_roki-na-goldie-sohel-anupriya-goenka-paresh-pahuja-kunaal-vermaa-saregama-originals.jpg "Roki Na - Goldie Sohel - Anupriya Goenka - Paresh Pahuja - Kunaal Vermaa - Saregama Originals from shot on iphone without bra gir Video Screenshot Preview")
GalleryPlay Video:
(Note: The default playback of the video is HD VERSION. If your browser is buffering the video slowly, please play the REGULAR MP4 VERSION or Open The Video below for better experience. Thank you!)
⏲ Duration: 3:48
👁 View: 60K times
✓ Published: 23-May-2024
👁 View: 60K times
✓ Published: 23-May-2024
Description:
Roki Na - Goldie Sohel - Anupriya Goenka - Paresh Pahuja - Kunaal Vermaa - Saregama Originals<br/><br/> #LatestHindiSong #SaregamaMusic #NewHindiSong<br/>Life often throws curveballs, but sometimes it offers a fresh start. Roki Na, our brand new ballad, explores the power of moving on and embracing new beginnings, especially in love. <br/><br/>With touching lyrics by Kunaal Vermaa and Goldie's soulful vocals, Roki Na resonates with anyone who's ever contemplated giving love another shot.<br/><br/> Subscribe to Saregama Music: https://bit.ly/3FkAS0W<br/><br/>Credits:<br/>Music Composed & Produced by - Goldie Sohel <br/>Singer - Goldie Sohel <br/>Lyrics - Kunaal Vermaa <br/><br/>Music Producers - Goldie Sohel, Manash<br/>Borthakur & Ishan Das <br/>Mix and Master - Pankaj Borah @Neo Sound <br/>Drums mixed by - Trihangku Lahkar <br/><br/>Electric - Ishan Das <br/>Drums - Nawaz Hussain <br/>Dholak - Gagan Sohel <br/>Bass - Trilian<br/><br/>Music Assist to Goldie - Gagan Sohel <br/>Vocals Recorded by Pranjal Borah @Neo Sound Studios<br/>Guitars and Dholak Recorded at Goldie Sohel’s Studio. <br/>Drums Recorded at Blue Cassettes Studios,Thane.<br/><br/>Creative agency : Offline guys entertainment <br/>Production house : Handykraft pictures <br/>Director : Dibya Chatterjee <br/>DOP : Abhimanyu Sengupta <br/>Chief Assistant Director : Ananya Chatterjee <br/>DA : Nupur Malik <br/>2nd Ad : Adhwish <br/>3rd Ad : Adhidev Mukherjee<br/>Editor : Nitin FCP<br/>Production designer : Sumit Waghmare <br/>Supervising Producer : Dheeraj Gupta <br/>Executive Producer : Sumantra Talukdar <br/>Grade : Sujith Vijayan <br/>Post studio : Picture Post studio <br/>1st AC : Abdul Razzak <br/>Focus Puller : Manoj Gupta <br/>Steadicam : Pradeep Singh <br/>Production Controller : Prashant <br/>Unit Production Manager : Gani <br/><br/>Handykraft Team : <br/>Neha Singh<br/>Mahadev Mohite <br/>Deepak Sakpal<br/><br/>Production House: Offline Guys Entertainment<br/>Producer : Anant K Srivastava<br/>EP: Sushank Salgaonkar<br/><br/>Paresh's Team: Managed by Suchi Jaggi Kapoor<br/><br/>#RokiNa <br/>#GoldieSohel <br/>#SaregamaMusic <br/>#SaregamaOriginals<br/>#NewHindiSong <br/>#LatestHindiSong
Roki Na - Goldie Sohel - Anupriya Goenka - Paresh Pahuja - Kunaal Vermaa - Saregama Originals<br/><br/> #LatestHindiSong #SaregamaMusic #NewHindiSong<br/>Life often throws curveballs, but sometimes it offers a fresh start. Roki Na, our brand new ballad, explores the power of moving on and embracing new beginnings, especially in love. <br/><br/>With touching lyrics by Kunaal Vermaa and Goldie's soulful vocals, Roki Na resonates with anyone who's ever contemplated giving love another shot.<br/><br/> Subscribe to Saregama Music: https://bit.ly/3FkAS0W<br/><br/>Credits:<br/>Music Composed & Produced by - Goldie Sohel <br/>Singer - Goldie Sohel <br/>Lyrics - Kunaal Vermaa <br/><br/>Music Producers - Goldie Sohel, Manash<br/>Borthakur & Ishan Das <br/>Mix and Master - Pankaj Borah @Neo Sound <br/>Drums mixed by - Trihangku Lahkar <br/><br/>Electric - Ishan Das <br/>Drums - Nawaz Hussain <br/>Dholak - Gagan Sohel <br/>Bass - Trilian<br/><br/>Music Assist to Goldie - Gagan Sohel <br/>Vocals Recorded by Pranjal Borah @Neo Sound Studios<br/>Guitars and Dholak Recorded at Goldie Sohel’s Studio. <br/>Drums Recorded at Blue Cassettes Studios,Thane.<br/><br/>Creative agency : Offline guys entertainment <br/>Production house : Handykraft pictures <br/>Director : Dibya Chatterjee <br/>DOP : Abhimanyu Sengupta <br/>Chief Assistant Director : Ananya Chatterjee <br/>DA : Nupur Malik <br/>2nd Ad : Adhwish <br/>3rd Ad : Adhidev Mukherjee<br/>Editor : Nitin FCP<br/>Production designer : Sumit Waghmare <br/>Supervising Producer : Dheeraj Gupta <br/>Executive Producer : Sumantra Talukdar <br/>Grade : Sujith Vijayan <br/>Post studio : Picture Post studio <br/>1st AC : Abdul Razzak <br/>Focus Puller : Manoj Gupta <br/>Steadicam : Pradeep Singh <br/>Production Controller : Prashant <br/>Unit Production Manager : Gani <br/><br/>Handykraft Team : <br/>Neha Singh<br/>Mahadev Mohite <br/>Deepak Sakpal<br/><br/>Production House: Offline Guys Entertainment<br/>Producer : Anant K Srivastava<br/>EP: Sushank Salgaonkar<br/><br/>Paresh's Team: Managed by Suchi Jaggi Kapoor<br/><br/>#RokiNa <br/>#GoldieSohel <br/>#SaregamaMusic <br/>#SaregamaOriginals<br/>#NewHindiSong <br/>#LatestHindiSong
Share with your friends:
Whatsapp | Viber | Telegram | Line | SMS
Email | Twitter | Reddit | Tumblr | Pinterest
Related Videos
_shot-on-iphone-meme-124-no-bra-challenge-124-shorts-shortvideo-funny-viral-shotoniphone-memes.webp "Fun Unlimited shorts")
⏲ 1 minute 👁 1.6K
_inquiry-to-be-conducted-after-two-women-were-killed-perth.webp "Western Australia’s police commissioner says there will be an internal inquiry into how officers responded to warnings about a man who shot two women in a Perth suburb. A daughter of the gunman says she and her mother believed their own lives were at risk and had warned police about his firearms.")
