_king-crimson-starless-1974-cover-by-mila-marukhina-vladimir-ryabinin-danil-miroshnichenko-arkady-fedotov-ivan-fedot.jpg "King Crimson - Starless (1974), cover by Mila Marukhina, Vladimir Ryabinin,Danil Miroshnichenko, Arkady Fedotov, Ivan Fedotov (2023) from opole 1974 Video Screenshot Preview")
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⏲ Duration: 11:18
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✓ Published: 17-May-2024
👁 View: 35K times
✓ Published: 17-May-2024
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Total cover credits: Cover by Mila Marukhina (vocal), Vladimir Ryabinin, Danil Miroshnichenko, Arkady Fedotov, and Ivan Fedotov (2023). <br/><br/>Along with Pink Floyd, Jethro Tull, Procol Harum, and other progressive rock bands from Britain in the late 60's/early 70's, there was THIS group that I began to follow with interest at that time. King Crimson became yet another unique band I would be sharing with friends along with the above-mentioned and others. However, once In The Court Of The Crimson King and In The Wake of Poseidon became fond memories as a different sound began to emerge from the band in 1973, I pretty much gave up on ever hearing the sort of work that were the hallmarks of those first two LPs.<br/><br/>Then came the big surprise in summer 1975 when I purchased their album Red. Released in 1974, it was not well-received at the time, but it nevertheless became one of my favorites, and my friends and I placed it as highly as King Crimson's first two albums. One song in particular captured my attention more than any other on the LP: \
Total cover credits: Cover by Mila Marukhina (vocal), Vladimir Ryabinin, Danil Miroshnichenko, Arkady Fedotov, and Ivan Fedotov (2023). <br/><br/>Along with Pink Floyd, Jethro Tull, Procol Harum, and other progressive rock bands from Britain in the late 60's/early 70's, there was THIS group that I began to follow with interest at that time. King Crimson became yet another unique band I would be sharing with friends along with the above-mentioned and others. However, once In The Court Of The Crimson King and In The Wake of Poseidon became fond memories as a different sound began to emerge from the band in 1973, I pretty much gave up on ever hearing the sort of work that were the hallmarks of those first two LPs.<br/><br/>Then came the big surprise in summer 1975 when I purchased their album Red. Released in 1974, it was not well-received at the time, but it nevertheless became one of my favorites, and my friends and I placed it as highly as King Crimson's first two albums. One song in particular captured my attention more than any other on the LP: \
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_sbb-welcome-40th-anniversary-1978-2018-opole-13-03-2018.webp "Studio M im. SBB Radia Opole")
_dickey-betts-amp-vassar-clements-bootleg-hempstead-ny-11-03-1974.webp "Recorded live at Ultrasonic Studios, East Hempstead, New York, November 03, 1974.<br/><br/>Dickey Betts - guitar, dobro, vocals.<br/>Vassar Clements - violin.<br/>Spooner Oldham - organ.<br/>John Hughey - pedal steel guitar.<br/>Oscar Underwood Adams - mandolin.<br/>Leon Poindexter - acoustic guitar.<br/>Walter Poindexter - banjo.<br/>Frank Poindexter - dobro.<br/>Jerry Jumonville - alto saxophone.<br/>Bonnie Bramlett - vocals, percussion.<br/>Sreay Straton - bass, vocals.Jerry Thompson - drums.<br/>David Warshaw - drums, percussion.<br/><br/>Instrumental.<br/>Old Joe Clark.<br/>Hard time blues.<br/>Rollin' in my sweet baby's arms.<br/>I ain't no stranger now.<br/>Foggy Mountain breakdown.<br/>Will the circle be unbroken.<br/>Pony boy.<br/>Salry dog.<br/>Blue sky.<br/>Jambalaya.<br/>I saw the light.<br/>Carolina.<br/>Come on in my kitchen.<br/>Long time gone.")
_krystyna-proko-papierowe-ptaki-opole-1974.webp "Krystyna Prońko Oficjalny Kanał")
_xii-krajowy-festiwal-polskiej-piosenki-opole-74.webp "FestiwaloveOpole")
_sbb-zostao-we-mnie-live-in-opole-1974-hq.webp "EuropeanSon")
_xii-krajowy-festiwal-polskiej-piosenki-opole-74.webp "FestiwaloveOpole")
_king-crimson-starless-1974-cover-by-mila-marukhina-vladimir-ryabinin-danil-miroshnichenko-arkady-fedotov-ivan-fedot.webp "Total cover credits: Cover by Mila Marukhina (vocal), Vladimir Ryabinin, Danil Miroshnichenko, Arkady Fedotov, and Ivan Fedotov (2023). <br/><br/>Along with Pink Floyd, Jethro Tull, Procol Harum, and other progressive rock bands from Britain in the late 60's/early 70's, there was THIS group that I began to follow with interest at that time. King Crimson became yet another unique band I would be sharing with friends along with the above-mentioned and others. However, once In The Court Of The Crimson King and In The Wake of Poseidon became fond memories as a different sound began to emerge from the band in 1973, I pretty much gave up on ever hearing the sort of work that were the hallmarks of those first two LPs.<br/><br/>Then came the big surprise in summer 1975 when I purchased their album Red. Released in 1974, it was not well-received at the time, but it nevertheless became one of my favorites, and my friends and I placed it as highly as King Crimson's first two albums. One song in particular captured my attention more than any other on the LP: \")
_micha-bajor-9234i-niby-c9234-opole-74.webp "FestiwaloveOpole")
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