resulted in a loss of important visual cues that could have provided insights into her symptoms and overall physical response.<br/><br/>The manipulated footage also played a significant role in the accusations against Jessica Wongso. According to the interrogation report (BAP - Berita Acara Pemeriksaan) of Muhammad Nuh Al-Azhar, the dimensions of the footage should have remained at 1920x1080 pixels. By reducing the resolution, the forensic analysis of Jessica Wongso's actions became flawed. Muhammad Nuh Al-Azhar alleged that Jessica scratched her right thigh and fingers, actions purportedly indicative of cyanide residue. The reduced resolution made it challenging to accurately interpret these gestures, leading to potentially erroneous conclusions.<br/><br/>Similarly, psychologist Antonia Ratih Anjayani used the downscaled footage to claim that Jessica Wongso showed no urgency in assisting Mirna Salihin, suggesting a lack of immediate concern for her friend's well-being. The temporal reduction in frame rate to 10 fps contributed to this narrative by creating a disjointed and less fluid depiction of events. This ...")
⏲ 16:0 ✓ 18-May-2024
_experience-this-unforgettable-dance-performance-by-shreewarrna-rawat-124-hare-krishna-hare.webp "Shreewarrna Rawat")
⏲ 2 minutes 37 seconds 👁 771.2K
_odisha-orissa-5.webp "ଆମ ସୁନ୍ଦର ଓଡିଶାnOdisha (until recently known as Orissa) was formed in 1926. With the merger of the states after the independence of India from British rules in 1947, the new Odisha became nearly twice as big in size and became one of the major territories of the Indian sub-continent. In course of the time, this eastern province of India has different names with varying territories. Some of the known names are Kalinga, Utkal, Utkalraata, Udra, Odra, Odrabisha, Oda, Odrar")
_evidence-8-the-most-brutal-and-barbaric-case-of-digital-tampering-ever-done-by-krishna-murti.webp "EVIDENCE 8:<br/>CCTV 7 VIDEO FR0M 17:17 TO 18:39 LOCAL TIME WAS REDUCED IN FRAME DIMENSIONS TO 960x576 PIXELS<br/>The deliberate downscaling of CCTV 7 footage from 1920x1080 pixels to 960x576 pixels and the reduction of the frame rate from 25 frames per second to 10 frames per second, executed by forensic experts Muhammad Nuh Al-Azhar and Christopher Hariman Rianto, had profound forensic implications. This manipulation severely compromised the quality of the footage during a critical time frame, from 17:17 to 18:39 local time, which encompassed key moments necessary for a thorough forensic analysis of the events leading to Mirna Salihin’s death on January 6, 2016.<br/><br/>At 17:19:30 local time, Mirna Salihin was purportedly seen not taking a straw from the table and instead directly sliding the glass and drinking from the straw already in the glass. The original high-resolution footage would have allowed a detailed observation of her hand movements and the position of the straw, which was crucial to establish whether Jessica Wongso had placed the straw in the glass earlier, as alleged. The reduced resolution obscured these subtle but critical details, making it challenging for forensic analysts to accurately determine the sequence of actions.<br/><br/>Furthermore, at 17:19:34 local time, the video showed Hani Juwita Boon bringing the coffee cup close to her mouth and only smelling it. However, her testimony as a witness indicated that she had consumed a small amount of coffee. This discrepancy could have been better analyzed with high-resolution footage, which would have provided clearer visual evidence of her actions. The downscaled video compromised the ability to distinguish whether she merely smelled the coffee or actually sipped it, which is vital for understanding the sequence of events and assessing the credibility of her testimony.<br/><br/>Dr. Adiyanto from Abdi Waluyo Hospital testified that Hani Juwita Boon admitted to him that she drank the coffee and feared dying like Mirna Salihin. This statement is crucial, as it directly contradicts the visual evidence provided by the manipulated footage. The reduced frame rate made it difficult to observe the precise moment and manner in which Hani interacted with the coffee cup, creating a gap in the forensic narrative that should have been clear and unambiguous.<br/><br/>After drinking the coffee, Mirna Salihin reportedly waved her hand in front of her mouth multiple times, an action that was captured at a reduced frame rate of 10 fps. The original 25 fps would have provided smoother and more continuous visual data, allowing for an accurate analysis of her physical reactions. The reduced frame rate resulted in choppy footage, making it challenging to discern the nuances of her gestures and physiological responses, which are critical in determining her condition and the onset of symptoms.<br/><br/>The forensic impact of downscaling the CCTV 7 footage was significant, especially concerning the ability to accurately analyze key visual details")
