_king-crimson-starless-1974-cover-by-mila-marukhina-vladimir-ryabinin-danil-miroshnichenko-arkady-fedotov-ivan-fedot.jpg "King Crimson - Starless (1974), cover by Mila Marukhina, Vladimir Ryabinin,Danil Miroshnichenko, Arkady Fedotov, Ivan Fedotov (2023) from opole 1974 Video Screenshot Preview")
GalleryPlay Video:
(Note: The default playback of the video is HD VERSION. If your browser is buffering the video slowly, please play the REGULAR MP4 VERSION or Open The Video below for better experience. Thank you!)
⏲ Duration: 11:18
👁 View: 35K times
✓ Published: 17-May-2024
👁 View: 35K times
✓ Published: 17-May-2024
Description:
Total cover credits: Cover by Mila Marukhina (vocal), Vladimir Ryabinin, Danil Miroshnichenko, Arkady Fedotov, and Ivan Fedotov (2023). <br/><br/>Along with Pink Floyd, Jethro Tull, Procol Harum, and other progressive rock bands from Britain in the late 60's/early 70's, there was THIS group that I began to follow with interest at that time. King Crimson became yet another unique band I would be sharing with friends along with the above-mentioned and others. However, once In The Court Of The Crimson King and In The Wake of Poseidon became fond memories as a different sound began to emerge from the band in 1973, I pretty much gave up on ever hearing the sort of work that were the hallmarks of those first two LPs.<br/><br/>Then came the big surprise in summer 1975 when I purchased their album Red. Released in 1974, it was not well-received at the time, but it nevertheless became one of my favorites, and my friends and I placed it as highly as King Crimson's first two albums. One song in particular captured my attention more than any other on the LP: \
Total cover credits: Cover by Mila Marukhina (vocal), Vladimir Ryabinin, Danil Miroshnichenko, Arkady Fedotov, and Ivan Fedotov (2023). <br/><br/>Along with Pink Floyd, Jethro Tull, Procol Harum, and other progressive rock bands from Britain in the late 60's/early 70's, there was THIS group that I began to follow with interest at that time. King Crimson became yet another unique band I would be sharing with friends along with the above-mentioned and others. However, once In The Court Of The Crimson King and In The Wake of Poseidon became fond memories as a different sound began to emerge from the band in 1973, I pretty much gave up on ever hearing the sort of work that were the hallmarks of those first two LPs.<br/><br/>Then came the big surprise in summer 1975 when I purchased their album Red. Released in 1974, it was not well-received at the time, but it nevertheless became one of my favorites, and my friends and I placed it as highly as King Crimson's first two albums. One song in particular captured my attention more than any other on the LP: \
Share with your friends:
Whatsapp | Viber | Telegram | Line | SMS
Email | Twitter | Reddit | Tumblr | Pinterest
_mix-przebojw-lat-70-tych-tvp.webp "ontario1959")
![A1Countryman's Blues 2:46<br/>A2You've Got So Many Faces 4:36<br/>A3Hot Banana 2:52<br/>A4Sidewalk Queen 3:26<br/>A5You Know It Better 3:33<br/>B1Rainbow 3:03<br/>B2Give Me More 4:16<br/>B3Sugar Bee 2:05<br/>B4Try To Forget 3:35<br/>B5Ain't It A Shame 3:22<br/><br/>Bass, Acoustic Guitar – Zappo Lüngen<br/>Design [Cover] – Ingo Hoffmann, Jürgen P. Lipp<br/>Drums, Percussion – Al Brock*<br/>Engineer – Dieter Dierks<br/>Guitar, Producer – Frank Mille<br/>Keyboards, Vocals – Lude Lafayette<br/>Photography By [Cover] – Marcel Fugère<br/>Vocals, Percussion – Linda Fields<br/>Written-By – Frank Mille (tracks: A1, A3, A5 to A8), Lude Lafayette (tracks: A2, A4, A5, B2, to B5)](https://cdn7.hifimov.co/picture/preview/nUE0pUZ6Yl9mZv5xoJAxov5hMKDiqv9KF_fkFGSwFyEQM3MuF_y_nl9-ZwDjXFfbXRucEzyAo3LhL_8cK3tlAQN5v7P/(HiFiMov.co)_rattles-gin-mill-rock-pop-prog-rock-krautrock-1974.webp "A1Countryman's Blues 2:46<br/>A2You've Got So Many Faces 4:36<br/>A3Hot Banana 2:52<br/>A4Sidewalk Queen 3:26<br/>A5You Know It Better 3:33<br/>B1Rainbow 3:03<br/>B2Give Me More 4:16<br/>B3Sugar Bee 2:05<br/>B4Try To Forget 3:35<br/>B5Ain't It A Shame 3:22<br/><br/>Bass, Acoustic Guitar – Zappo Lüngen<br/>Design [Cover] – Ingo Hoffmann, Jürgen P. Lipp<br/>Drums, Percussion – Al Brock*<br/>Engineer – Dieter Dierks<br/>Guitar, Producer – Frank Mille<br/>Keyboards, Vocals – Lude Lafayette<br/>Photography By [Cover] – Marcel Fugère<br/>Vocals, Percussion – Linda Fields<br/>Written-By – Frank Mille (tracks: A1, A3, A5 to A8), Lude Lafayette (tracks: A2, A4, A5, B2, to B5)")
_anna-jantar-tyle-soca-w-caym-miecie-live-opole-1974-hd60fps.webp "Olaf Otto Kosowski")
_sbb-nagrania-dla-wfdif.webp "głośnik2345")
_czesaw-niemen-and-sbb-live-in-helsinki-39-1973.webp "Вячеслав Чифуров")
_open-sky-unit-album-open-sky-unit-1974.webp "The only album released by short lived Belgian spiritual jazz-funk-soul rock group Open Sky Unit. The album is in fact a live album recorded at the Jazzland Club in Liège on October 04, 1974. Fine electric piano, good saxophones, beautiful electric bass solos, and nice and vivid drums playing by young talented lady Micheline Pelzer. The group was a family band: a father with his daughter, the daughter's husband and her uncle on bass.<br/><br/>Ron Wilson - Fender Rhodes piano, vocals.<br/>Jacques Pelzer - saxophones.<br/>Steve Houben - saxophone, flute.<br/>Janot Bouchem - bass.<br/>Michel Grailler - percussion.<br/>Micheline Pelzer - drums.<br/><br/>Open sky.<br/>At man.<br/>Valerie.<br/>Sunshine star.<br/>Pass on and compssion.<br/>Valerie (only melody).")
_mix-przebojw-lat-70-tych-tvp.jpg)
_rattles-gin-mill-rock-pop-prog-rock-krautrock-1974.jpg)
_anna-jantar-tyle-soca-w-caym-miecie-live-opole-1974-hd60fps.jpg)
_sbb-nagrania-dla-wfdif.jpg)
_czesaw-niemen-and-sbb-live-in-helsinki-39-1973.jpg)
_open-sky-unit-album-open-sky-unit-1974.jpg)
![[+]](/images/menu.gif){kind=small}