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Goodknight
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_throne-of-seal-shen-yin-wang-zuo-episode-104-english-sub.webp "Battle Through The Heavens All Seasons https://bit.ly/4bM3lvD<br/>Swallowed Star All Seasons https://bit.ly/49mQ9Ma<br/>Shrouding The Heavens All Episodes https://bit.ly/3uNkm8a<br/>Perfect World All Episodes https://bit.ly/42Zg9ek<br/>Throne of Seal All Episodes https://bit.ly/49p6HmP<br/>Lord of all lords https://bit.ly/3wuz6t1<br/>Wan Jie Chun Qiu (Spring and Autumn) https://bit.ly/3UUOeu4<br/><br/>While the demons were rising, mankind was about to become extinct. Six temples rose and protected the last of mankind. A young boy joins the temple as a knight to save his mother. During his journey of wonders and mischief in the world, while the demons were rising, mankind was about to become extinct. Six temples rose and protected the last of mankind. A young boy joins the temple as a knight to save his mother. During his journey of wonders and mischief in the world of temples and demons, will he be able to ascend to become the strongest knight and inherit the throne of temples and demons, will he be able to ascend to become the strongest knight and inherit the throne?")
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_good-knight-naturals-neem-agarbatti-stick-124-price-124-hands-on.webp "Staytune For Trends")
_the-361-million-karlmann-king-suv.webp "BE PREPARED to spend big to own a Karlmann King - the world’s most expensive SUV. With a starting price tag of over $1M, the monster-sized vehicle can even come provided with an optional bullet proof exterior. Intentionally designed asymmetrical, the sport utility vehicle has what the creator calls the ‘diamond design’. Designer Luciano D’Ambrosio says inspiration was drawn from the Batmobile that featured in The Dark Knight trilogy. Luciano told R.Rides: “When you’re in this business for so many years you think, how about being a little different, especially exaggerated. The maverick designer threw the engineering manual out when envisioning the look for the Karlmann King. Multiple protruding surfaces making up its idiosyncratic look - the car is a spectacle to look at when it’s on the road. He said: “Going opposite to what the design rules would usually ask you for, it’s called the diamond design.” Although the car has been designed to be domineering and big, Luciano is quick to point out the car shouldn’t be seen as too aggressive. The construction of the car is comprised of a shell built and overlapped a Ford F550 chassis, but its unique design doesn’t stop there. For the more discerning customer the car is almost fully customisable. Under the bonnet the car boasts a Ford 6.7l V10 engine giving off 420 horsepower and, despite its mammoth shape, provides a smooth drive on the roads. The top speed of the vehicle is 220 km/h. Luciano said: “Given the size of the car you can imagine you’re driving an elephant but it’s a very flexible and nice drive.” Although its starting price begins at a cool $1,085,000, for a more bespoke design and with its customisable extras the vehicle can cost up to $3,800,000. “My most favourite thing is the way people look at the car, it doesn’t go unseen,’ said Luciano.")
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_the-groundbreaking-camera-piece-christopher-nolan-helped-invent-for-39the-dark-knight39-that-zack-snyder-and-j-j-abrams.webp "Christopher Nolan is a true pioneer of cinema. If there isn’t a piece of camera equipment he can get his hands on to capture the image he desires, he’ll invent it. The director has become incredibly involved in camera technology, especially when it comes to shooting in the very rare 70mm IMAX format, which he has been experimenting with since working on The Prestige. He is so specific with his sensibilities, that while he was shooting The Dark Knight, he invented a specific lens that was so innovative that directors like J.J. Abrams and Zack Snyder had to get their hands on it. <br/><br/>In an exclusive interview with CinemaBlend’s very own ReelBlend Podcast, the director opened up about how IMAX technology has evolved since working on The Dark Knight, which he shot when the format was experimental at the time. It was so experimental that the filmmaker had to help invent a specific lens for the immense amount of night shots needed to make the nighttime sequences so immersive.")
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