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Western Australia’s police commissioner says there will be an internal inquiry into how officers responded to warnings about a man who shot two women in a Perth suburb. A daughter of the gunman says she and her mother believed their own lives were at risk and had warned police about his firearms.
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The Ring Two is a 2005 American psychological supernatural horror film and sequel to the 2002 film The Ring, which was a remake of the 1998 Japanese film Ring. Hideo Nakata, director of the original Ring, directed this film in place of Gore Verbinski. Noam Murro was attached before Nakata but left due to creative differences. Naomi Watts, David Dorfman and Daveigh Chase reprised their roles with Simon Baker, Elizabeth Perkins and Sissy Spacek joining the cast. This film also marks the debut of Mary Elizabeth Winstead.<br/><br/>The film was shot in Astoria, Oregon, and Los Angeles, California. Originally intended to be released on November 10, 2004, The Ring Two was released theatrically on March 18, 2005. Although it was met with generally negative critical reception, it opened in the United States with a strong $35 million in its first weekend, more than doubling the opening weekend of The Ring. Its final $76 million domestic gross was less than the original's $129 million, but it took
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In film editing, transitions between scenes are sometimes overlooked opportunities to help tell your story. While most scene transitions use only a simple cut, there are many more creative and cinematic transitions filmmakers can use. In this video, we’ll review the various video transitions and film transitions, their particular qualities, and what they add to visual storytelling. <br/><br/>One of the most common film transitions is the fade in and fade out. Typically, these are used to open and close a film but they can also be used in between scenes to create a more definitive separation. Besides the cut, one of the most frequently used transitions is the dissolve (or cross dissolve). This is when one scene gradually fades out while the next scene gradually fades in. The dissolve is just one of the techniques used to create seamless transitions but also to suggest a passing of time or to switch to a flashback or dream.<br/><br/>The match cut is a film transition purely meant to create a connection between one shot to the next or one scene to the next. That connection can be made with shapes, colors, movement, or even sound. The match cut is an instant scene transition but a match dissolve accomplishes both the “connection” of a match cut with the “smoothness” of a cross dissolve. The iris transition is an old-fashioned technique that is rarely used unless you’re going for a nostalgic or retro style.<br/><br/>Similarly, the wipe transition is a bit archaic in terms of film and video transitions. George Lucas built the wipe transition into the visual language of Star Wars as a nod to his two biggest inspirations for the Skywalker Saga — the Flash Gordon serials and Kurosawa’s Hidden Fortress. A modern approach to these same cinematic transitions is called a passing transition (or pass-by effect). This involves using movement in the frame to wipe seamlessly into the next scene and it’s one of director Edgar Wright’s favorite film editing transitions.<br/><br/>Next, there’s the whip pan, when the camera pans quickly to create a blurry image (where a cut can be hidden) leading into another whip pan to start the next scene. These types of film transitions not only create smooth transitions, they help sustain the momentum from one scene to the next. A smash cut is perhaps the most abrupt film transition because it is built on contrast between loud and quiet, or active and still, or sometimes both. <br/><br/>Finally, there’s the J cut and L cut, two ways to use a split between audio and video for a variety of effects. For example, an L cut is often used when a character begins narrating a flashback. And a J cut is commonly used to build anticipation for the following scene. These are just the most common video transitions and new transition effects are created all the time. Your job as filmmakers is to find the right scene transitions that help tell your story.
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