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Kevin Stratvert

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Some of Yorkshire’s most inspiring craftspeople are being profiled in a special series of short films and magazine features thanks to a pioneering new collaboration.<br/><br/>The Yorkshire Post and Hull-based video production company Nova Studios have produced a new series called Meet The Makers, shining a light on some of the region’s most remarkable craftspeople.<br/><br/>Nova has created a series of high-quality short films and profile features, which will run on The Yorkshire Post website and in its award-winning Saturday Magazine from May 18. The work is accompanied in print by pictures taken by The Yorkshire Post’s skilled photographers.<br/><br/>Those featured in the series include a jeweller, a potter, a bicycle maker and a fashion designer.<br/><br/>The collaboration has been almost a year in the making after Nova pitched the idea to Yorkshire Post editor James Mitchinson.<br/><br/>Matt Stephenson, director of Nova, said: “With two newspaper-trained journalists on the team, we loved bringing together our journalistic and editorial skills with everything we know about digital film-making.<br/><br/><br/>“The makers in the films we’ve produced really care about craft and tradition - and we’re very proud to be associated with them - their values reflect our own. There’s so much disposable product and content out there, it’s great to make films that are anything but disposable - we wanted to emphasise enduring quality, and to do that for the Yorkshire Post, a publication that is so embedded in the cultural life of our region.”<br/><br/>Catherine Scott, Yorkshire Post Magazine editor, said: “This has been an inspiring project to work on and we have been blown away by the quality of Nova’s work. The films they have produced are essentially The Yorkshire Post Magazine in video form - profiling the human stories of inspiring people from our area.<br/><br/>“We can’t wait for people to see the finished films and features over the coming weeks.”
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Madness ensues when a 'Player' in the world of romantic relationships finds a girl who's a worthy opponent. Tu Jhoothi Main Makkaar is a film that believes Love is a battle of wits.<br/>Mickey, a carefree businessman and womaniser, helps couples break up. However, things change for him when he falls for Tinni, a witty and beautiful chartered accountant.<br/>Cast: Ranbir Kapoor, Shraddha Kapoor, Anubhav Singh Bassi, Dimple Kapadia, Boney Kapoor<br/><br/>In a normal universe, Tu Jhoothi Main Makkaar is about a ‘boy’ and a ‘girl’ who fall in love only to realize that they want different things from life. Breaking up is a problem because they’re not Gen Z enough to ghost each other. At most, they hang around in the relationship until the love dissipates. Anything to not have “the talk”. In this normal universe, the film is certainly not called Tu Jhoothi Main Makkaar, or anything on the lines of Sonu Ke Titu Ki Pyaar Ka Punchnama. But in Luv Ranjan’s universe, this same story is a bitter battle of sexes between a good-looking boy and a gorgeous girl who tries to leave him because – horror of horrors – she likes her independence and his family is too overbearing.<br/><br/>You can’t say Ranjan isn’t trying. If anything, this is him reacting to the criticism – that is, the (correct) accusations of casual misogyny bubble-wrapped in crowd-pleasing comedy – of his previous movies. You see, the women in those movies (Pyaar Ka Punchnama, Sonu Ke Titu Ki Sweety) were scheming, conniving caricatures who forced their boyfriends to choose between bromance and romance. Love was a messy war of ownership. But here, the conflict is centered on the woman’s inability to be cruel and manipulative; she is too evolved to be the quintessential Luv Ranjan heroine. (Coincidentally, actress Shraddha Kapoor’s breakout film, from 2011, was called Luv Ka The End). Her Nisha in this film is so nice that, rather than force poor Rohan (Ranbir Kapoor) to choose between his family and her, she attempts to do the nobler thing: Gaslight him into believing he’s the issue. Nisha would rather have Rohan reject her than the other way around. You see, her dishonesty is merely an expression of compassion. This is Luv Ranjan being progressive.<br/><br/>Never mind that Rohan, like his Kartik Aaryan-esque predecessors, decides to turn her predicament into a game. At stake is the incorruptible Indian idea of marrying not just the person, but also the family. In the pink corner lies Rohan’s courage to go from cold Casanova to heartbreaking martyr, and his pride of being a Momma’s Boy. In the blue corner lies Nisha’s reluctance to sacrifice her own ambitions at the altar of Rohan’s Barjatya-shaped love. There can be only one winner. At one point, he subjects Nisha to a sexist rant about women and jobs – except that he’s only pretending to be a horrible man. He’s pretending to be a Kabir Singh so that nobody blames her. For a moment, I was almost impressed by Luv Ranjan’s self-awareness to use toxic masculinity as a smokescreen.
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