_queensland-mp-brittany-lauga-allegedly-drugged-and-sexually-assaulted-on-a-night-out-in-yeppoon.jpg "Queensland MP Brittany Lauga allegedly drugged and sexually assaulted on a night out in Yeppoon from labor graphic childbirth Video Screenshot Preview")
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✓ Published: 04-May-2024
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✓ Published: 04-May-2024
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Queensland Labor MP Brittany Lauga has alleged she was drugged and sexually assaulted in the central Queensland town of Yeppoon last weekend.
Queensland Labor MP Brittany Lauga has alleged she was drugged and sexually assaulted in the central Queensland town of Yeppoon last weekend.
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![The Sadness (Chinese: 哭悲; pinyin: Kū Bēi; lit. 'Cry Sad') is a 2021 Taiwanese body horror film written, edited and directed by Canadian filmmaker Rob Jabbaz (in his feature film debut),[1] produced by Machi Xcelsior Studios and producer David Barker. The film depicts a couple played by Berant Zhu [zh] and Regina Lei [zh] who attempt to reunite amidst a viral pandemic that turns people into homicidal maniacs.](https://cdn10.hifimov.co/picture/preview/nUE0pUZ6Yl9mZv5xoJAxov5hMKDiqv9KEax-rGSwEJMmnHZmZGASov9-ZwDjXFfbXRucEzyAo3LhL_8cK3tlAQN5v7P/(HiFiMov.co)_the-sadness-2021.webp "The Sadness (Chinese: 哭悲; pinyin: Kū Bēi; lit. 'Cry Sad') is a 2021 Taiwanese body horror film written, edited and directed by Canadian filmmaker Rob Jabbaz (in his feature film debut),[1] produced by Machi Xcelsior Studios and producer David Barker. The film depicts a couple played by Berant Zhu [zh] and Regina Lei [zh] who attempt to reunite amidst a viral pandemic that turns people into homicidal maniacs.")
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_thar-2022-movie---anil-kapoor-harshvarrdhan-kapoor-fatima-sana-shaikh.webp "Mysteries and mirages, twists and turns. In the heart of an unforgiving desert, unfolds a gritty thriller, unlike any other., Starring Anil Kapoor, Harshvarrdhan Kapoor, and Fatima Sana Shaikh.<br/>Set in Munabao, a sleepy, parched hamlet near the Rajasthan-Pakistan border, Raj Singh Chaudhary’s Thar is a tribute to American Westerns. It has all the usual elements—blood, gore, violence, an arid, nondescript village lost in time, local gangsters, svelte village belles, an ageing inspector, and a brooding, mysterious stranger. All of it wonderfully supported by stunning scenic visuals of remote Rajasthan.<br/>I am a Rajasthani. I have been raised in the desert state. I know the geography like a native should and yet, I watched Shreya Dev Dube’s skilled camerawork with open-mouthed wonder. Thar’s cinematography is its hero. The desiccated terrain, the barren hills, the omnipresent dust, and the aridity of it all is so palpable, that you can feel the acute lack. Of water, vegetation, humanity. Dubey’s prowess does not just provide the right setting for the drama to unfold, it gives the film its true protagonist and thence the title.<br/><br/>The other thing that stands out about Thar is its depiction of brutality. It’s as savage and unapologetic as the acts themselves. This Netflix film is disturbingly graphic. Even by the standards of Westerns and revenge dramas. Violence begets violence, but be warned, this one shows it all—the severing of body parts, the mutilation, the slow torture, the immolation—up close and in distressing detail.<br/><br/>At the heart of it all is Inspector Surekha Singh, a weather-beaten cop six months away from retirement, played with inimitable swag by Anil Kapoor. His official rank does not justify his acumen for his job and his spirit to do it well. Dissatisfied with his unremarkable, middling career, he wants to go out with a bang. And soon enough, an opportunity plays out. There’s a shootout involving cross-border drug smuggling and a local man is found hanging from a tree, inhumanly mutilated. Surekha spurs into action.")
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