⏲ 9:15 ✓ 14-May-2024
_evidence-7-the-most-brutal-and-barbaric-case-of-digital-tampering-ever-done-by-krishna-murti.webp "The deliberate downscaling of CCTV Video 3 from its original resolution of 1920x1080 pixels to 960x576 pixels was a critical case of digital tampering. Forensic digital experts Muhammad Nuh Al-Azhar and Christopher Hariman Rianto were responsible for this manipulation. This intentional reduction in resolution severely compromised the quality of the footage and had significant forensic implications, particularly concerning the analysis of the color and volume of the coffee consumed by Mirna Salihin.<br/><br/>The original high-resolution footage would have provided a clear and detailed view of the coffee's color and volume, crucial elements for toxicological and forensic examinations. At 1920x1080 pixels, forensic experts could have accurately analyzed whether there was any color change in the coffee when it was served by Agus Triono at Table 54, captured by CCTV 9, compared to the residue when Devi Siagian took the cup from Table 54 to the cocktail table, recorded by CCTV 3. Such color differences could indicate whether or not there was the presence of cyanide, which was a key aspect of the analysis conducted by toxicologists Nursamran Subandi and I Made Agus Gelgel.<br/><br/>Furthermore, the volume of the remaining coffee in Mirna Salihin's cup was another crucial piece of evidence that could have been analyzed with high-resolution footage. At the original resolution, forensic experts could have used edge detection techniques to accurately measure the remaining coffee volume, providing insights into how much coffee Mirna and others, including Hani, Devi Siagian, and Marwan Amir, consumed. Understanding the volume of the coffee residue is essential for reconstructing the sequence of events and verifying testimonies. For example, it would have clarified whether Hani drank a minimal amount of coffee or if Devi Siagian merely tasted the coffee by placing a drop on her tongue with a straw previously used by Mirna.<br/><br/>The downscaling also significantly impacted the ability to analyze body gestures and interactions. The lower resolution made it difficult to observe fine details, such as hand movements and facial expressions, which are crucial for understanding the interactions between individuals and their responses to the situation. Forensic experts could have closely examined Mirna Salihin's gestures and physiological responses when she was taken out of the café Olivier in a wheelchair, captured by camera 3. This analysis could have provided essential clues about her condition and the effects of the alleged poisoning. However, the reduced resolution hindered the ability to perform such detailed assessments, impacting the accuracy of forensic diagnoses.<br/><br/>Using the downscaled CCTV 3 footage, the forensic experts Muhammad Nuh Al-Azhar and Christopher Hariman Rianto, along with psychologists Antonia Ratih Anjayani and Sarlito Wirawan Sarwono, accused Jessica of turning her face away while standing in front of the cocktail bar. They claimed that she was observing the locati")
⏲ 12:4 ✓ 14-May-2024
_supriya-nayak-odissi-performance.webp "Excerpt from Odissi performance at Sampradaya Dance Creations, Mississauga ON. March 2017n'Meghair meduram' nChoreography: Supriya Nayak (2017)nMusic: Sri Geetagovinda Pratisthana, Puducherryn'Rati sukha sare' nTraditional composition taught to Supriya by Ambika Paniker and Aloka PanikarnChoreography: Guru Mayadhara Raut nnTranslation of Gitagovinda poems from Lee Siegel, 'Sacred and Profane Dimensions of Love in Indian Traditions' and 'Gitagovinda: Love Songs of Radha and Krishna'")
_vishamakara-kannan-124-krishna-janmashtami-special124-ishanvi-hegde124-krishna-dance124-laasya.jpg)
_janmashtami-dance-baanke-bihari-radhakrishna-dance-krishna-bhajan-dance-madhavas-ritu39s-dance.jpg)
_evidence-9-the-most-brutal-and-barbaric-case-of-digital-tampering-ever-done-by-krishna-murti.jpg)
_experience-this-unforgettable-dance-performance-by-shreewarrna-rawat-124-hare-krishna-hare.jpg)
_odisha-orissa-5.jpg)
_evidence-8-the-most-brutal-and-barbaric-case-of-digital-tampering-ever-done-by-krishna-murti.jpg)
_evidence-7-the-most-brutal-and-barbaric-case-of-digital-tampering-ever-done-by-krishna-murti.jpg)
_supriya-nayak-odissi-performance.jpg)
![[+]](/images/menu.gif){kind=small}