_short-on-iphone-meme-1-no-bra-best-tiktok-video-shots-iphone-memes-tiktok-tiktokvideo.webp "just shot iphone")
⏲ 23 seconds 👁 93
_no-bra-dance-124-no-bra-challenge-124-braless-tik-tok-girls-dance-124-shot-on-iphone-meme-memes-shorts.webp "Meme Reaction")
⏲ 11 seconds 👁 24
_strapless-bra-hack.webp "Yuyi Chua")
_short-on-iphone-meme-1-no-bra-best-tiktok-video-shots-iphone-memes-tiktok-tiktokvideo.webp "just shot iphone")
⏲ 23 seconds 👁 27
_ultimate-guide-to-scene-transitions-every-editing-transition-explained-the-shot-list-ep-9-1080p-24fps-h264-128kbit-aac.webp "In film editing, transitions between scenes are sometimes overlooked opportunities to help tell your story. While most scene transitions use only a simple cut, there are many more creative and cinematic transitions filmmakers can use. In this video, we’ll review the various video transitions and film transitions, their particular qualities, and what they add to visual storytelling. <br/><br/>One of the most common film transitions is the fade in and fade out. Typically, these are used to open and close a film but they can also be used in between scenes to create a more definitive separation. Besides the cut, one of the most frequently used transitions is the dissolve (or cross dissolve). This is when one scene gradually fades out while the next scene gradually fades in. The dissolve is just one of the techniques used to create seamless transitions but also to suggest a passing of time or to switch to a flashback or dream.<br/><br/>The match cut is a film transition purely meant to create a connection between one shot to the next or one scene to the next. That connection can be made with shapes, colors, movement, or even sound. The match cut is an instant scene transition but a match dissolve accomplishes both the “connection” of a match cut with the “smoothness” of a cross dissolve. The iris transition is an old-fashioned technique that is rarely used unless you’re going for a nostalgic or retro style.<br/><br/>Similarly, the wipe transition is a bit archaic in terms of film and video transitions. George Lucas built the wipe transition into the visual language of Star Wars as a nod to his two biggest inspirations for the Skywalker Saga — the Flash Gordon serials and Kurosawa’s Hidden Fortress. A modern approach to these same cinematic transitions is called a passing transition (or pass-by effect). This involves using movement in the frame to wipe seamlessly into the next scene and it’s one of director Edgar Wright’s favorite film editing transitions.<br/><br/>Next, there’s the whip pan, when the camera pans quickly to create a blurry image (where a cut can be hidden) leading into another whip pan to start the next scene. These types of film transitions not only create smooth transitions, they help sustain the momentum from one scene to the next. A smash cut is perhaps the most abrupt film transition because it is built on contrast between loud and quiet, or active and still, or sometimes both. <br/><br/>Finally, there’s the J cut and L cut, two ways to use a split between audio and video for a variety of effects. For example, an L cut is often used when a character begins narrating a flashback. And a J cut is commonly used to build anticipation for the following scene. These are just the most common video transitions and new transition effects are created all the time. Your job as filmmakers is to find the right scene transitions that help tell your story.")
_shot-on-iphone-memewearing-a-bra-as-boxers.webp "Shot on iPhone")
_shot-on-iphone-meme-124-no-bra-challenge-124-shorts-shortvideo-funny-viral-shotoniphone-memes.jpg)
_inquiry-to-be-conducted-after-two-women-were-killed-perth.jpg)
_short-on-iphone-meme-1-no-bra-best-tiktok-video-shots-iphone-memes-tiktok-tiktokvideo.jpg)
_no-bra-dance-124-no-bra-challenge-124-braless-tik-tok-girls-dance-124-shot-on-iphone-meme-memes-shorts.jpg)
_strapless-bra-hack.jpg)
_short-on-iphone-meme-1-no-bra-best-tiktok-video-shots-iphone-memes-tiktok-tiktokvideo.jpg)
_ultimate-guide-to-scene-transitions-every-editing-transition-explained-the-shot-list-ep-9-1080p-24fps-h264-128kbit-aac.jpg)
_shot-on-iphone-memewearing-a-bra-as-boxers.jpg)
![[+]](/images/menu.gif){kind=small}